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Gustave Dore

Displaying Page 1 of 11   1  2  3  4  5  6  7  8  9  10  11  Next Last  271 paintings



Les Océanides (Les Naiades de la mer) (Oceanides (Naïads of the Sea)) - Gustave Dore
Les Océanides (Les Naiades de la mer) (Oceanides (Naïads of the Sea)) - Gustave Dore

Illustration For Charles Perrault's 'Bluebeard' - Gustave Dore
Illustration For Charles Perrault's 'Bluebeard' - Gustave Dore

Andromeda - Gustave Dore
Andromeda - Gustave Dore

Abraham Entertains Three Strangers - Gustave Dore
Abraham Entertains Three Strangers - Gustave Dore

"Be none of you outrageous." (Canto XXI., line 70) - Gustave Dore

Alpine Scene 1865 - Gustave Dore
Alpine Scene 1865 - Gustave Dore

The Inferno, Canto 7, lines 8-9:
The Inferno, Canto 7, lines 8-9: "Curs’d wolf! thy fury inward on thyself Prey, and consume thee!” - Gustave Dore

The Deluge - Gustave Dore
The Deluge - Gustave Dore

Saul's Conversion - Gustave Dore
Saul's Conversion - Gustave Dore

The Christian Martyrs - Gustave Dore
The Christian Martyrs - Gustave Dore

La Chute Des Titans (The Clash of the Titans) - Gustave Dore
La Chute Des Titans (The Clash of the Titans) - Gustave Dore

The Destruction of Sodom - Gustave Dore
The Destruction of Sodom - Gustave Dore

The Inferno, Canto 17, line 117: New terror I conceiv’d at the steep plunge - Gustave Dore
The Inferno, Canto 17, line 117: New terror I conceiv’d at the steep plunge - Gustave Dore

Thais is this, the harlot (Canto XVIII., line 130) - Gustave Dore
Thais is this, the harlot (Canto XVIII., line 130) - Gustave Dore

The Inferno, Canto 25, lines 59-61: The other two Look’d on exclaiming: “Ah, how dost thou change, Agnello!” - Gustave Dore
The Inferno, Canto 25, lines 59-61: The other two Look’d on exclaiming: “Ah, how dost thou change, Agnello!” - Gustave Dore

The Inferno, Canto 18, lines 116-117: “Why greedily thus bendest more on me, Than on these other filthy ones, thy ken?” - Gustave Dore
The Inferno, Canto 18, lines 116-117: “Why greedily thus bendest more on me, Than on these other filthy ones, thy ken?” - Gustave Dore

The Inferno, Canto 13, line 120: “Haste now,” the foremost cried, “now haste thee death!” - Gustave Dore
The Inferno, Canto 13, line 120: “Haste now,” the foremost cried, “now haste thee death!” - Gustave Dore

Two Owls - Gustave Dore
Two Owls - Gustave Dore

ANATKH - Gustave Dore
ANATKH - Gustave Dore

The Inferno, Canto 18, lines 130-132: Thais is this, the harlot, whose false lip Answer’d her doting paramour that ask’d, ‘Thankest me much!’ - Gustave Dore
The Inferno, Canto 18, lines 130-132: Thais is this, the harlot, whose false lip Answer’d her doting paramour that ask’d, ‘Thankest me much!’ - Gustave Dore

The Inferno, Canto 28, lines 30,31: Now mark how I do rip me: lo! How is Mahomet mangled. - Gustave Dore
The Inferno, Canto 28, lines 30,31: Now mark how I do rip me: lo! How is Mahomet mangled. - Gustave Dore

The Inferno, Canto 23, lines 52-54: Scarcely had his feet Reach’d to the lowest of the bed beneath, When over us the steep they reach’d - Gustave Dore
The Inferno, Canto 23, lines 52-54: Scarcely had his feet Reach’d to the lowest of the bed beneath, When over us the steep they reach’d - Gustave Dore

The Inferno, Canto 34, lines 133: Thus issuing we again beheld the stars. - Gustave Dore
The Inferno, Canto 34, lines 133: Thus issuing we again beheld the stars. - Gustave Dore

The Inferno, Canto 23, lines 92-94: “Tuscan, who visitest The college of the mourning hypocrites, Disdain not to instruct us who thou art.” - Gustave Dore
The Inferno, Canto 23, lines 92-94: “Tuscan, who visitest The college of the mourning hypocrites, Disdain not to instruct us who thou art.” - Gustave Dore

On Menalippus' temples Tydeus gnawed, (Canto XXXII., line 128) - Gustave Dore
On Menalippus' temples Tydeus gnawed, (Canto XXXII., line 128) - Gustave Dore



Displaying Page 1 of 11   1  2  3  4  5  6  7  8  9  10  11  Next Last  271 paintings

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Paintings of the day

East Bergholt Church: North Archway of the Ruined Tower - John Constable
East Bergholt Church: North Archway of the Ruined Tower - John Constable
Circumcision 1669 - Rembrandt Van Rijn
Circumcision 1669 - Rembrandt Van Rijn
The National Gallery with Nelsons Column - Thomas Hosmer Shepherd
The National Gallery with Nelsons Column - Thomas Hosmer Shepherd
Hunting Still Life - William Sartorius
Hunting Still Life - William Sartorius
A Ship's Portrait 1903 - Antonio Jacobsen
A Ship's Portrait 1903 - Antonio Jacobsen
Portrait of a young girl - (after) Charles D'Agar
Portrait of a young girl - (after) Charles D'Agar
The Meeting of the Water, Vale of Avoca, County Wicklow - (after) Bartlett, William Henry
The Meeting of the Water, Vale of Avoca, County Wicklow - (after) Bartlett, William Henry
The Restorer - William Verplanck Birney
The Restorer - William Verplanck Birney
Untitled - Ernest Lawson
Untitled - Ernest Lawson
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Art News

Call for Artists: Paris/Berlin International Meetings - roARatorio, Paris FR France
Call for Artists: Residencies Available in South India - Art Residencies India, London UK United Kingdom
Call for Artist: Seeking New Studio Artists - Binney and Smith Gallery, Banana Factory, Bethlehem, PA, USA United States of America
Call for Artists: Emerging Artists‚ Exhibition, FRESH at the 10th Anniversary Sydney Art on Paper Fair - Print Council of Australia, Sydney, NS, AU Australia
The Detachment, Double Blind - Helsinki City Art Museum, Helsinki FI
Frida Kahlo, Diego Rivera and Mexican Modernism - National Gallery of Australia, Canberra, AC, AU Australia
Cornell Capa: A Retrospective - Denver Art Museum, Denver, CO, USA United States of America
Jade, The Ultimate Treasure of Ancient China - Art Gallery of Hamilton, Hamilton, ON, CA Canada
LAWREN STEWART HARRIS: A PAINTER’S PROGRESS - Americas Society, New York, NY, USA
Figurative Moments a Group Exhibition - Art Moment Gallery, Sydney AU Australia
The Altered Landscape: Photographs from the Nevada Museum - Presentation House Gallery, North Vancouver, BC, CA

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