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Gustave Dore

Displaying Page 8 of 12  First Prev  2  3  4  5  6  7  8  9  10  11  12  Next Last  287 paintings



Eliezer And Rebekah - Gustave Dore
Eliezer And Rebekah - Gustave Dore

Call thou to mind Piero of Medicina, (Canto XXVIII., lines 69-70) - Gustave Dore
Call thou to mind Piero of Medicina, (Canto XXVIII., lines 69-70) - Gustave Dore

Ye host of heaven! whose glory I survey (Canto XVIII., line 126) - Gustave Dore
Ye host of heaven! whose glory I survey (Canto XVIII., line 126) - Gustave Dore

The serpent fled; (Canto VIII., line 116) - Gustave Dore
The serpent fled; (Canto VIII., line 116) - Gustave Dore

Be to mine eyes the remedy (Canto XXVI., line 15) - Gustave Dore
Be to mine eyes the remedy (Canto XXVI., line 15) - Gustave Dore

Isaiah - Gustave Dore
Isaiah - Gustave Dore

The Betrayal - Gustave Dore
The Betrayal - Gustave Dore

The Dumb Man Possessed - Gustave Dore
The Dumb Man Possessed - Gustave Dore

But whose velvet violet lining with the lamplight gloating o'er She shall press, ah, nevermore! - Gustave Dore
But whose velvet violet lining with the lamplight gloating o'er She shall press, ah, nevermore! - Gustave Dore

Sorrow for the lost Lenore. - Gustave Dore
Sorrow for the lost Lenore. - Gustave Dore

Naomi And Her Daughters-In-Law - Gustave Dore
Naomi And Her Daughters-In-Law - Gustave Dore

Here the brute Harpies make their nest. (Canto XIII., line 41) - Gustave Dore
Here the brute Harpies make their nest. (Canto XIII., line 41) - Gustave Dore

A widow at his bridle stood, attir'd (Canto X, line 74) - Gustave Dore
A widow at his bridle stood, attir'd (Canto X, line 74) - Gustave Dore

a panther, nimble, light, (Canto I., line 30) - Gustave Dore
a panther, nimble, light, (Canto I., line 30) - Gustave Dore

Deborah's Song Of Triumph - Gustave Dore
Deborah's Song Of Triumph - Gustave Dore

A ladder, which my ken pursued in vain, (Canto XXI., line 29) - Gustave Dore
A ladder, which my ken pursued in vain, (Canto XXI., line 29) - Gustave Dore

He, soon as he saw That I was weeping, answer'd (Canto I., lines 87-88) - Gustave Dore
He, soon as he saw That I was weeping, answer'd (Canto I., lines 87-88) - Gustave Dore

"Name thee, or not a hair shall tarry here!" (Canto XXXII., line 98) - Gustave Dore

Three nymphs (Canto XXIX., line 126) - Gustave Dore
Three nymphs (Canto XXIX., line 126) - Gustave Dore

By the hair It bore the sever'd member, lantern-wise (Canto XXVIII., lines 116-117) - Gustave Dore
By the hair It bore the sever'd member, lantern-wise (Canto XXVIII., lines 116-117) - Gustave Dore

Open here I flung the shutter. - Gustave Dore
Open here I flung the shutter. - Gustave Dore

A lady young and beautiful, I dream'd, (Canto XXVII., line 105) - Gustave Dore
A lady young and beautiful, I dream'd, (Canto XXVII., line 105) - Gustave Dore

behind the lid Of a great monument we stood retired. (Canto XI., lines 6-7) - Gustave Dore
behind the lid Of a great monument we stood retired. (Canto XI., lines 6-7) - Gustave Dore

Arrival Of The Samaritan At The Inn - Gustave Dore
Arrival Of The Samaritan At The Inn - Gustave Dore

Love brought us to one death: Caina waits (Canto V., line 105) - Gustave Dore
Love brought us to one death: Caina waits (Canto V., line 105) - Gustave Dore



Displaying Page 8 of 12  First Prev  2  3  4  5  6  7  8  9  10  11  12  Next Last  287 paintings

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Paintings of the day

Night dance - James Cook
Night dance - James Cook
She Shall be called Woman 2 - George Frederick Watts
She Shall be called Woman 2 - George Frederick Watts
A view of Piazza Navona, Rome - (Giovanni Antonio Canal) Canaletto
A view of Piazza Navona, Rome - (Giovanni Antonio Canal) Canaletto
A religious procession in a village a fragment - (after) Pieter The Younger Brueghel
A religious procession in a village a fragment - (after) Pieter The Younger Brueghel
Portrait of Alfred Bruyas - Gustave Courbet
Portrait of Alfred Bruyas - Gustave Courbet
Skaters on the Lake at Bois de Boulogne - Eugene Charles Francois Guerard
Skaters on the Lake at Bois de Boulogne - Eugene Charles Francois Guerard
Calculating Longitude with the Declination of the Sun, plate 17 from Nova Reperta New Discoveries engraved by Philip Galle 1537-1612 c.1600 - (after) Straet, Jan van der (Giovanni Stradano)
Calculating Longitude with the Declination of the Sun, plate 17 from Nova Reperta New Discoveries engraved by Philip Galle 1537-1612 c.1600 - (after) Straet, Jan van der (Giovanni Stradano)
Portrait of Marjorie Ferry, 1932 - Tamara de Lempicka
Portrait of Marjorie Ferry, 1932 - Tamara de Lempicka
Portrait of a Gentleman - (after) Josepf Wright Of Derby
Portrait of a Gentleman - (after) Josepf Wright Of Derby
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Art News

Call for Artists: Paris/Berlin International Meetings - roARatorio, Paris FR France
Call for Artists: Residencies Available in South India - Art Residencies India, London UK United Kingdom
Call for Artist: Seeking New Studio Artists - Binney and Smith Gallery, Banana Factory, Bethlehem, PA, USA United States of America
Flair: Work by Tim Bavington, Alex Blau, Gregory Dennis, Jennifer Faist, Stephen Giannetti, Terry Haggerty, Gary Szymanski, Sharon Weiner, and Yek - Heather Marx Gallery, San Francisco, CA, USA United States of America
Artery - João Ferreira Fine Art, Cape Town ZA South Africa
Solo Exhibition: Jane and Louise Wilson - De Appel, Amsterdam NL
Fenosa and His Friend Picasso - Fundacao Arpad Szenes - Vieira da Silva, Lisbon PT Portugal
Colours by Salon 67 - Tiger Inn, Kent UK United Kingdom
The Mexperimental Cinema - Guggenheim Museum, Bilbao ES Spain
Artist Network: Here - Now - Gallery KAZE, Tokyo JP Japan
New Works by Andrew Verster , Installation by Marklyn Govender and Clint Singh - NSA Gallery, Durban ZA South Africa

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