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Gustave Dore

Displaying Page 8 of 12  First Prev  2  3  4  5  6  7  8  9  10  11  12  Next Last  287 paintings



Call thou to mind Piero of Medicina, (Canto XXVIII., lines 69-70) - Gustave Dore
Call thou to mind Piero of Medicina, (Canto XXVIII., lines 69-70) - Gustave Dore

Nevermore - Gustave Dore
Nevermore - Gustave Dore

Ye host of heaven! whose glory I survey (Canto XVIII., line 126) - Gustave Dore
Ye host of heaven! whose glory I survey (Canto XVIII., line 126) - Gustave Dore

Be to mine eyes the remedy (Canto XXVI., line 15) - Gustave Dore
Be to mine eyes the remedy (Canto XXVI., line 15) - Gustave Dore

The serpent fled; (Canto VIII., line 116) - Gustave Dore
The serpent fled; (Canto VIII., line 116) - Gustave Dore

Isaiah - Gustave Dore
Isaiah - Gustave Dore

The Betrayal - Gustave Dore
The Betrayal - Gustave Dore

But whose velvet violet lining with the lamplight gloating o'er She shall press, ah, nevermore! - Gustave Dore
But whose velvet violet lining with the lamplight gloating o'er She shall press, ah, nevermore! - Gustave Dore

The Dumb Man Possessed - Gustave Dore
The Dumb Man Possessed - Gustave Dore

Sorrow for the lost Lenore. - Gustave Dore
Sorrow for the lost Lenore. - Gustave Dore

Naomi And Her Daughters-In-Law - Gustave Dore
Naomi And Her Daughters-In-Law - Gustave Dore

Here the brute Harpies make their nest. (Canto XIII., line 41) - Gustave Dore
Here the brute Harpies make their nest. (Canto XIII., line 41) - Gustave Dore

A widow at his bridle stood, attir'd (Canto X, line 74) - Gustave Dore
A widow at his bridle stood, attir'd (Canto X, line 74) - Gustave Dore

a panther, nimble, light, (Canto I., line 30) - Gustave Dore
a panther, nimble, light, (Canto I., line 30) - Gustave Dore

A ladder, which my ken pursued in vain, (Canto XXI., line 29) - Gustave Dore
A ladder, which my ken pursued in vain, (Canto XXI., line 29) - Gustave Dore

Deborah's Song Of Triumph - Gustave Dore
Deborah's Song Of Triumph - Gustave Dore

He, soon as he saw That I was weeping, answer'd (Canto I., lines 87-88) - Gustave Dore
He, soon as he saw That I was weeping, answer'd (Canto I., lines 87-88) - Gustave Dore

"Name thee, or not a hair shall tarry here!" (Canto XXXII., line 98) - Gustave Dore

Three nymphs (Canto XXIX., line 126) - Gustave Dore
Three nymphs (Canto XXIX., line 126) - Gustave Dore

By the hair It bore the sever'd member, lantern-wise (Canto XXVIII., lines 116-117) - Gustave Dore
By the hair It bore the sever'd member, lantern-wise (Canto XXVIII., lines 116-117) - Gustave Dore

so drew Full more than thousand splendours towards us, (Canto V., line 106-107) - Gustave Dore
so drew Full more than thousand splendours towards us, (Canto V., line 106-107) - Gustave Dore

Open here I flung the shutter. - Gustave Dore
Open here I flung the shutter. - Gustave Dore

behind the lid Of a great monument we stood retired. (Canto XI., lines 6-7) - Gustave Dore
behind the lid Of a great monument we stood retired. (Canto XI., lines 6-7) - Gustave Dore

Arrival Of The Samaritan At The Inn - Gustave Dore
Arrival Of The Samaritan At The Inn - Gustave Dore

A lady young and beautiful, I dream'd, (Canto XXVII., line 105) - Gustave Dore
A lady young and beautiful, I dream'd, (Canto XXVII., line 105) - Gustave Dore



Displaying Page 8 of 12  First Prev  2  3  4  5  6  7  8  9  10  11  12  Next Last  287 paintings

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Gustave A. Barnes
Gustave A. Barnes
Gustave Achille Guillaumet
Gustave Achille Guillaumet
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Gustave Adolf Jundt
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Gustave Adolphe Chassevent-Bacques
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Paintings of the day

Herm of St Stephen, King of Hungary - Gian Lorenzo Bernini
Herm of St Stephen, King of Hungary - Gian Lorenzo Bernini
The Siege of Cosel 1808 - Joseph Anton Koch
The Siege of Cosel 1808 - Joseph Anton Koch
View of the Riva degli Schiavoni from the Piazzetta, Venice, the Doges' Palace to the left - Carlo Grubacs
View of the Riva degli Schiavoni from the Piazzetta, Venice, the Doges' Palace to the left - Carlo Grubacs
The Barriere de la Villette, c.1815-20 - Henri (after) Courvoisier-Voisin
The Barriere de la Villette, c.1815-20 - Henri (after) Courvoisier-Voisin
A Coastal Scene - Theo Van Rysselberghe
A Coastal Scene - Theo Van Rysselberghe
Salisbury Cathedral from the Bishop's Grounds c. 1825 - John Constable
Salisbury Cathedral from the Bishop's Grounds c. 1825 - John Constable
A View of the Campo SS Giovanni e Paolo Venice - (follower of) Marieschi, Michele
A View of the Campo SS Giovanni e Paolo Venice - (follower of) Marieschi, Michele
Still-Life with Birds - Master of the Hartford Still-life
Still-Life with Birds - Master of the Hartford Still-life
Guerillas 1988 - Fernando Botero
Guerillas 1988 - Fernando Botero
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Art News

Call for Artists: Paris/Berlin International Meetings - roARatorio, Paris FR France
Call for Artists: Residencies Available in South India - Art Residencies India, London UK United Kingdom
Call for Artist: Seeking New Studio Artists - Binney and Smith Gallery, Banana Factory, Bethlehem, PA, USA United States of America
Wavering Identities by Jacky G. Lafargue and Louis Couturier - Bishop's University Art Gallery, Lennoxville, QC, CA
John James Audubon in the West: The Last Expedition - Mammals of North America - Buffalo Bill Historical Center, Cody, WY, USA
Koo Jeong-a: A Solo Exhibition - TRANS area, New York, NY, USA United States of America
Rockwell Kent: The Mythic and the Modern - Portland Museum of Art, Portland, ME, USA
The 14th Annual Works On Paper Show to Open for Preview Today - Sanford L. Smith and Associates Ltd., New York, NY, USA United States of America
Data Bank for Art: Painting, Drawing, Engraving from X to XVII Century - Art Bank, Padova IT Italy
Voodoo - Hoochie-Coochie and the Creative Spirit - Riflemaker, London UK United Kingdom
Oudi Arroni: They, Works on Paper - Temporary, New York, NY, USA United States of America

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