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Gustave Dore

Displaying Page 7 of 12  First Prev  2  3  4  5  6  7  8  9  10  11  12  Next Last  287 paintings



On that maim'd stone set up to guard the bridge, (Canto XVI., line 146) - Gustave Dore
On that maim'd stone set up to guard the bridge, (Canto XVI., line 146) - Gustave Dore

Samson And Delilah - Gustave Dore
Samson And Delilah - Gustave Dore

Paul's Shipwreck - Gustave Dore
Paul's Shipwreck - Gustave Dore

Jeremiah preaching to his Followers - Gustave Dore
Jeremiah preaching to his Followers - Gustave Dore

The arch-heretics are here, (Canto IX., line 125) - Gustave Dore
The arch-heretics are here, (Canto IX., line 125) - Gustave Dore

Now was the day departing, and the air, (Canto II., line 1) - Gustave Dore
Now was the day departing, and the air, (Canto II., line 1) - Gustave Dore

When over us the steep they reach'd. (Canto XXIII., line 54) - Gustave Dore
When over us the steep they reach'd. (Canto XXIII., line 54) - Gustave Dore

Souvenir D'Ecosse (A Souvenir from Scotland) - Gustave Dore
Souvenir D'Ecosse (A Souvenir from Scotland) - Gustave Dore

New terror I conceived at the steep plunge. (Canto XVII., line 117) - Gustave Dore
New terror I conceived at the steep plunge. (Canto XVII., line 117) - Gustave Dore

The Massacre Of The Innocents - Gustave Dore
The Massacre Of The Innocents - Gustave Dore

'T is some visitor entreating entrance at my chamber door? - Gustave Dore
'T is some visitor entreating entrance at my chamber door? - Gustave Dore

Raising Of The Daughter Of Jairus - Gustave Dore
Raising Of The Daughter Of Jairus - Gustave Dore

La Grande Soeur - Gustave Dore
La Grande Soeur - Gustave Dore

The Good Samaritan - Gustave Dore
The Good Samaritan - Gustave Dore

The Inferno, Canto 33, lines 73-74: Then fasting got The mastery of grief. - Gustave Dore
The Inferno, Canto 33, lines 73-74: Then fasting got The mastery of grief. - Gustave Dore

Ah! how they made them bound at the first stripe! (Canto XVIII., line 38) - Gustave Dore
Ah! how they made them bound at the first stripe! (Canto XVIII., line 38) - Gustave Dore

The Inferno, Canto 31, lines 64-66: “O senseless spirit! let thy horn for thee Interpret: therewith vent thy rage, if rage Or other passion wring thee.” - Gustave Dore
The Inferno, Canto 31, lines 64-66: “O senseless spirit! let thy horn for thee Interpret: therewith vent thy rage, if rage Or other passion wring thee.” - Gustave Dore

"Hast no help For me, my father?" (Canto XXXIII., lines 67-68) - Gustave Dore

while th' angelic shape A little over us his station took. (Canto XIX., lines 56-57) - Gustave Dore
while th' angelic shape A little over us his station took. (Canto XIX., lines 56-57) - Gustave Dore

The Return Of The Ark - Gustave Dore
The Return Of The Ark - Gustave Dore

"Down, down; bend low Thy knees; behold God's angel: (Canto II., lines 29-30) - Gustave Dore

Joseph Sold Into Egypt - Gustave Dore
Joseph Sold Into Egypt - Gustave Dore

There I with little innocents abide, (Canto VII., line 31) - Gustave Dore
There I with little innocents abide, (Canto VII., line 31) - Gustave Dore

Now the fair consort of Tithonus old, (Canto IX, line 1) - Gustave Dore
Now the fair consort of Tithonus old, (Canto IX, line 1) - Gustave Dore

Nevermore - Gustave Dore
Nevermore - Gustave Dore



Displaying Page 7 of 12  First Prev  2  3  4  5  6  7  8  9  10  11  12  Next Last  287 paintings

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Paintings of the day

The Flower Seller - Frederick Hendrik Kaemmerer
The Flower Seller - Frederick Hendrik Kaemmerer
A two-decker announcing her arrival at the anchorage, with an Admiralty yacht running out to meet her - Peter Monamy
A two-decker announcing her arrival at the anchorage, with an Admiralty yacht running out to meet her - Peter Monamy
Chirico, C. G. di - Cavaliere Giocomo di Chirico
Chirico, C. G. di - Cavaliere Giocomo di Chirico
The Garden Walk - Harrison Fisher
The Garden Walk - Harrison Fisher
An extensive view of the Isle of Skye with cattle in the foreground - William (Turner of Oxford) Turner
An extensive view of the Isle of Skye with cattle in the foreground - William (Turner of Oxford) Turner
The Merchant Taylors School Room, from History of Merchant Taylors School, part of History of the Colleges, engraved by Joseph Constantine Stadler fl.1780-1812 pub. by R. Ackermann, 1816 - (after) Pugin, Augustus Charles
The Merchant Taylors School Room, from History of Merchant Taylors School, part of History of the Colleges, engraved by Joseph Constantine Stadler fl.1780-1812 pub. by R. Ackermann, 1816 - (after) Pugin, Augustus Charles
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Art News

Call for Artists: Paris/Berlin International Meetings - roARatorio, Paris FR France
Call for Artists: Residencies Available in South India - Art Residencies India, London UK United Kingdom
Call for Artist: Seeking New Studio Artists - Binney and Smith Gallery, Banana Factory, Bethlehem, PA, USA United States of America
Two Brothers in Cordoba Argentina: Timothy and Walter King - Maria Elena Kravetz Gallery, Cordoba AR Argentina
Joan Hernandez Pijuan: Painter - Malmo Konsthall, Malmo SE Sweden
The Animal Show -Works by Gallery Artists - First Street Gallery, New York, NY, USA United States of America
Skip Bolen and Steven Forster: The Jazz Lenses - Photographs of Jazz Musicians in New Orleans - John Stinson Fine Arts, New Orleans, LA, USA United States of America
Futurism and Photography - Estorick Collection of Modern Italian Art, London UK United Kingdom
renew the linoleum - Ibis Art Centre, Nieu-Bethesda ZA South Africa
Marjetica Potrc: Urgent Architecture - Palm Beach Institute of Contemporary Art, Lake Worth, FL, USA
Ban/Ban: Four American and Four Korean Aritists - Richmond Art Center, Richmond, CA, USA United States of America

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