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Gustave Dore

Displaying Page 11 of 12  First Prev  2  3  4  5  6  7  8  9  10  11  12  Next Last  287 paintings



Here chanting I beheld those spirits sit (Canto VII., line 91) - Gustave Dore
Here chanting I beheld those spirits sit (Canto VII., line 91) - Gustave Dore

Then heard I echoing on from choir to choir, (Canto XXVII., line 86) - Gustave Dore
Then heard I echoing on from choir to choir, (Canto XXVII., line 86) - Gustave Dore

The crust Came drawn from underneath in flakes (Canto XXIX., lines 79-80) - Gustave Dore
The crust Came drawn from underneath in flakes (Canto XXIX., lines 79-80) - Gustave Dore

Forthwith that image vile of Fraud appear'd. (Canto XVII., line 7) - Gustave Dore
Forthwith that image vile of Fraud appear'd. (Canto XVII., line 7) - Gustave Dore

Isaac Blessing Jacob - Gustave Dore
Isaac Blessing Jacob - Gustave Dore

The Flagellation - Gustave Dore
The Flagellation - Gustave Dore

Jeunes musiciennes des rues - Gustave Dore
Jeunes musiciennes des rues - Gustave Dore

"O God of mercy!" heard I sung; (Canto XXV., line126) - Gustave Dore

Cast themselves, one by one, down from the shore (Canto III., line 108) - Gustave Dore
Cast themselves, one by one, down from the shore (Canto III., line 108) - Gustave Dore

"Within these ardours are the spirits, each Swathed in confining fire." (Canto XXVI., lines 48-49) - Gustave Dore

to return To the fair world. (Canto XXXIV., lines 128-129) - Gustave Dore
to return To the fair world. (Canto XXXIV., lines 128-129) - Gustave Dore

"Oh, senseless spirit! let thy horn for thee Interpret: (Canto XXXI., lines 64-65) - Gustave Dore

The heav'nly steersman at the prow was seen, (Canto II., line 45) - Gustave Dore
The heav'nly steersman at the prow was seen, (Canto II., line 45) - Gustave Dore

So I beheld united the bright school (Canto IV., line 89) - Gustave Dore
So I beheld united the bright school (Canto IV., line 89) - Gustave Dore

Four stars ne'er seen before (Canto I., line 27) - Gustave Dore
Four stars ne'er seen before (Canto I., line 27) - Gustave Dore

Take Good heed, thy soles do tread not on the heads (Canto XXXII., lines 20-21) - Gustave Dore
Take Good heed, thy soles do tread not on the heads (Canto XXXII., lines 20-21) - Gustave Dore

Strict rein must in this place direct the eyes. A little swerving and the way is lost. (Canto XXV., lines122-123) - Gustave Dore
Strict rein must in this place direct the eyes. A little swerving and the way is lost. (Canto XXV., lines122-123) - Gustave Dore

'Surely,' said I, 'surely that is something at my window lattice; - Gustave Dore
'Surely,' said I, 'surely that is something at my window lattice; - Gustave Dore

Classical figures in an interior - Gustave Dore
Classical figures in an interior - Gustave Dore

"He," answer'd I, "who standeth mute beside me. (Canto XIII., line 77) - Gustave Dore

Along the banks and bottom of his course; (Canto V., line137) - Gustave Dore
Along the banks and bottom of his course; (Canto V., line137) - Gustave Dore

Darkly beneath perpetual gloom, (Canto XXVIII., line 32) - Gustave Dore
Darkly beneath perpetual gloom, (Canto XXVIII., line 32) - Gustave Dore

The Cedars Destined For The Temple - Gustave Dore
The Cedars Destined For The Temple - Gustave Dore

And one who watch'd, but spake not yet a word. (Canto IX, line 72) - Gustave Dore
And one who watch'd, but spake not yet a word. (Canto IX, line 72) - Gustave Dore

Joseph Making Himself Known To His Brethren - Gustave Dore
Joseph Making Himself Known To His Brethren - Gustave Dore



Displaying Page 11 of 12  First Prev  2  3  4  5  6  7  8  9  10  11  12  Next Last  287 paintings

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Paintings of the day

The Grand Lord, in his seraglio with the Kislar Agassi, 18th century - Philippe Simonneau
The Grand Lord, in his seraglio with the Kislar Agassi, 18th century - Philippe Simonneau
A Lady Playing The Lute And A Gentleman With A Viola Da Gamba - Adriaen Van Der Werff
A Lady Playing The Lute And A Gentleman With A Viola Da Gamba - Adriaen Van Der Werff
A River Landscape With Figures Loading A Barge In The Foreground - Italian School
A River Landscape With Figures Loading A Barge In The Foreground - Italian School
An Interior With Cavaliers Preparing For Battle - (after) Willem Cornelisz. Duyster
An Interior With Cavaliers Preparing For Battle - (after) Willem Cornelisz. Duyster
London Bridge With St Paul's Cathedral Beyond - Frederick E.J. Goff
London Bridge With St Paul's Cathedral Beyond - Frederick E.J. Goff
A King With His Courtiers Worshipping Before A Statue - (after) Sir Peter Paul Rubens
A King With His Courtiers Worshipping Before A Statue - (after) Sir Peter Paul Rubens
John Lewis 1590-1653 Count of Nassau Hadamar - (after) Hulle, Anselmus van
John Lewis 1590-1653 Count of Nassau Hadamar - (after) Hulle, Anselmus van
A lobster on a ceramic dish - (after) Sebastien Stoskopff
A lobster on a ceramic dish - (after) Sebastien Stoskopff
Scene Galante - Giovanni Boldini
Scene Galante - Giovanni Boldini
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Art News

Call for Artists: Paris/Berlin International Meetings - roARatorio, Paris FR France
Call for Artists: Residencies Available in South India - Art Residencies India, London UK United Kingdom
Call for Artist: Seeking New Studio Artists - Binney and Smith Gallery, Banana Factory, Bethlehem, PA, USA United States of America
Adam Donovan, Jondi Keane, Rodney Spooner, and Carl Warner - Institute of Modern Art, Brisbane, Brisbane, QL, AU
The Spirit of Design: Fifieth Annual Conference - International Design Conference in Aspen, Aspen, CO, USA United States of America
Start: The Nivea Art Award - KZNSA - KwaZulu Natal Society of Arts, Durban ZA South Africa
Patricia Cronin, The Domain of Perfect Affection, 1993-2003 - UB Art Gallery, Buffalo, NY, USA United States of America
Forms in Transit: Usha Seejarim - NSA Gallery, Durban ZA South Africa
Call for Art Organisations: Internet Collaboration Opportunity - AfricanColours, Harare ZW Zimbabwe
Our Quarter Century: The University of Arizona's Center For Creative Photography Turns Twenty-Five - Center for Creative Photography, Tucson, AZ, USA
Kjell Bjørgeengen / Marc Ribot , Djos Janssens - ccnoa, Brussels BE Belgium

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