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Gustave Dore

Displaying Page 1 of 12   1  2  3  4  5  6  7  8  9  10  11  Next Last  287 paintings



La Famille Du Saltimbanque L'Enfant Blesse - Gustave Dore
La Famille Du Saltimbanque L'Enfant Blesse - Gustave Dore

The Raven - Gustave Dore
The Raven - Gustave Dore

Les Océanides (Les Naiades de la mer) (Oceanides (Naïads of the Sea)) - Gustave Dore
Les Océanides (Les Naiades de la mer) (Oceanides (Naïads of the Sea)) - Gustave Dore

Andromeda - Gustave Dore
Andromeda - Gustave Dore

Shielded the harlot and the new-form'd brute. (Canto XXXII., line 164) - Gustave Dore
Shielded the harlot and the new-form'd brute. (Canto XXXII., line 164) - Gustave Dore

Illustration For Charles Perrault's 'Bluebeard' - Gustave Dore
Illustration For Charles Perrault's 'Bluebeard' - Gustave Dore

The Widow's Mite - Gustave Dore
The Widow's Mite - Gustave Dore

Abraham Entertains Three Strangers - Gustave Dore
Abraham Entertains Three Strangers - Gustave Dore

Alpine Scene 1865 - Gustave Dore
Alpine Scene 1865 - Gustave Dore

The Inferno, Canto 7, lines 118-119: “Now seest thou, son! The souls of those, whom anger overcame.” - Gustave Dore
The Inferno, Canto 7, lines 118-119: “Now seest thou, son! The souls of those, whom anger overcame.” - Gustave Dore

The Deluge - Gustave Dore
The Deluge - Gustave Dore

The Inferno, Canto 23, lines 52-54: Scarcely had his feet Reach’d to the lowest of the bed beneath, When over us the steep they reach’d - Gustave Dore
The Inferno, Canto 23, lines 52-54: Scarcely had his feet Reach’d to the lowest of the bed beneath, When over us the steep they reach’d - Gustave Dore

The Fiery Furnace - Gustave Dore
The Fiery Furnace - Gustave Dore

The Inferno, Canto 5, lines 137-138: I through compassion fainting, seem’d not far From death, and like a corpse fell to the ground. - Gustave Dore
The Inferno, Canto 5, lines 137-138: I through compassion fainting, seem’d not far From death, and like a corpse fell to the ground. - Gustave Dore

Le Reve De La Femme De Pilate, Claudia Procula - Gustave Dore
Le Reve De La Femme De Pilate, Claudia Procula - Gustave Dore

The Inferno, Canto 7, lines 8-9:
The Inferno, Canto 7, lines 8-9: "Curs’d wolf! thy fury inward on thyself Prey, and consume thee!” - Gustave Dore

"Be none of you outrageous." (Canto XXI., line 70) - Gustave Dore

The Inferno, Canto 30, lines 33-34: “That sprite of air is Schicchi; in like mood Of random mischief vent he still his spite.” - Gustave Dore
The Inferno, Canto 30, lines 33-34: “That sprite of air is Schicchi; in like mood Of random mischief vent he still his spite.” - Gustave Dore

The Inferno, Canto 25, lines 59-61: The other two Look’d on exclaiming: “Ah, how dost thou change, Agnello!” - Gustave Dore
The Inferno, Canto 25, lines 59-61: The other two Look’d on exclaiming: “Ah, how dost thou change, Agnello!” - Gustave Dore

Doubting, dreaming dreams no mortal ever dared to dream before.	 - Gustave Dore
Doubting, dreaming dreams no mortal ever dared to dream before. - Gustave Dore

ANATKH - Gustave Dore
ANATKH - Gustave Dore

The Inferno, Canto 11, lines 6-7: From the profound abyss, behind the lid Of a great monument we stood retir’d - Gustave Dore
The Inferno, Canto 11, lines 6-7: From the profound abyss, behind the lid Of a great monument we stood retir’d - Gustave Dore

The Inferno, Canto 18, lines 116-117: “Why greedily thus bendest more on me, Than on these other filthy ones, thy ken?” - Gustave Dore
The Inferno, Canto 18, lines 116-117: “Why greedily thus bendest more on me, Than on these other filthy ones, thy ken?” - Gustave Dore

The Inferno, Canto 13, line 120: “Haste now,” the foremost cried, “now haste thee death!” - Gustave Dore
The Inferno, Canto 13, line 120: “Haste now,” the foremost cried, “now haste thee death!” - Gustave Dore

Nymphs in a landscape - Gustave Dore
Nymphs in a landscape - Gustave Dore



Displaying Page 1 of 12   1  2  3  4  5  6  7  8  9  10  11  Next Last  287 paintings

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Gustave A. Barnes
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Gustave Achille Guillaumet
Gustave Achille Guillaumet
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Paintings of the day

Philippe Pinel 1745-1826 releasing lunatics from their chains at the Bicetre asylum in Paris in 1793 - Charles Louis Lucien Muller
Philippe Pinel 1745-1826 releasing lunatics from their chains at the Bicetre asylum in Paris in 1793 - Charles Louis Lucien Muller
Shepherd in a Sheepskin Cloak on a Red Background - Niko Pirosmanashvili
Shepherd in a Sheepskin Cloak on a Red Background - Niko Pirosmanashvili
Portrait of a boy - (after) Hans Hysing
Portrait of a boy - (after) Hans Hysing
At the wayside - William Shayer, Snr
At the wayside - William Shayer, Snr
The Bradshaw Family, by Valentine Green - (after) Wright, Joseph
The Bradshaw Family, by Valentine Green - (after) Wright, Joseph
The Sacrifice of Iphigenia 1757 - Giovanni Battista Tiepolo
The Sacrifice of Iphigenia 1757 - Giovanni Battista Tiepolo
Saint James the Greater - Umbrian School
Saint James the Greater - Umbrian School
Flowers in a Vase - Jacob Marrel
Flowers in a Vase - Jacob Marrel
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Art News

Call for Artists: Paris/Berlin International Meetings - roARatorio, Paris FR France
Call for Artists: Residencies Available in South India - Art Residencies India, London UK United Kingdom
Call for Artist: Seeking New Studio Artists - Binney and Smith Gallery, Banana Factory, Bethlehem, PA, USA United States of America
Paintings by Jessica Dunn, Seegrun Lubke and Tiago Oliveira - Galeria Atlantica, Hotel Vila Sol, Vilamoura PT Portugal
George Oommen: Visions of Kerala - Locco Ritoro Gallery, Boston, MA, USA United States
Girlfriend! The Barbie Sessions by David Levinthal - San Jose Museum of Art, San Jose, CA, USA United States of America
Lisa Milroy - Tate Liverpool, Liverpool UK United Kingdom
Lei Cox: A Solo Show - CCA - Glasgow, Glasgow UK United Kingdom
Personal Edens: The Gardens and Film Sets of Florence Yoch - Charles Allis Art Museum, Milwaukee USA United States of America
True Blue Macquarie Stock: An Exciting Art Exhibition of the Heart - Gallery BC, Mount Victoria, NS, AU Australia
Shelley Jordan: Revealing Beauty - Frye Art Museum, Seattle, WA, USA

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