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Gustave Dore

Displaying Page 1 of 12   1  2  3  4  5  6  7  8  9  10  11  Next Last  287 paintings



La Famille Du Saltimbanque L'Enfant Blesse - Gustave Dore
La Famille Du Saltimbanque L'Enfant Blesse - Gustave Dore

Les Océanides (Les Naiades de la mer) (Oceanides (Naïads of the Sea)) - Gustave Dore
Les Océanides (Les Naiades de la mer) (Oceanides (Naïads of the Sea)) - Gustave Dore

Andromeda - Gustave Dore
Andromeda - Gustave Dore

The Raven - Gustave Dore
The Raven - Gustave Dore

Illustration For Charles Perrault's 'Bluebeard' - Gustave Dore
Illustration For Charles Perrault's 'Bluebeard' - Gustave Dore

Abraham Entertains Three Strangers - Gustave Dore
Abraham Entertains Three Strangers - Gustave Dore

The Fiery Furnace - Gustave Dore
The Fiery Furnace - Gustave Dore

The Inferno, Canto 7, lines 118-119: “Now seest thou, son! The souls of those, whom anger overcame.” - Gustave Dore
The Inferno, Canto 7, lines 118-119: “Now seest thou, son! The souls of those, whom anger overcame.” - Gustave Dore

Alpine Scene 1865 - Gustave Dore
Alpine Scene 1865 - Gustave Dore

The Inferno, Canto 5, lines 137-138: I through compassion fainting, seem’d not far From death, and like a corpse fell to the ground. - Gustave Dore
The Inferno, Canto 5, lines 137-138: I through compassion fainting, seem’d not far From death, and like a corpse fell to the ground. - Gustave Dore

The Inferno, Canto 7, lines 8-9:
The Inferno, Canto 7, lines 8-9: "Curs’d wolf! thy fury inward on thyself Prey, and consume thee!” - Gustave Dore

The Inferno, Canto 23, lines 52-54: Scarcely had his feet Reach’d to the lowest of the bed beneath, When over us the steep they reach’d - Gustave Dore
The Inferno, Canto 23, lines 52-54: Scarcely had his feet Reach’d to the lowest of the bed beneath, When over us the steep they reach’d - Gustave Dore

The Deluge - Gustave Dore
The Deluge - Gustave Dore

"Be none of you outrageous." (Canto XXI., line 70) - Gustave Dore

Shielded the harlot and the new-form'd brute. (Canto XXXII., line 164) - Gustave Dore
Shielded the harlot and the new-form'd brute. (Canto XXXII., line 164) - Gustave Dore

The Inferno, Canto 30, lines 33-34: “That sprite of air is Schicchi; in like mood Of random mischief vent he still his spite.” - Gustave Dore
The Inferno, Canto 30, lines 33-34: “That sprite of air is Schicchi; in like mood Of random mischief vent he still his spite.” - Gustave Dore

The Inferno, Canto 25, lines 59-61: The other two Look’d on exclaiming: “Ah, how dost thou change, Agnello!” - Gustave Dore
The Inferno, Canto 25, lines 59-61: The other two Look’d on exclaiming: “Ah, how dost thou change, Agnello!” - Gustave Dore

Doubting, dreaming dreams no mortal ever dared to dream before.	 - Gustave Dore
Doubting, dreaming dreams no mortal ever dared to dream before. - Gustave Dore

Le Reve De La Femme De Pilate, Claudia Procula - Gustave Dore
Le Reve De La Femme De Pilate, Claudia Procula - Gustave Dore

ANATKH - Gustave Dore
ANATKH - Gustave Dore

The Inferno, Canto 18, lines 116-117: “Why greedily thus bendest more on me, Than on these other filthy ones, thy ken?” - Gustave Dore
The Inferno, Canto 18, lines 116-117: “Why greedily thus bendest more on me, Than on these other filthy ones, thy ken?” - Gustave Dore

The Widow's Mite - Gustave Dore
The Widow's Mite - Gustave Dore

The Inferno, Canto 22, line 70: In pursuit He therefore sped, exclaiming; “Thou art caught.” - Gustave Dore
The Inferno, Canto 22, line 70: In pursuit He therefore sped, exclaiming; “Thou art caught.” - Gustave Dore

The Inferno, Canto 13, line 120: “Haste now,” the foremost cried, “now haste thee death!” - Gustave Dore
The Inferno, Canto 13, line 120: “Haste now,” the foremost cried, “now haste thee death!” - Gustave Dore

The Inferno, Canto 11, lines 6-7: From the profound abyss, behind the lid Of a great monument we stood retir’d - Gustave Dore
The Inferno, Canto 11, lines 6-7: From the profound abyss, behind the lid Of a great monument we stood retir’d - Gustave Dore



Displaying Page 1 of 12   1  2  3  4  5  6  7  8  9  10  11  Next Last  287 paintings

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Paintings of the day

Landscape - Motonobu Kano
Landscape - Motonobu Kano
A Brazilian jungle scene with Guarana palms - William Michaud
A Brazilian jungle scene with Guarana palms - William Michaud
Reverend Holdenough during a Service - George Cruikshank I
Reverend Holdenough during a Service - George Cruikshank I
Country Cottages - John Pedder
Country Cottages - John Pedder
The Letter 1746 - Pietro Longhi
The Letter 1746 - Pietro Longhi
Maternal Affection - Hugues Merle
Maternal Affection - Hugues Merle
A seaside Picnic - Alfred H. Green
A seaside Picnic - Alfred H. Green
Peaches And Grapes - Willem Van Aelst
Peaches And Grapes - Willem Van Aelst
The Bravo c. 1520 - Tiziano Vecellio (Titian)
The Bravo c. 1520 - Tiziano Vecellio (Titian)
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Art News

Call for Artists: Paris/Berlin International Meetings - roARatorio, Paris FR France
Call for Artists: Residencies Available in South India - Art Residencies India, London UK United Kingdom
Call for Artist: Seeking New Studio Artists - Binney and Smith Gallery, Banana Factory, Bethlehem, PA, USA United States of America
Robert Delaunay: 1906 - 1914 - Centre Georges Pompidou, Paris , USA United States of America
Living with Landscapes: Paintings from Private Collections - Hudson River Museum, Yonkers, NY, USA
Women in the Arts 2005: Celebrating the Women International Month - Museum of the Americas, Miami, FL, USA United States of America
Museum Opens in New Building with a New Name - American Folk Art Museum, New York, NY, USA United States of America
Robert Smithson in Vancouver: A Fragment of a Greater Fragmentation - Vancouver Art Gallery, Vancouver, BC, CA Canada
Joe Coleman: Internal Digging - KW Institute for Contemporary Art, Berlin DE Germany
Street Life: Lithographic Prints by Edoardo di Muro - BAT Centre, Durban ZA South Africa
Call for Artists: Third Sculpture Symposium in Putaendo, Chile - Cart Cemetery Sculpture Park, Putaendo, Quinta Región CL Chile

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