From WikiGallery

Jump to: navigation, search
Share:        Link to this page
Jump to: navigation, search

Then, fasting got The mastery of grief. (Canto XXXIII., lines 73-74)

by Gustave Dore

Then, fasting got The mastery of grief. (Canto XXXIII., lines 73-74) - Gustave Dore
Order as handmade oil painting

Then, fasting got The mastery of grief. (Canto XXXIII., lines 73-74) - Gustave Dore

[locked]

Information

Description
English: "Then, fasting got The mastery of grief. (Canto XXXIII., lines 73-74)" oil on Canvas.
Source

http://www.wikigallery.org/

Author

Gustave Dore

Download

Click here to download image

Permission

Free for non commercial use. See below. Click here to report copyright issues.

Like it

[locked]

Licensing

Public domain This image (or other media file) is in the public domain because its copyright has expired. However - you may not use this image for commercial purposes and you may not alter the image or remove the WikiGallery watermark.

This applies to the United States, Canada, the European Union and those countries with a copyright term of life of the author plus 70 years.


Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Côte d'Ivoire has a general copyright term of 99 years and Honduras has 75 years, but they do implement that rule of the shorter term.


[locked]

Rate this Painting

NOT RATED YET
Click on the stars
to rate this painting


[locked]

Next Paintings

Then, not to make them sadder, I kep down My spirit in stillness. (Canto XXXIII., lines 62-63) - Gustave Dore
Then, not to make them sadder, I kep down My spirit in stillness. (Canto XXXIII., lines 62-63) - Gustave Dore
Then, upon the velvet sinking, I betook myself to linking Fancy unto fancy. - Gustave Dore
Then, upon the velvet sinking, I betook myself to linking Fancy unto fancy. - Gustave Dore
Thence issuing we again beheld the stars. (Canto XXXIV., line 133) - Gustave Dore
Thence issuing we again beheld the stars. (Canto XXXIV., line 133) - Gustave Dore
There I with little innocents abide, (Canto VII., line 31) - Gustave Dore
There I with little innocents abide, (Canto VII., line 31) - Gustave Dore
There stood I like the friar, (Canto XIX., line 10) - Gustave Dore
There stood I like the friar, (Canto XIX., line 10) - Gustave Dore
They grappled him with more than hundred hooks. (Canto XXI., line 51) - Gustave Dore
They grappled him with more than hundred hooks. (Canto XXI., line 51) - Gustave Dore
Three nymphs (Canto XXIX., line 126) - Gustave Dore
Three nymphs (Canto XXIX., line 126) - Gustave Dore
to return To the fair world. (Canto XXXIV., lines 128-129) - Gustave Dore
to return To the fair world. (Canto XXXIV., lines 128-129) - Gustave Dore
Troupeau De Cerfs Dans Les Montagnes - Gustave Dore
Troupeau De Cerfs Dans Les Montagnes - Gustave Dore
[locked]

Related Paintings

The Martyrdom of a Roman soldier - (after) Carlo Maratta Or Maratti
The Martyrdom of a Roman soldier - (after) Carlo Maratta Or Maratti
Mme Georges Bizet - Jozsef Egry
Mme Georges Bizet - Jozsef Egry
Figures in a Dutch village street - Kasparus Karsen
Figures in a Dutch village street - Kasparus Karsen
Carnations, narcissi, roses, an iris and other flowers in a glass vase on a ledge - (after) Elias Van Den Broeck
Carnations, narcissi, roses, an iris and other flowers in a glass vase on a ledge - (after) Elias Van Den Broeck
Pres Gisors Saulaie et riviere, effet du matin - Jean-Baptiste-Camille Corot
Pres Gisors Saulaie et riviere, effet du matin - Jean-Baptiste-Camille Corot
Charcoal and Batteas Vendors, from The Ancient Cities of the New World, by Claude-Joseph-Desire Charnay, engraved by Henri-Theophile Hildebrand 1824-97, pub. 1887 - (after) Ronjat, Etienne
Charcoal and Batteas Vendors, from The Ancient Cities of the New World, by Claude-Joseph-Desire Charnay, engraved by Henri-Theophile Hildebrand 1824-97, pub. 1887 - (after) Ronjat, Etienne
Katholiko Akrotiri, Crete - Edward Lear
Katholiko Akrotiri, Crete - Edward Lear
Madonna And Child 2 - Giovanni Battista Salvi, Il Sassoferrato
Madonna And Child 2 - Giovanni Battista Salvi, Il Sassoferrato
Rabbit and Copper Pot c.1739-40 - Jean-Baptiste-Simeon Chardin
Rabbit and Copper Pot c.1739-40 - Jean-Baptiste-Simeon Chardin
[locked]

Asian Art related news

Asian Art From The MacLean Collection - Sotheby's
More ‘Murder Hornets’ Are Being Found and Destroyed - The New York Times
6 Atlanta artists to watch in 2021 - Atlanta Magazine
Diving into teamLab’s ‘sea of creativity’ at the Asian Art Museum - SF Chronicle Datebook
Five Asian Women in the Arts That You Should Know - Cultured Magazine
Art market still kicking but NFTs are canvassing high-end support - Euronews
Korean portraiture to be displayed at San Francisco's Asian Art Museum - Korea Times
Seattle Asian Art Museum - seattleschild.com
An illustration of resilience and hope, in the face of anti-Asian hate - UN News
Hung Liu, Artist Who Blended East and West, Is Dead at 73 - The New York Times
Personal tools