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Gustave Dore

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The Inferno, Canto 21, lines 50-51: This said, They grappled him with more than hundred hooks - Gustave Dore
The Inferno, Canto 21, lines 50-51: This said, They grappled him with more than hundred hooks - Gustave Dore

The Inferno, Canto 24, lines 89-92: Amid this dread exuberance of woe Ran naked spirits wing’d with horrid fear, Nor hope had they of crevice where to hide, Or heliotrope to charm them out of view. - Gustave Dore
The Inferno, Canto 24, lines 89-92: Amid this dread exuberance of woe Ran naked spirits wing’d with horrid fear, Nor hope had they of crevice where to hide, Or heliotrope to charm them out of view. - Gustave Dore

Sarah Bernhardt - Gustave Dore
Sarah Bernhardt - Gustave Dore

The Christian Martyrs - Gustave Dore
The Christian Martyrs - Gustave Dore

Mary Magdalene - Gustave Dore
Mary Magdalene - Gustave Dore

The Inferno, Canto 13, lines 11: Here the brute Harpies make their nest - Gustave Dore
The Inferno, Canto 13, lines 11: Here the brute Harpies make their nest - Gustave Dore

The Inferno, Canto 17, line 117: New terror I conceiv’d at the steep plunge - Gustave Dore
The Inferno, Canto 17, line 117: New terror I conceiv’d at the steep plunge - Gustave Dore

'Ecco Homo' - Gustave Dore
'Ecco Homo' - Gustave Dore

The Inferno, Canto 9, lines 87-89: To the gate He came, and with his wand touch’d it, whereat Open without impediment it flew. - Gustave Dore
The Inferno, Canto 9, lines 87-89: To the gate He came, and with his wand touch’d it, whereat Open without impediment it flew. - Gustave Dore

The Inferno, Canto 33, lines 67-68: ’Hast no help For me, my father!’ - Gustave Dore
The Inferno, Canto 33, lines 67-68: ’Hast no help For me, my father!’ - Gustave Dore

The Inferno, Canto 34, lines 20-21: “Lo!” he exclaim’d, “lo Dis! and lo the place, Where thou hast need to arm thy heart with strength.” - Gustave Dore
The Inferno, Canto 34, lines 20-21: “Lo!” he exclaim’d, “lo Dis! and lo the place, Where thou hast need to arm thy heart with strength.” - Gustave Dore

Christ's Entry Into Jerusalem - Gustave Dore
Christ's Entry Into Jerusalem - Gustave Dore

The Inferno, Canto 30, lines 38-39: “ That is the ancient soul Of wretched Myrrha,” - Gustave Dore
The Inferno, Canto 30, lines 38-39: “ That is the ancient soul Of wretched Myrrha,” - Gustave Dore

The Inferno, Canto 29, lines 79-81: The crust Came drawn from underneath in flakes, like scales Scrap’d from the bream or fish of broader mail. - Gustave Dore
The Inferno, Canto 29, lines 79-81: The crust Came drawn from underneath in flakes, like scales Scrap’d from the bream or fish of broader mail. - Gustave Dore

The Journey To Emmaus - Gustave Dore
The Journey To Emmaus - Gustave Dore

Don Quixote and Sancho Panza Entertained by Basil and Quiteria - Gustave Dore
Don Quixote and Sancho Panza Entertained by Basil and Quiteria - Gustave Dore

The Destruction of Sodom - Gustave Dore
The Destruction of Sodom - Gustave Dore

Two Owls - Gustave Dore
Two Owls - Gustave Dore

The Inferno, Canto 5, lines 134-135: 'In its leaves that day We read no more.' - Gustave Dore
The Inferno, Canto 5, lines 134-135: 'In its leaves that day We read no more.' - Gustave Dore

?A stately Raven of the saintly days of yore. - Gustave Dore
?A stately Raven of the saintly days of yore. - Gustave Dore

Paysage des Alpes - Gustave Dore
Paysage des Alpes - Gustave Dore

The Agony In The Garden - Gustave Dore
The Agony In The Garden - Gustave Dore

The Inferno, Canto 12, lines 11-14: and there At point of the disparted ridge lay stretch’d The infamy of Crete, detested brood Of the feign’d heifer - Gustave Dore
The Inferno, Canto 12, lines 11-14: and there At point of the disparted ridge lay stretch’d The infamy of Crete, detested brood Of the feign’d heifer - Gustave Dore

The Inferno, Canto 28, lines 69-72: call thou to mind Piero of Medicina, if again Returning, thou behold’st the pleasant land That from Vercelli slopes to Mercabo - Gustave Dore
The Inferno, Canto 28, lines 69-72: call thou to mind Piero of Medicina, if again Returning, thou behold’st the pleasant land That from Vercelli slopes to Mercabo - Gustave Dore

The Judgment Of Solomon - Gustave Dore
The Judgment Of Solomon - Gustave Dore



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Paintings of the day

A river landscape at night, thought to be the Thames, with a fire beyond - English School
A river landscape at night, thought to be the Thames, with a fire beyond - English School
Poster advertising the Bal de la Grenouillere - Henri (Boulanger) Gray
Poster advertising the Bal de la Grenouillere - Henri (Boulanger) Gray
The Boar Hunt detail from the ceiling of La Grande Singerie - Christophe Huet
The Boar Hunt detail from the ceiling of La Grande Singerie - Christophe Huet
Apollo and Daphne - Antonia Garellia
Apollo and Daphne - Antonia Garellia
An Italianate landscape with figures by a lake and a town beyond - Jan Frans van Orizzonte (see Bloemen)
An Italianate landscape with figures by a lake and a town beyond - Jan Frans van Orizzonte (see Bloemen)
The Players - Raphael Kirchner
The Players - Raphael Kirchner
The Agony in the Garden 1510 - Jan (Mabuse) Gossaert
The Agony in the Garden 1510 - Jan (Mabuse) Gossaert
Portrait of Jean Racine 1639-99 copy of an original of 1673, 1698 - Jean-Baptiste Santerre
Portrait of Jean Racine 1639-99 copy of an original of 1673, 1698 - Jean-Baptiste Santerre
A Study for General Bonaparte in Egypt - Jean-Léon Gérôme
A Study for General Bonaparte in Egypt - Jean-Léon Gérôme
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Art News

Call for Artists: Paris/Berlin International Meetings - roARatorio, Paris FR France
Call for Artists: Residencies Available in South India - Art Residencies India, London UK United Kingdom
Call for Artist: Seeking New Studio Artists - Binney and Smith Gallery, Banana Factory, Bethlehem, PA, USA United States of America
Recent Chinese Photography from the Smart Museum's Collection - Smart Museum of Art, Chicago, IL, USA United States of America
After Hiroshima: Nuclear Imaginaries - Brunei Gallery, School of Oriental and African Studies, University of London, London USA United States of America
0044 Contemporary Irish Artists in Britain - Crawford Municipal Art Gallery, Cork IE Ireland
Spotting: Recent acquisitions objects of craft and design - Stedelijk Museum, Amsterdam NL
Egyptian Art in the Age of the Pyramids - Metropolitan Museum of Art, New York, NY, USA United States of America
Stepping In and Out: Contemporary Documentary Photography - Victoria and Albert Museum, London UK
BUCKY - a one-man performance - ARTSCI'99, New York, NY, USA United States of America
Altered States Of America: It's A Great Party, A Retrospective of Photographs by Nat Finkelstein - Photographer's Gallery, London UK

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