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Gustave Dore

Displaying Page 2 of 12  First Prev  1  2  3  4  5  6  7  8  9  10  11  Next Last  287 paintings



The Inferno, Canto 22, line 70: In pursuit He therefore sped, exclaiming; “Thou art caught.” - Gustave Dore
The Inferno, Canto 22, line 70: In pursuit He therefore sped, exclaiming; “Thou art caught.” - Gustave Dore

The Inferno, Canto 28, lines 30,31: Now mark how I do rip me: lo! How is Mahomet mangled. - Gustave Dore
The Inferno, Canto 28, lines 30,31: Now mark how I do rip me: lo! How is Mahomet mangled. - Gustave Dore

The Inferno, Canto 28, lines 116-119: By the hair It bore the sever’d member, lantern-wise Pendent in hand, which look’d at us and said, “Woe’s me!” - Gustave Dore
The Inferno, Canto 28, lines 116-119: By the hair It bore the sever’d member, lantern-wise Pendent in hand, which look’d at us and said, “Woe’s me!” - Gustave Dore

The Inferno, Canto 31, lines 133-135: Yet in th’ abyss, That Lucifer with Judas low ingulfs, Lightly he plac’d us - Gustave Dore
The Inferno, Canto 31, lines 133-135: Yet in th’ abyss, That Lucifer with Judas low ingulfs, Lightly he plac’d us - Gustave Dore

The Inferno, Canto 32, lines 97-98: Then seizing on his hinder scalp, I cried: “Name thee, or not a hair shall tarry here.” - Gustave Dore
The Inferno, Canto 32, lines 97-98: Then seizing on his hinder scalp, I cried: “Name thee, or not a hair shall tarry here.” - Gustave Dore

The Inferno, Canto 34, lines 133: Thus issuing we again beheld the stars. - Gustave Dore
The Inferno, Canto 34, lines 133: Thus issuing we again beheld the stars. - Gustave Dore

The Prophet Amos - Gustave Dore
The Prophet Amos - Gustave Dore

La Chute Des Titans (The Clash of the Titans) - Gustave Dore
La Chute Des Titans (The Clash of the Titans) - Gustave Dore

The Inferno, Canto 8, lines 27-29: Soon as both embark’d, Cutting the waves, goes on the ancient prow, More deeply than with others it is wont. - Gustave Dore
The Inferno, Canto 8, lines 27-29: Soon as both embark’d, Cutting the waves, goes on the ancient prow, More deeply than with others it is wont. - Gustave Dore

The Inferno, Canto 18, lines 130-132: Thais is this, the harlot, whose false lip Answer’d her doting paramour that ask’d, ‘Thankest me much!’ - Gustave Dore
The Inferno, Canto 18, lines 130-132: Thais is this, the harlot, whose false lip Answer’d her doting paramour that ask’d, ‘Thankest me much!’ - Gustave Dore

The Inferno, Canto 12, lines 73-74: We to those beasts, that rapid strode along, Drew near - Gustave Dore
The Inferno, Canto 12, lines 73-74: We to those beasts, that rapid strode along, Drew near - Gustave Dore

The Inferno, Canto 26, lines 46-49: The guide, who mark’d How I did gaze attentive, thus began: “Within these ardours are the spirits, each Swath’d in confining fire.” - Gustave Dore
The Inferno, Canto 26, lines 46-49: The guide, who mark’d How I did gaze attentive, thus began: “Within these ardours are the spirits, each Swath’d in confining fire.” - Gustave Dore

A Mountain Torrent in the Highlands - Gustave Dore
A Mountain Torrent in the Highlands - Gustave Dore

Mere Et Enfant - Gustave Dore
Mere Et Enfant - Gustave Dore

The Inferno, Canto 6, lines 49-52: 'Thy city heap’d with envy to the brim, Ay that the measure overflows its bounds, Held me in brighter days. Ye citizens Were wont to name me Ciacco.' - Gustave Dore
The Inferno, Canto 6, lines 49-52: 'Thy city heap’d with envy to the brim, Ay that the measure overflows its bounds, Held me in brighter days. Ye citizens Were wont to name me Ciacco.' - Gustave Dore

The Inferno, Canto 6, lines 24-26: Then my guide, his palms Expanding on the ground, thence filled with earth Rais’d them, and cast it in his ravenous maw. - Gustave Dore
The Inferno, Canto 6, lines 24-26: Then my guide, his palms Expanding on the ground, thence filled with earth Rais’d them, and cast it in his ravenous maw. - Gustave Dore

The Inferno, Canto 7, lines 65-67: “Not all the gold, that is beneath the moon, Or ever hath been, of these toil-worn souls Might purchase rest for one.” - Gustave Dore
The Inferno, Canto 7, lines 65-67: “Not all the gold, that is beneath the moon, Or ever hath been, of these toil-worn souls Might purchase rest for one.” - Gustave Dore

The Inferno, Canto 29, lines 52-56: Then my sight Was livelier to explore the depth, wherein The minister of the most mighty Lord, All-searching Justice, dooms to punishment The forgers noted on her dread record. - Gustave Dore
The Inferno, Canto 29, lines 52-56: Then my sight Was livelier to explore the depth, wherein The minister of the most mighty Lord, All-searching Justice, dooms to punishment The forgers noted on her dread record. - Gustave Dore

Moses In The Bulrushes - Gustave Dore
Moses In The Bulrushes - Gustave Dore

The Inferno, Canto 32, lines 127-129: Not more furiously On Menalippus’ temples Tydeus gnaw’d, Than on that skull and on its garbage he. - Gustave Dore
The Inferno, Canto 32, lines 127-129: Not more furiously On Menalippus’ temples Tydeus gnaw’d, Than on that skull and on its garbage he. - Gustave Dore

Saul's Conversion - Gustave Dore
Saul's Conversion - Gustave Dore

The Last Judgement - Gustave Dore
The Last Judgement - Gustave Dore

The Pharisee And The Publican - Gustave Dore
The Pharisee And The Publican - Gustave Dore

The Inferno, Canto 23, lines 92-94: “Tuscan, who visitest The college of the mourning hypocrites, Disdain not to instruct us who thou art.” - Gustave Dore
The Inferno, Canto 23, lines 92-94: “Tuscan, who visitest The college of the mourning hypocrites, Disdain not to instruct us who thou art.” - Gustave Dore

The Inferno, Canto 5, lines 105-106: 'Love brought us to one death: Caina waits The soul, who spilt our life.' - Gustave Dore
The Inferno, Canto 5, lines 105-106: 'Love brought us to one death: Caina waits The soul, who spilt our life.' - Gustave Dore



Displaying Page 2 of 12  First Prev  1  2  3  4  5  6  7  8  9  10  11  Next Last  287 paintings

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Paintings of the day

A coastal landscape with shipping and figures by a classical fountain - Claude Lorrain (Gellee)
A coastal landscape with shipping and figures by a classical fountain - Claude Lorrain (Gellee)
At the Piano Madame Juliette Pascal in the Drawing Room of the Chateau de Malrome 1896 - Henri De Toulouse-Lautrec
At the Piano Madame Juliette Pascal in the Drawing Room of the Chateau de Malrome 1896 - Henri De Toulouse-Lautrec
A view of Nago at sunset - Wilhelm Peter Carl Petersen
A view of Nago at sunset - Wilhelm Peter Carl Petersen
In the Studio - Guy Rose
In the Studio - Guy Rose
Hemicycle of the Ecole des Beaux (right side) - Paul Delaroche
Hemicycle of the Ecole des Beaux (right side) - Paul Delaroche
Scenes on the left wall 1481-82 - Sandro Botticelli (Alessandro Filipepi)
Scenes on the left wall 1481-82 - Sandro Botticelli (Alessandro Filipepi)
Edith Finding the Body of Harold, 1828 - Horace Vernet
Edith Finding the Body of Harold, 1828 - Horace Vernet
Convent at Valmontone from a volume of 66 views drawn from nature in the neighbourhood of Rome and Abruzzo - Sir Richard Colt Hoare
Convent at Valmontone from a volume of 66 views drawn from nature in the neighbourhood of Rome and Abruzzo - Sir Richard Colt Hoare
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Art News

Call for Artists: Paris/Berlin International Meetings - roARatorio, Paris FR France
Call for Artists: Residencies Available in South India - Art Residencies India, London UK United Kingdom
Call for Artist: Seeking New Studio Artists - Binney and Smith Gallery, Banana Factory, Bethlehem, PA, USA United States of America
The Lighter Side of Bay Area Figuration - Kemper Art Museum, Kansas City, MO, USA United States of America
Wild Women Theatre Workshop - Beyond the Proscenium Productions, Sacramento, CA, USA United States of America
Tamara Gayer: Urbanics - Priska C. Jurschka Fine Art, Brooklyn, NY, USA United States of America
please please me new neon work by Mary-Louise Browne - Bartley and Company Art, Auckland NZ New Zealand (Aotearoa)
In Style: Japanese Prints of the 18th and 19th Centuries - Tacoma Art Museum, Tacoma, WA, USA United States of America
KONDISHUN EN BLAQ: Contemporary Urban Existence in African America, a Multi-Media Exhibition and Performance by Ikemefuna - Fells Point Creative Alliance, Baltimore, MD, USA United States of America
Heman Chong's The Silver Sessions - Kuenstlerhaus Bethanien, Berlin DE Germany
FUTURE TIME - Art & Science Collaborations, Inc., New York, NY, USA United States of America

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