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Gustave Dore

Displaying Page 2 of 12  First Prev  1  2  3  4  5  6  7  8  9  10  11  Next Last  287 paintings



The Inferno, Canto 28, lines 30,31: Now mark how I do rip me: lo! How is Mahomet mangled. - Gustave Dore
The Inferno, Canto 28, lines 30,31: Now mark how I do rip me: lo! How is Mahomet mangled. - Gustave Dore

Nymphs in a landscape - Gustave Dore
Nymphs in a landscape - Gustave Dore

The Inferno, Canto 31, lines 133-135: Yet in th’ abyss, That Lucifer with Judas low ingulfs, Lightly he plac’d us - Gustave Dore
The Inferno, Canto 31, lines 133-135: Yet in th’ abyss, That Lucifer with Judas low ingulfs, Lightly he plac’d us - Gustave Dore

The Inferno, Canto 32, lines 97-98: Then seizing on his hinder scalp, I cried: “Name thee, or not a hair shall tarry here.” - Gustave Dore
The Inferno, Canto 32, lines 97-98: Then seizing on his hinder scalp, I cried: “Name thee, or not a hair shall tarry here.” - Gustave Dore

The Inferno, Canto 34, lines 133: Thus issuing we again beheld the stars. - Gustave Dore
The Inferno, Canto 34, lines 133: Thus issuing we again beheld the stars. - Gustave Dore

The Prophet Amos - Gustave Dore
The Prophet Amos - Gustave Dore

The Inferno, Canto 28, lines 116-119: By the hair It bore the sever’d member, lantern-wise Pendent in hand, which look’d at us and said, “Woe’s me!” - Gustave Dore
The Inferno, Canto 28, lines 116-119: By the hair It bore the sever’d member, lantern-wise Pendent in hand, which look’d at us and said, “Woe’s me!” - Gustave Dore

The Inferno, Canto 18, lines 130-132: Thais is this, the harlot, whose false lip Answer’d her doting paramour that ask’d, ‘Thankest me much!’ - Gustave Dore
The Inferno, Canto 18, lines 130-132: Thais is this, the harlot, whose false lip Answer’d her doting paramour that ask’d, ‘Thankest me much!’ - Gustave Dore

The Inferno, Canto 6, lines 24-26: Then my guide, his palms Expanding on the ground, thence filled with earth Rais’d them, and cast it in his ravenous maw. - Gustave Dore
The Inferno, Canto 6, lines 24-26: Then my guide, his palms Expanding on the ground, thence filled with earth Rais’d them, and cast it in his ravenous maw. - Gustave Dore

The Inferno, Canto 26, lines 46-49: The guide, who mark’d How I did gaze attentive, thus began: “Within these ardours are the spirits, each Swath’d in confining fire.” - Gustave Dore
The Inferno, Canto 26, lines 46-49: The guide, who mark’d How I did gaze attentive, thus began: “Within these ardours are the spirits, each Swath’d in confining fire.” - Gustave Dore

A Mountain Torrent in the Highlands - Gustave Dore
A Mountain Torrent in the Highlands - Gustave Dore

The Inferno, Canto 8, lines 27-29: Soon as both embark’d, Cutting the waves, goes on the ancient prow, More deeply than with others it is wont. - Gustave Dore
The Inferno, Canto 8, lines 27-29: Soon as both embark’d, Cutting the waves, goes on the ancient prow, More deeply than with others it is wont. - Gustave Dore

The Inferno, Canto 12, lines 73-74: We to those beasts, that rapid strode along, Drew near - Gustave Dore
The Inferno, Canto 12, lines 73-74: We to those beasts, that rapid strode along, Drew near - Gustave Dore

Saul's Conversion - Gustave Dore
Saul's Conversion - Gustave Dore

The Christian Martyrs - Gustave Dore
The Christian Martyrs - Gustave Dore

The Inferno, Canto 7, lines 65-67: “Not all the gold, that is beneath the moon, Or ever hath been, of these toil-worn souls Might purchase rest for one.” - Gustave Dore
The Inferno, Canto 7, lines 65-67: “Not all the gold, that is beneath the moon, Or ever hath been, of these toil-worn souls Might purchase rest for one.” - Gustave Dore

The Inferno, Canto 23, lines 92-94: “Tuscan, who visitest The college of the mourning hypocrites, Disdain not to instruct us who thou art.” - Gustave Dore
The Inferno, Canto 23, lines 92-94: “Tuscan, who visitest The college of the mourning hypocrites, Disdain not to instruct us who thou art.” - Gustave Dore

The Inferno, Canto 24, lines 89-92: Amid this dread exuberance of woe Ran naked spirits wing’d with horrid fear, Nor hope had they of crevice where to hide, Or heliotrope to charm them out of view. - Gustave Dore
The Inferno, Canto 24, lines 89-92: Amid this dread exuberance of woe Ran naked spirits wing’d with horrid fear, Nor hope had they of crevice where to hide, Or heliotrope to charm them out of view. - Gustave Dore

La Chute Des Titans (The Clash of the Titans) - Gustave Dore
La Chute Des Titans (The Clash of the Titans) - Gustave Dore

The Inferno, Canto 29, lines 52-56: Then my sight Was livelier to explore the depth, wherein The minister of the most mighty Lord, All-searching Justice, dooms to punishment The forgers noted on her dread record. - Gustave Dore
The Inferno, Canto 29, lines 52-56: Then my sight Was livelier to explore the depth, wherein The minister of the most mighty Lord, All-searching Justice, dooms to punishment The forgers noted on her dread record. - Gustave Dore

The Inferno, Canto 21, lines 50-51: This said, They grappled him with more than hundred hooks - Gustave Dore
The Inferno, Canto 21, lines 50-51: This said, They grappled him with more than hundred hooks - Gustave Dore

The Inferno, Canto 32, lines 127-129: Not more furiously On Menalippus’ temples Tydeus gnaw’d, Than on that skull and on its garbage he. - Gustave Dore
The Inferno, Canto 32, lines 127-129: Not more furiously On Menalippus’ temples Tydeus gnaw’d, Than on that skull and on its garbage he. - Gustave Dore

Mere Et Enfant - Gustave Dore
Mere Et Enfant - Gustave Dore

The Inferno, Canto 6, lines 49-52: 'Thy city heap’d with envy to the brim, Ay that the measure overflows its bounds, Held me in brighter days. Ye citizens Were wont to name me Ciacco.' - Gustave Dore
The Inferno, Canto 6, lines 49-52: 'Thy city heap’d with envy to the brim, Ay that the measure overflows its bounds, Held me in brighter days. Ye citizens Were wont to name me Ciacco.' - Gustave Dore

The Last Judgement - Gustave Dore
The Last Judgement - Gustave Dore



Displaying Page 2 of 12  First Prev  1  2  3  4  5  6  7  8  9  10  11  Next Last  287 paintings

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Paintings of the day

Portrait of Eleanora di Toledo 1560 - Agnolo Bronzino
Portrait of Eleanora di Toledo 1560 - Agnolo Bronzino
Sailing boats with brig in the background - (after) Miles Edmund Cotman
Sailing boats with brig in the background - (after) Miles Edmund Cotman
A panoramic view of London from Westminster looking east towards St. Paul's Cathedral - English School
A panoramic view of London from Westminster looking east towards St. Paul's Cathedral - English School
The Divine Comedy by Dante Alighieri (Folio 11) - Don Simone Camaldolese
The Divine Comedy by Dante Alighieri (Folio 11) - Don Simone Camaldolese
Landscape with Figures - Gaspard Dughet
Landscape with Figures - Gaspard Dughet
Gabrielle Seated - Pierre Auguste Renoir
Gabrielle Seated - Pierre Auguste Renoir
St Andrew on the Cross - Frans the younger Francken
St Andrew on the Cross - Frans the younger Francken
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Art News

Call for Artists: Paris/Berlin International Meetings - roARatorio, Paris FR France
Call for Artists: Residencies Available in South India - Art Residencies India, London UK United Kingdom
Call for Artist: Seeking New Studio Artists - Binney and Smith Gallery, Banana Factory, Bethlehem, PA, USA United States of America
Environmental Arts, Inc Presents Sixth Annual Outdoor Sculpture Exhibition - Fuller Museum of Art, Brockton, MA, USA United States of America
The Birth of the Nanas: Niki de Saint Phalle's Works from the 1960s - Sprengel Museum, Hannover DE
Call for Proposals: MAKROLAB - Atholl Estate, Perthshire, Scotland - Summer 2002 - Arts Catalyst, the Science-Art Agency, London UK United Kingdom
Black and White Copies: A Collaborative Project Initiated by Miguel Petchkovsky (Angola, Netherlands) - NSA Gallery, Durban ZA South Africa
Honky Tonk: An exhibition of Portraits of Country Music 1972-1981 by Henry Horenstein - hug - Gallery for International Photography, Amsterdam NL Netherlands
Junk Love: 25th Birthday Celebrations Exhibition - Reverse Garbage, Marrickville, NS, AU Australia
Call for Artists: European Site-Specific Live Arts - Luna Nera, London UK United Kingdom
Art and the Body - Unisa Art Gallery, Pretoria ZA South Africa

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