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Gustave Dore

Displaying Page 9 of 12  First Prev  2  3  4  5  6  7  8  9  10  11  12  Next Last  287 paintings



Comes on an old man, hoary white with eld, (Canto III., line 77) - Gustave Dore
Comes on an old man, hoary white with eld, (Canto III., line 77) - Gustave Dore

Made my bent knees and eye submissive pay Due reverence; (Canto I., line 57-58) - Gustave Dore
Made my bent knees and eye submissive pay Due reverence; (Canto I., line 57-58) - Gustave Dore

Jacob Tending The Flocks - Gustave Dore
Jacob Tending The Flocks - Gustave Dore

The sight of mis'ry. (Canto XIII., line 66) - Gustave Dore
The sight of mis'ry. (Canto XIII., line 66) - Gustave Dore

Love brought us to one death: Caina waits (Canto V., line 105) - Gustave Dore
Love brought us to one death: Caina waits (Canto V., line 105) - Gustave Dore

Sisera Slain By Jael - Gustave Dore
Sisera Slain By Jael - Gustave Dore

Unceasing was the play of wretched hands, (Canto XIV., line 37) - Gustave Dore
Unceasing was the play of wretched hands, (Canto XIV., line 37) - Gustave Dore

And in the boiling lake both well. (Canto XXII., line 139) - Gustave Dore
And in the boiling lake both well. (Canto XXII., line 139) - Gustave Dore

There stood I like the friar, (Canto XIX., line 10) - Gustave Dore
There stood I like the friar, (Canto XIX., line 10) - Gustave Dore

I, who now bid thee on this errand forth, Am Beatrice (Canto II., lines 70-71) - Gustave Dore
I, who now bid thee on this errand forth, Am Beatrice (Canto II., lines 70-71) - Gustave Dore

Ezekiel Prophesying - Gustave Dore
Ezekiel Prophesying - Gustave Dore

O Lady! thou in whom my hopes have rest! (Canto XXXI., line 76) - Gustave Dore
O Lady! thou in whom my hopes have rest! (Canto XXXI., line 76) - Gustave Dore

Already on my temples beam'd the crown, (Canto VIII., line 71) - Gustave Dore
Already on my temples beam'd the crown, (Canto VIII., line 71) - Gustave Dore

The Disciples Plucking Corn On The Sabbath - Gustave Dore
The Disciples Plucking Corn On The Sabbath - Gustave Dore

Soon they o'ertook us; with such swiftness mov'd The mighty crowd. (Canto XVIII., lines 98-99) - Gustave Dore
Soon they o'ertook us; with such swiftness mov'd The mighty crowd. (Canto XVIII., lines 98-99) - Gustave Dore

I could not hear what terms he offer'd them, (Canto VIII., line 110) - Gustave Dore
I could not hear what terms he offer'd them, (Canto VIII., line 110) - Gustave Dore

Perched, and sat, and nothing more. - Gustave Dore
Perched, and sat, and nothing more. - Gustave Dore

The Star In The East - Gustave Dore
The Star In The East - Gustave Dore

"What cause," said he, "Hath bow'd thee thus!" (Canto XIX., 138-139) - Gustave Dore

?Here I opened wide the door;?Darkness there, and nothing more.	 - Gustave Dore
?Here I opened wide the door;?Darkness there, and nothing more. - Gustave Dore

My spirit reel'd, so passing sweet the strain: (Canto XXVII., line 4) - Gustave Dore
My spirit reel'd, so passing sweet the strain: (Canto XXVII., line 4) - Gustave Dore

he who gave the Pharisees Counsel, (Canto XXIII., lines 118-119) - Gustave Dore
he who gave the Pharisees Counsel, (Canto XXIII., lines 118-119) - Gustave Dore

I once was Pia (Canto V., line 143) - Gustave Dore
I once was Pia (Canto V., line 143) - Gustave Dore

That on white forehead set a pearl as strong (Canto III., line 14) - Gustave Dore
That on white forehead set a pearl as strong (Canto III., line 14) - Gustave Dore

Noah Cursing Ham - Gustave Dore
Noah Cursing Ham - Gustave Dore



Displaying Page 9 of 12  First Prev  2  3  4  5  6  7  8  9  10  11  12  Next Last  287 paintings

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Paintings of the day

Philippe Pinel 1745-1826 releasing lunatics from their chains at the Bicetre asylum in Paris in 1793 - Charles Louis Lucien Muller
Philippe Pinel 1745-1826 releasing lunatics from their chains at the Bicetre asylum in Paris in 1793 - Charles Louis Lucien Muller
Shepherd in a Sheepskin Cloak on a Red Background - Niko Pirosmanashvili
Shepherd in a Sheepskin Cloak on a Red Background - Niko Pirosmanashvili
Portrait of a boy - (after) Hans Hysing
Portrait of a boy - (after) Hans Hysing
At the wayside - William Shayer, Snr
At the wayside - William Shayer, Snr
The Bradshaw Family, by Valentine Green - (after) Wright, Joseph
The Bradshaw Family, by Valentine Green - (after) Wright, Joseph
The Sacrifice of Iphigenia 1757 - Giovanni Battista Tiepolo
The Sacrifice of Iphigenia 1757 - Giovanni Battista Tiepolo
Saint James the Greater - Umbrian School
Saint James the Greater - Umbrian School
Flowers in a Vase - Jacob Marrel
Flowers in a Vase - Jacob Marrel
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Art News

Call for Artists: Paris/Berlin International Meetings - roARatorio, Paris FR France
Call for Artists: Residencies Available in South India - Art Residencies India, London UK United Kingdom
Call for Artist: Seeking New Studio Artists - Binney and Smith Gallery, Banana Factory, Bethlehem, PA, USA United States of America
renew the linoleum - Ibis Art Centre, Nieu-Bethesda ZA South Africa
Waiting: A Group Exhibition with Work by Bertram and Dr. Gerd Matysik - Broadway Gallery, New York, NY, USA United States of America
THE QUEEN OF THE ANGELS - J. Paul Getty Center, LOS ANGELES, CA, USA
Utopia: The Search for the Ideal Society in the Western World - New York Public Library, New York, NY, USA United States of America
Kenro Izu: Sacred Places - Detroit Institute of Art, Detroit, MI, USA
Transparency: A Subtle Play Between the Artists Michel Cleempoel and Vincent van Ginneke - art-o-nivo gallery, Brugge BE Belgium
Ivor Sias: Longings - Joao Ferreira Fine Art, Cape Town ZA South Africa
Call to Artists: Drawing the New Millennium - The Challenge of Media and Idea to the Nature of Drawing - Maine Artists Space, Danforth Gallery, Portland, ME, USA United States of America

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