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Gustave Dore

Displaying Page 1 of 11   1  2  3  4  5  6  7  8  9  10  11  Next Last  253 paintings



The Inferno, Canto 7, lines 8-9:
The Inferno, Canto 7, lines 8-9: "Curs’d wolf! thy fury inward on thyself Prey, and consume thee!” - Gustave Dore

Thais is this, the harlot (Canto XVIII., line 130) - Gustave Dore
Thais is this, the harlot (Canto XVIII., line 130) - Gustave Dore

The Inferno, Canto 25, lines 59-61: The other two Look’d on exclaiming: “Ah, how dost thou change, Agnello!” - Gustave Dore
The Inferno, Canto 25, lines 59-61: The other two Look’d on exclaiming: “Ah, how dost thou change, Agnello!” - Gustave Dore

The Inferno, Canto 13, line 120: “Haste now,” the foremost cried, “now haste thee death!” - Gustave Dore
The Inferno, Canto 13, line 120: “Haste now,” the foremost cried, “now haste thee death!” - Gustave Dore

The Inferno, Canto 23, lines 52-54: Scarcely had his feet Reach’d to the lowest of the bed beneath, When over us the steep they reach’d - Gustave Dore
The Inferno, Canto 23, lines 52-54: Scarcely had his feet Reach’d to the lowest of the bed beneath, When over us the steep they reach’d - Gustave Dore

ANATKH - Gustave Dore
ANATKH - Gustave Dore

The Inferno, Canto 23, lines 92-94: “Tuscan, who visitest The college of the mourning hypocrites, Disdain not to instruct us who thou art.” - Gustave Dore
The Inferno, Canto 23, lines 92-94: “Tuscan, who visitest The college of the mourning hypocrites, Disdain not to instruct us who thou art.” - Gustave Dore

The Inferno, Canto 18, lines 116-117: “Why greedily thus bendest more on me, Than on these other filthy ones, thy ken?” - Gustave Dore
The Inferno, Canto 18, lines 116-117: “Why greedily thus bendest more on me, Than on these other filthy ones, thy ken?” - Gustave Dore

The Inferno, Canto 34, lines 133: Thus issuing we again beheld the stars. - Gustave Dore
The Inferno, Canto 34, lines 133: Thus issuing we again beheld the stars. - Gustave Dore

The Inferno, Canto 18, lines 130-132: Thais is this, the harlot, whose false lip Answer’d her doting paramour that ask’d, ‘Thankest me much!’ - Gustave Dore
The Inferno, Canto 18, lines 130-132: Thais is this, the harlot, whose false lip Answer’d her doting paramour that ask’d, ‘Thankest me much!’ - Gustave Dore

The Inferno, Canto 6, lines 24-26: Then my guide, his palms Expanding on the ground, thence filled with earth Rais’d them, and cast it in his ravenous maw. - Gustave Dore
The Inferno, Canto 6, lines 24-26: Then my guide, his palms Expanding on the ground, thence filled with earth Rais’d them, and cast it in his ravenous maw. - Gustave Dore

Don Quixote and Sancho Panza Entertained by Basil and Quiteria - Gustave Dore
Don Quixote and Sancho Panza Entertained by Basil and Quiteria - Gustave Dore

Jephthah's Daughter And Her Companions - Gustave Dore
Jephthah's Daughter And Her Companions - Gustave Dore

The Journey To Emmaus - Gustave Dore
The Journey To Emmaus - Gustave Dore

The Inferno, Canto 12, lines 73-74: We to those beasts, that rapid strode along, Drew near - Gustave Dore
The Inferno, Canto 12, lines 73-74: We to those beasts, that rapid strode along, Drew near - Gustave Dore

The Inferno, Canto 5, lines 137-138: I through compassion fainting, seem’d not far From death, and like a corpse fell to the ground. - Gustave Dore
The Inferno, Canto 5, lines 137-138: I through compassion fainting, seem’d not far From death, and like a corpse fell to the ground. - Gustave Dore

The Inferno, Canto 34, lines 20-21: “Lo!” he exclaim’d, “lo Dis! and lo the place, Where thou hast need to arm thy heart with strength.” - Gustave Dore
The Inferno, Canto 34, lines 20-21: “Lo!” he exclaim’d, “lo Dis! and lo the place, Where thou hast need to arm thy heart with strength.” - Gustave Dore

The Prophet Amos - Gustave Dore
The Prophet Amos - Gustave Dore

The Inferno, Canto 28, lines 30,31: Now mark how I do rip me: lo! How is Mahomet mangled. - Gustave Dore
The Inferno, Canto 28, lines 30,31: Now mark how I do rip me: lo! How is Mahomet mangled. - Gustave Dore

The Inferno, Canto 21, lines 50-51: This said, They grappled him with more than hundred hooks - Gustave Dore
The Inferno, Canto 21, lines 50-51: This said, They grappled him with more than hundred hooks - Gustave Dore

The Inferno, Canto 22, line 70: In pursuit He therefore sped, exclaiming; “Thou art caught.” - Gustave Dore
The Inferno, Canto 22, line 70: In pursuit He therefore sped, exclaiming; “Thou art caught.” - Gustave Dore

The Inferno, Canto 11, lines 6-7: From the profound abyss, behind the lid Of a great monument we stood retir’d - Gustave Dore
The Inferno, Canto 11, lines 6-7: From the profound abyss, behind the lid Of a great monument we stood retir’d - Gustave Dore

The Inferno, Canto 7, lines 118-119: “Now seest thou, son! The souls of those, whom anger overcame.” - Gustave Dore
The Inferno, Canto 7, lines 118-119: “Now seest thou, son! The souls of those, whom anger overcame.” - Gustave Dore

The Inferno, Canto 24, lines 89-92: Amid this dread exuberance of woe Ran naked spirits wing’d with horrid fear, Nor hope had they of crevice where to hide, Or heliotrope to charm them out of view. - Gustave Dore
The Inferno, Canto 24, lines 89-92: Amid this dread exuberance of woe Ran naked spirits wing’d with horrid fear, Nor hope had they of crevice where to hide, Or heliotrope to charm them out of view. - Gustave Dore

The Inferno, Canto 29, lines 79-81: The crust Came drawn from underneath in flakes, like scales Scrap’d from the bream or fish of broader mail. - Gustave Dore
The Inferno, Canto 29, lines 79-81: The crust Came drawn from underneath in flakes, like scales Scrap’d from the bream or fish of broader mail. - Gustave Dore



Displaying Page 1 of 11   1  2  3  4  5  6  7  8  9  10  11  Next Last  253 paintings

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Paintings of the day

View on the Rhine near Cologne - Jan the Elder Griffier
View on the Rhine near Cologne - Jan the Elder Griffier
Hunted by wolves - Adolf Schreyer
Hunted by wolves - Adolf Schreyer
The Breakfast, plate 3 from Anglo Indians, engraved by J. Bouvier, 1842 - (after) Tayler, William
The Breakfast, plate 3 from Anglo Indians, engraved by J. Bouvier, 1842 - (after) Tayler, William
Suit of Armour for Sir John Smith from An Elizabethan Armourers Album - Jacobe Halder
Suit of Armour for Sir John Smith from An Elizabethan Armourers Album - Jacobe Halder
Carrying the catch - Walter Langley
Carrying the catch - Walter Langley
The Jardin des Tuileries from Tableau de Paris 2 - George Emmanuel Opitz
The Jardin des Tuileries from Tableau de Paris 2 - George Emmanuel Opitz
Hollyhocks - Lionel Charles Henley
Hollyhocks - Lionel Charles Henley
Study For Femme Au Parfume - Pierre Amede Marcel-Beronneau
Study For Femme Au Parfume - Pierre Amede Marcel-Beronneau
Spring Thaw - Ernest Lawson
Spring Thaw - Ernest Lawson
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Art News

Under A Grand - First Street Gallery, New York, NY, USA United States of America
Karen Savage: Lecons de mariage - Aron Packer Gallery, Chicago, IL, USA United States of America
Call for Artists: ANNUAL PORTFOLIO ISSUE - SHOTS Magazine, Minneapolis, MN, USA United States of America
Three Exhibitions of New Paintings: Scott Siedman, Jeff Britton, Jeff Gillette - Bert Green Fine Art, Los Angeles, CA, USA United States of America
Dia de los Muertos Ofrendas - Zeitgeist Gallery, Detroit, MI, USA United States of America
Brilliantly Birmingham: Museum of the Jewellery Quarter - Birmingham Museum and Art Gallery, Birmingham UK
Nikki Rixon: Innersense - Push Gallery / Public Eye, Cape Town ZA South Africa
Demian Flores: Sparkling Syncretism - Galeria Casa Lamm, Mexico City MX Mexico
Made in Beijing: Yang Mian - Red Gate Gallery, Beijing CN
Call to Artists - In and Around: A Juried Exhibition of Original 3-D Works - Rockaway Artist Alliance, Rockaway, NY, USA United States of America
Walter King: Early 2000 Internal Scenarios Series - BoMA, Bar of Modern Art, Columbus, OH, USA United States of America

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