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Gustave Dore

Displaying Page 10 of 12  First Prev  2  3  4  5  6  7  8  9  10  11  12  Next Last  287 paintings



And in the boiling lake both well. (Canto XXII., line 139) - Gustave Dore
And in the boiling lake both well. (Canto XXII., line 139) - Gustave Dore

I could not hear what terms he offer'd them, (Canto VIII., line 110) - Gustave Dore
I could not hear what terms he offer'd them, (Canto VIII., line 110) - Gustave Dore

Perched, and sat, and nothing more. - Gustave Dore
Perched, and sat, and nothing more. - Gustave Dore

How lustrous was thy semblance in those sparkles, (Canto XX., line 15) - Gustave Dore
How lustrous was thy semblance in those sparkles, (Canto XX., line 15) - Gustave Dore

The Flight Into Egypt - Gustave Dore
The Flight Into Egypt - Gustave Dore

Unceasing was the play of wretched hands, (Canto XIV., line 37) - Gustave Dore
Unceasing was the play of wretched hands, (Canto XIV., line 37) - Gustave Dore

Jeunes musiciennes des rues - Gustave Dore
Jeunes musiciennes des rues - Gustave Dore

"Why pluck'st thou me?" (Canto XIII., line 34) - Gustave Dore

Eagerly I wished the morrow; - Gustave Dore
Eagerly I wished the morrow; - Gustave Dore

Already on my temples beam'd the crown, (Canto VIII., line 71) - Gustave Dore
Already on my temples beam'd the crown, (Canto VIII., line 71) - Gustave Dore

Only so far afflicted, that we life Desiring without hope. (Canto IV., lines 38-39) - Gustave Dore
Only so far afflicted, that we life Desiring without hope. (Canto IV., lines 38-39) - Gustave Dore

I beheld myself, Sole with my lady, to more lofty bliss Translated (Canto XIV., lines 82-83) - Gustave Dore
I beheld myself, Sole with my lady, to more lofty bliss Translated (Canto XIV., lines 82-83) - Gustave Dore

My spirit reel'd, so passing sweet the strain: (Canto XXVII., line 4) - Gustave Dore
My spirit reel'd, so passing sweet the strain: (Canto XXVII., line 4) - Gustave Dore

Jephthah Met By His Daughter - Gustave Dore
Jephthah Met By His Daughter - Gustave Dore

O Lady! thou in whom my hopes have rest! (Canto XXXI., line 76) - Gustave Dore
O Lady! thou in whom my hopes have rest! (Canto XXXI., line 76) - Gustave Dore

Here chanting I beheld those spirits sit (Canto VII., line 91) - Gustave Dore
Here chanting I beheld those spirits sit (Canto VII., line 91) - Gustave Dore

They grappled him with more than hundred hooks. (Canto XXI., line 51) - Gustave Dore
They grappled him with more than hundred hooks. (Canto XXI., line 51) - Gustave Dore

Then, fasting got The mastery of grief. (Canto XXXIII., lines 73-74) - Gustave Dore
Then, fasting got The mastery of grief. (Canto XXXIII., lines 73-74) - Gustave Dore

Vue du chateau de Chillon - Gustave Dore
Vue du chateau de Chillon - Gustave Dore

to return To the fair world. (Canto XXXIV., lines 128-129) - Gustave Dore
to return To the fair world. (Canto XXXIV., lines 128-129) - Gustave Dore

"Within these ardours are the spirits, each Swathed in confining fire." (Canto XXVI., lines 48-49) - Gustave Dore

The forgers noted on her dread record. (Canto XXIX., line 56) - Gustave Dore
The forgers noted on her dread record. (Canto XXIX., line 56) - Gustave Dore

Darkly beneath perpetual gloom, (Canto XXVIII., line 32) - Gustave Dore
Darkly beneath perpetual gloom, (Canto XXVIII., line 32) - Gustave Dore

Take Good heed, thy soles do tread not on the heads (Canto XXXII., lines 20-21) - Gustave Dore
Take Good heed, thy soles do tread not on the heads (Canto XXXII., lines 20-21) - Gustave Dore

Onward he moved, I close his steps pursued. (Canto I., line 132) - Gustave Dore
Onward he moved, I close his steps pursued. (Canto I., line 132) - Gustave Dore



Displaying Page 10 of 12  First Prev  2  3  4  5  6  7  8  9  10  11  12  Next Last  287 paintings

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Paintings of the day

A mother and child with a serving woman in an interior, a hallway beyond - Pieter De Hooch
A mother and child with a serving woman in an interior, a hallway beyond - Pieter De Hooch
The Fortune Teller - Charles Gogin
The Fortune Teller - Charles Gogin
The Washerwoman - Fernand and Perrot, Jean Fau
The Washerwoman - Fernand and Perrot, Jean Fau
Shibante, a native of Mazaro, boatman and pilot belonging to Major Second - Thomas Baines
Shibante, a native of Mazaro, boatman and pilot belonging to Major Second - Thomas Baines
Mrs Colin Campbell Of Park - Sir Henry Raeburn
Mrs Colin Campbell Of Park - Sir Henry Raeburn
Christ and the Woman of Samaria An arched Print - Rembrandt Van Rijn
Christ and the Woman of Samaria An arched Print - Rembrandt Van Rijn
Portrait of Pope Paul III - (after) Tiziano Vecellio (Titian)
Portrait of Pope Paul III - (after) Tiziano Vecellio (Titian)
Defense de deposer des immondices le long de ce mur - Alfred Le Petit
Defense de deposer des immondices le long de ce mur - Alfred Le Petit
The Sense of Smell - Jan The Elder Brueghel
The Sense of Smell - Jan The Elder Brueghel
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Art News

Call for Artists: Paris/Berlin International Meetings - roARatorio, Paris FR France
Call for Artists: Residencies Available in South India - Art Residencies India, London UK United Kingdom
Call for Artist: Seeking New Studio Artists - Binney and Smith Gallery, Banana Factory, Bethlehem, PA, USA United States of America
Rodin Plaster & Bronzes - Palazzo delle Prigioni Nuove - Auguste Rodin Foundation, Venice IT Italy
Utopia: The Search for the Ideal Society in the Western World - New York Public Library, New York, NY, USA United States of America
Naif Venezuelan Artists: Daniel Garcia Volcan, Edgar Vega, Vidalia Gonzalez, Jose Dudamel - Il Ramo d'Oro, Naples IT Italy
Antonio Puri: Outside the Mandala - Philadelphia Art Alliance, Philadelphia USA United States of America
13th Annual Works on Paper at the Park Avenue Armory - Sanford L. Smith and Associates Ltd., New York, NY, USA United States of America
Call to Artists (or Anyone Else): Unique Odors Wanted - American Dime Museum, Baltimore, MD, USA United States of America
Apocalyptic Giggles:The Industrial Cartoon Humor of Derf - Akron Art Museum, Akron, OH, USA United States of America
Vermeer and the Delft School - Metropolitan Museum of Art, New York, NY, USA

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