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Gustave Dore

Displaying Page 10 of 12  First Prev  2  3  4  5  6  7  8  9  10  11  12  Next Last  287 paintings



Only so far afflicted, that we life Desiring without hope. (Canto IV., lines 38-39) - Gustave Dore
Only so far afflicted, that we life Desiring without hope. (Canto IV., lines 38-39) - Gustave Dore

Wandering from the Nightly shore. - Gustave Dore
Wandering from the Nightly shore. - Gustave Dore

Eagerly I wished the morrow; - Gustave Dore
Eagerly I wished the morrow; - Gustave Dore

Daniel - Gustave Dore
Daniel - Gustave Dore

Then, not to make them sadder, I kep down My spirit in stillness. (Canto XXXIII., lines 62-63) - Gustave Dore
Then, not to make them sadder, I kep down My spirit in stillness. (Canto XXXIII., lines 62-63) - Gustave Dore

The Angel At The Sepulcher - Gustave Dore
The Angel At The Sepulcher - Gustave Dore

The Flight Into Egypt - Gustave Dore
The Flight Into Egypt - Gustave Dore

Is there?is there balm in Gilead? - Gustave Dore
Is there?is there balm in Gilead? - Gustave Dore

The saintly creatures flying, (Canto XVIII., line 74) - Gustave Dore
The saintly creatures flying, (Canto XVIII., line 74) - Gustave Dore

Onward he moved, I close his steps pursued. (Canto I., line 132) - Gustave Dore
Onward he moved, I close his steps pursued. (Canto I., line 132) - Gustave Dore

How lustrous was thy semblance in those sparkles, (Canto XX., line 15) - Gustave Dore
How lustrous was thy semblance in those sparkles, (Canto XX., line 15) - Gustave Dore

Troupeau De Cerfs Dans Les Montagnes - Gustave Dore
Troupeau De Cerfs Dans Les Montagnes - Gustave Dore

The Deliverance Of St. Peter - Gustave Dore
The Deliverance Of St. Peter - Gustave Dore

I beheld myself, Sole with my lady, to more lofty bliss Translated (Canto XIV., lines 82-83) - Gustave Dore
I beheld myself, Sole with my lady, to more lofty bliss Translated (Canto XIV., lines 82-83) - Gustave Dore

The forgers noted on her dread record. (Canto XXIX., line 56) - Gustave Dore
The forgers noted on her dread record. (Canto XXIX., line 56) - Gustave Dore

They grappled him with more than hundred hooks. (Canto XXI., line 51) - Gustave Dore
They grappled him with more than hundred hooks. (Canto XXI., line 51) - Gustave Dore

The shadowy forms, That seem'd things dead and dead again, (Canto XXIV., lines 4-6) - Gustave Dore
The shadowy forms, That seem'd things dead and dead again, (Canto XXIV., lines 4-6) - Gustave Dore

An elegant company seated in a park, from the series depicting London society - Gustave Dore
An elegant company seated in a park, from the series depicting London society - Gustave Dore

Jephthah Met By His Daughter - Gustave Dore
Jephthah Met By His Daughter - Gustave Dore

"Why pluck'st thou me?" (Canto XIII., line 34) - Gustave Dore

Vue du chateau de Chillon - Gustave Dore
Vue du chateau de Chillon - Gustave Dore

We through the broken rock ascended, (Canto IV., line 33) - Gustave Dore
We through the broken rock ascended, (Canto IV., line 33) - Gustave Dore

Heliodorus Punished In The Temple - Gustave Dore
Heliodorus Punished In The Temple - Gustave Dore

Then, fasting got The mastery of grief. (Canto XXXIII., lines 73-74) - Gustave Dore
Then, fasting got The mastery of grief. (Canto XXXIII., lines 73-74) - Gustave Dore

Here chanting I beheld those spirits sit (Canto VII., line 91) - Gustave Dore
Here chanting I beheld those spirits sit (Canto VII., line 91) - Gustave Dore



Displaying Page 10 of 12  First Prev  2  3  4  5  6  7  8  9  10  11  12  Next Last  287 paintings

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Paintings of the day

Herm of St Stephen, King of Hungary - Gian Lorenzo Bernini
Herm of St Stephen, King of Hungary - Gian Lorenzo Bernini
The Siege of Cosel 1808 - Joseph Anton Koch
The Siege of Cosel 1808 - Joseph Anton Koch
View of the Riva degli Schiavoni from the Piazzetta, Venice, the Doges' Palace to the left - Carlo Grubacs
View of the Riva degli Schiavoni from the Piazzetta, Venice, the Doges' Palace to the left - Carlo Grubacs
The Barriere de la Villette, c.1815-20 - Henri (after) Courvoisier-Voisin
The Barriere de la Villette, c.1815-20 - Henri (after) Courvoisier-Voisin
A Coastal Scene - Theo Van Rysselberghe
A Coastal Scene - Theo Van Rysselberghe
Salisbury Cathedral from the Bishop's Grounds c. 1825 - John Constable
Salisbury Cathedral from the Bishop's Grounds c. 1825 - John Constable
A View of the Campo SS Giovanni e Paolo Venice - (follower of) Marieschi, Michele
A View of the Campo SS Giovanni e Paolo Venice - (follower of) Marieschi, Michele
Still-Life with Birds - Master of the Hartford Still-life
Still-Life with Birds - Master of the Hartford Still-life
Guerillas 1988 - Fernando Botero
Guerillas 1988 - Fernando Botero
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Art News

Call for Artists: Paris/Berlin International Meetings - roARatorio, Paris FR France
Call for Artists: Residencies Available in South India - Art Residencies India, London UK United Kingdom
Call for Artist: Seeking New Studio Artists - Binney and Smith Gallery, Banana Factory, Bethlehem, PA, USA United States of America
An Extensive Part of the Waldes Collection Returns to Heirs - National Gallery, Prague, Prague CZ Czech Republic
Domestic Archaeology: Site/Insite an Installation by Edythe F. Wright - Mobius, Boston, MA, USA
Open House: Architecture and Technology for Intelligent Living - Art Center College of Design, Pasadena, CA, USA United States of America
175th Open Annual Exhibition - NATIONAL ACADEMY OF DESIGN, New York, NY, USA United States of America
Aspects of Architecture - Sheffield Galleries and Museum Trust, Graves Art Gallery, Sheffield UK United Kingdom
Tony Fitzpatrick: Max and Gaby's Alphabet - Museum of Contemporary Art, Chicago, Chicago, IL, USA
International Search for Executive Director - Artpapers, Atlanta, GA, USA United States of America
Impressionism and the North - National Museum of Fine Arts, Stockholm SE

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