From WikiGallery

Jump to: navigation, search
Share:        Link to this page
Jump to: navigation, search

The Inferno, Canto 11, lines 6-7: From the profound abyss, behind the lid Of a great monument we stood retir’d

by Gustave Dore

The Inferno, Canto 11, lines 6-7: From the profound abyss, behind the lid Of a great monument we stood retir’d - Gustave Dore
Order as handmade oil painting

The Inferno, Canto 11, lines 6-7: From the profound abyss, behind the lid Of a great monument we stood retir’d - Gustave Dore

[locked]

Information

Description
English: "The Inferno, Canto 11, lines 6-7: From the profound abyss, behind the lid Of a great monument we stood retir’d" oil on Canvas, location: Private collection.
Source

http://www.wikigallery.org/

Author

Gustave Dore

Download

Click here to download image

Location

Private collection

Permission

Free for non commercial use. See below. Click here to report copyright issues.

Like it

[locked]

Licensing

Public domain This image (or other media file) is in the public domain because its copyright has expired. However - you may not use this image for commercial purposes and you may not alter the image or remove the WikiGallery watermark.

This applies to the United States, Canada, the European Union and those countries with a copyright term of life of the author plus 70 years.


Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Côte d'Ivoire has a general copyright term of 99 years and Honduras has 75 years, but they do implement that rule of the shorter term.


[locked]

Rate this Painting

NOT RATED YET
Click on the stars
to rate this painting


[locked]

Next Paintings

The Inferno, Canto 12, lines 11-14: and there At point of the disparted ridge lay stretch’d The infamy of Crete, detested brood Of the feign’d heifer - Gustave Dore
The Inferno, Canto 12, lines 11-14: and there At point of the disparted ridge lay stretch’d The infamy of Crete, detested brood Of the feign’d heifer - Gustave Dore
The Inferno, Canto 12, lines 38-39: One cried from far: “Say to what pain ye come Condemn’d, who down this steep have journied?” - Gustave Dore
The Inferno, Canto 12, lines 38-39: One cried from far: “Say to what pain ye come Condemn’d, who down this steep have journied?” - Gustave Dore
The Inferno, Canto 12, lines 73-74: We to those beasts, that rapid strode along, Drew near - Gustave Dore
The Inferno, Canto 12, lines 73-74: We to those beasts, that rapid strode along, Drew near - Gustave Dore
The Inferno, Canto 13, line 120: “Haste now,” the foremost cried, “now haste thee death!” - Gustave Dore
The Inferno, Canto 13, line 120: “Haste now,” the foremost cried, “now haste thee death!” - Gustave Dore
The Inferno, Canto 13, lines 11: Here the brute Harpies make their nest - Gustave Dore
The Inferno, Canto 13, lines 11: Here the brute Harpies make their nest - Gustave Dore
The Inferno, Canto 14, line 37-39: Unceasing was the play of wretched hands, Now this, now that way glancing, to shake off The heat, still falling fresh. - Gustave Dore
The Inferno, Canto 14, line 37-39: Unceasing was the play of wretched hands, Now this, now that way glancing, to shake off The heat, still falling fresh. - Gustave Dore
The Inferno, Canto 15, lines 28-29: “Sir! Brunetto! And art thou here?” - Gustave Dore
The Inferno, Canto 15, lines 28-29: “Sir! Brunetto! And art thou here?” - Gustave Dore
The Inferno, Canto 17, line 117: New terror I conceiv’d at the steep plunge - Gustave Dore
The Inferno, Canto 17, line 117: New terror I conceiv’d at the steep plunge - Gustave Dore
The Inferno, Canto 18, line 38: Ah! how they made them bound at the first stripe! - Gustave Dore
The Inferno, Canto 18, line 38: Ah! how they made them bound at the first stripe! - Gustave Dore
[locked]

Related Paintings

A Cavernous Landscape With A Gypsy Encampment Beyond - (after) David The Younger Teniers
A Cavernous Landscape With A Gypsy Encampment Beyond - (after) David The Younger Teniers
The Ramparts Of A Fortified City - Georges Jules Victor Clairin
The Ramparts Of A Fortified City - Georges Jules Victor Clairin
Maugis Fighting the Serpent and Gaining the Enchanted Horse - Loyset Liedet
Maugis Fighting the Serpent and Gaining the Enchanted Horse - Loyset Liedet
View on the Rhine, 1672 - Herman Saftleven
View on the Rhine, 1672 - Herman Saftleven
Wind River Mountains Nebraska Territory - Albert Bierstadt
Wind River Mountains Nebraska Territory - Albert Bierstadt
Traffic on the river, thought to be the Forth - William Lionel Wyllie
Traffic on the river, thought to be the Forth - William Lionel Wyllie
Near Dunkeld - Alfred de Breanski
Near Dunkeld - Alfred de Breanski
Highland Cattle On A Loch - Daniel Sherrin
Highland Cattle On A Loch - Daniel Sherrin
Torbole, Lake Garda - Peder Monsted
Torbole, Lake Garda - Peder Monsted
[locked]

Asian Art related news

Winners of 2016 Emerging Asian Artist Awards Allege Mistreatment by Award Representatives - Artforum
Talks, jazz, dance at SF Asian Art Museum for Fil-Am Month - Inquirer.net
Live from the Seattle Asian Art Museum Expansion Meeting - TheStranger.com
Asian art museum receives design tweaks - Capitol Hill Times - Capitol Hill Times
Globe-Trotting Ceramics on Display at the Crow Collection of Asian Art - NBC 5 Dallas-Fort Worth
asian art - Google News
Singapore Biennale 2016: 62 Asian Artists Will Reimagine Histories and Maps - Blouin Artinfo (registration)
I didn't expect Asian Art in a Romanian Castle - ChicagoNow (blog)
Celebrate Diwali at the Asian Art Museum of San Francisco | Global ... - India West
Move over China, Southeast Asian art takes center stage - CNN
Personal tools