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Gustave Dore

Displaying Page 8 of 12  First Prev  2  3  4  5  6  7  8  9  10  11  12  Next Last  287 paintings



Call thou to mind Piero of Medicina, (Canto XXVIII., lines 69-70) - Gustave Dore
Call thou to mind Piero of Medicina, (Canto XXVIII., lines 69-70) - Gustave Dore

Nevermore - Gustave Dore
Nevermore - Gustave Dore

Ye host of heaven! whose glory I survey (Canto XVIII., line 126) - Gustave Dore
Ye host of heaven! whose glory I survey (Canto XVIII., line 126) - Gustave Dore

But whose velvet violet lining with the lamplight gloating o'er She shall press, ah, nevermore! - Gustave Dore
But whose velvet violet lining with the lamplight gloating o'er She shall press, ah, nevermore! - Gustave Dore

Be to mine eyes the remedy (Canto XXVI., line 15) - Gustave Dore
Be to mine eyes the remedy (Canto XXVI., line 15) - Gustave Dore

The serpent fled; (Canto VIII., line 116) - Gustave Dore
The serpent fled; (Canto VIII., line 116) - Gustave Dore

Isaiah - Gustave Dore
Isaiah - Gustave Dore

The Betrayal - Gustave Dore
The Betrayal - Gustave Dore

The Dumb Man Possessed - Gustave Dore
The Dumb Man Possessed - Gustave Dore

Sorrow for the lost Lenore. - Gustave Dore
Sorrow for the lost Lenore. - Gustave Dore

Here the brute Harpies make their nest. (Canto XIII., line 41) - Gustave Dore
Here the brute Harpies make their nest. (Canto XIII., line 41) - Gustave Dore

A widow at his bridle stood, attir'd (Canto X, line 74) - Gustave Dore
A widow at his bridle stood, attir'd (Canto X, line 74) - Gustave Dore

Naomi And Her Daughters-In-Law - Gustave Dore
Naomi And Her Daughters-In-Law - Gustave Dore

a panther, nimble, light, (Canto I., line 30) - Gustave Dore
a panther, nimble, light, (Canto I., line 30) - Gustave Dore

A ladder, which my ken pursued in vain, (Canto XXI., line 29) - Gustave Dore
A ladder, which my ken pursued in vain, (Canto XXI., line 29) - Gustave Dore

Deborah's Song Of Triumph - Gustave Dore
Deborah's Song Of Triumph - Gustave Dore

He, soon as he saw That I was weeping, answer'd (Canto I., lines 87-88) - Gustave Dore
He, soon as he saw That I was weeping, answer'd (Canto I., lines 87-88) - Gustave Dore

Three nymphs (Canto XXIX., line 126) - Gustave Dore
Three nymphs (Canto XXIX., line 126) - Gustave Dore

"Name thee, or not a hair shall tarry here!" (Canto XXXII., line 98) - Gustave Dore

By the hair It bore the sever'd member, lantern-wise (Canto XXVIII., lines 116-117) - Gustave Dore
By the hair It bore the sever'd member, lantern-wise (Canto XXVIII., lines 116-117) - Gustave Dore

behind the lid Of a great monument we stood retired. (Canto XI., lines 6-7) - Gustave Dore
behind the lid Of a great monument we stood retired. (Canto XI., lines 6-7) - Gustave Dore

Arrival Of The Samaritan At The Inn - Gustave Dore
Arrival Of The Samaritan At The Inn - Gustave Dore

A lady young and beautiful, I dream'd, (Canto XXVII., line 105) - Gustave Dore
A lady young and beautiful, I dream'd, (Canto XXVII., line 105) - Gustave Dore

so drew Full more than thousand splendours towards us, (Canto V., line 106-107) - Gustave Dore
so drew Full more than thousand splendours towards us, (Canto V., line 106-107) - Gustave Dore

Open here I flung the shutter. - Gustave Dore
Open here I flung the shutter. - Gustave Dore



Displaying Page 8 of 12  First Prev  2  3  4  5  6  7  8  9  10  11  12  Next Last  287 paintings

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Paintings of the day

The ships were called the Terror and the Erebus - A.S. Forrest
The ships were called the Terror and the Erebus - A.S. Forrest
Shipping in open water - Louis Verboeckhoven
Shipping in open water - Louis Verboeckhoven
Portrait of a Woman - Lucas The Elder Cranach
Portrait of a Woman - Lucas The Elder Cranach
Poetry (ceiling tondo) - Raffaelo Sanzio
Poetry (ceiling tondo) - Raffaelo Sanzio
Madonna Del Divin'Amore - (after) Raphael (Raffaello Sanzio of Urbino)
Madonna Del Divin'Amore - (after) Raphael (Raffaello Sanzio of Urbino)
Indian Scalping the Dead Enemy - Ange-Louis (Janet-Lange) Janet
Indian Scalping the Dead Enemy - Ange-Louis (Janet-Lange) Janet
St John the Evangelist from the St Thomas altarpiece - P. Joos van Gent and Berruguete
St John the Evangelist from the St Thomas altarpiece - P. Joos van Gent and Berruguete
Hush! for the holiest thing that lives is here - Arthur Rackham
Hush! for the holiest thing that lives is here - Arthur Rackham
Sheep Gathering In Strathspey - Richard Ansdell
Sheep Gathering In Strathspey - Richard Ansdell
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Art News

Call for Artists: Paris/Berlin International Meetings - roARatorio, Paris FR France
Call for Artists: Residencies Available in South India - Art Residencies India, London UK United Kingdom
Call for Artist: Seeking New Studio Artists - Binney and Smith Gallery, Banana Factory, Bethlehem, PA, USA United States of America
Shini-e: The Performance of Death in Japanese Kabuki Actor Prints - Iris & B. Gerald Cantor Center for Visual Arts, Stanford University, Stanford, CA, USA United States of America
Currents 99: Issac Julien - Saint Louis Art Museum, St. Louis, MO, USA
Call for Artists: 2009 MASTER ARTISTS-IN-RESIDENCE PROGRAM - Atlantic Center for the Arts, New Smyrna Beach, FL, USA United States of America
Ellen Augustynen: Fill Me #2 - Dagmar de Pooter Gallery, Antwerp BE Belgium
Call for Artists: The Picture Works - Circa Magazine, Dublin IE Ireland
Art Fair Opens Today - Art 32 Basel, Basel CH Switzerland
Rembrandt to Gainsborough: Masterpieces from England's Dulwich Picture Gallery - Museum of Fine Art, Houston, Houston, TX, USA United States of America
Encouraging American Genius: Master Paintings from the Corcoran Gallery - Corcoran Gallery of Art, Washington, DC, USA

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