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Gustave Dore

Displaying Page 11 of 12  First Prev  2  3  4  5  6  7  8  9  10  11  12  Next Last  287 paintings



Here chanting I beheld those spirits sit (Canto VII., line 91) - Gustave Dore
Here chanting I beheld those spirits sit (Canto VII., line 91) - Gustave Dore

The crust Came drawn from underneath in flakes (Canto XXIX., lines 79-80) - Gustave Dore
The crust Came drawn from underneath in flakes (Canto XXIX., lines 79-80) - Gustave Dore

Then heard I echoing on from choir to choir, (Canto XXVII., line 86) - Gustave Dore
Then heard I echoing on from choir to choir, (Canto XXVII., line 86) - Gustave Dore

Forthwith that image vile of Fraud appear'd. (Canto XVII., line 7) - Gustave Dore
Forthwith that image vile of Fraud appear'd. (Canto XVII., line 7) - Gustave Dore

The Flagellation - Gustave Dore
The Flagellation - Gustave Dore

Isaac Blessing Jacob - Gustave Dore
Isaac Blessing Jacob - Gustave Dore

Jeunes musiciennes des rues - Gustave Dore
Jeunes musiciennes des rues - Gustave Dore

"O God of mercy!" heard I sung; (Canto XXV., line126) - Gustave Dore

Cast themselves, one by one, down from the shore (Canto III., line 108) - Gustave Dore
Cast themselves, one by one, down from the shore (Canto III., line 108) - Gustave Dore

"Within these ardours are the spirits, each Swathed in confining fire." (Canto XXVI., lines 48-49) - Gustave Dore

to return To the fair world. (Canto XXXIV., lines 128-129) - Gustave Dore
to return To the fair world. (Canto XXXIV., lines 128-129) - Gustave Dore

"Oh, senseless spirit! let thy horn for thee Interpret: (Canto XXXI., lines 64-65) - Gustave Dore

The heav'nly steersman at the prow was seen, (Canto II., line 45) - Gustave Dore
The heav'nly steersman at the prow was seen, (Canto II., line 45) - Gustave Dore

So I beheld united the bright school (Canto IV., line 89) - Gustave Dore
So I beheld united the bright school (Canto IV., line 89) - Gustave Dore

Four stars ne'er seen before (Canto I., line 27) - Gustave Dore
Four stars ne'er seen before (Canto I., line 27) - Gustave Dore

Take Good heed, thy soles do tread not on the heads (Canto XXXII., lines 20-21) - Gustave Dore
Take Good heed, thy soles do tread not on the heads (Canto XXXII., lines 20-21) - Gustave Dore

Strict rein must in this place direct the eyes. A little swerving and the way is lost. (Canto XXV., lines122-123) - Gustave Dore
Strict rein must in this place direct the eyes. A little swerving and the way is lost. (Canto XXV., lines122-123) - Gustave Dore

'Surely,' said I, 'surely that is something at my window lattice;	 - Gustave Dore
'Surely,' said I, 'surely that is something at my window lattice; - Gustave Dore

Classical figures in an interior - Gustave Dore
Classical figures in an interior - Gustave Dore

"He," answer'd I, "who standeth mute beside me. (Canto XIII., line 77) - Gustave Dore

Along the banks and bottom of his course; (Canto V., line137) - Gustave Dore
Along the banks and bottom of his course; (Canto V., line137) - Gustave Dore

Darkly beneath perpetual gloom, (Canto XXVIII., line 32) - Gustave Dore
Darkly beneath perpetual gloom, (Canto XXVIII., line 32) - Gustave Dore

The Cedars Destined For The Temple - Gustave Dore
The Cedars Destined For The Temple - Gustave Dore

And one who watch'd, but spake not yet a word. (Canto IX, line 72) - Gustave Dore
And one who watch'd, but spake not yet a word. (Canto IX, line 72) - Gustave Dore

Joseph Making Himself Known To His Brethren - Gustave Dore
Joseph Making Himself Known To His Brethren - Gustave Dore



Displaying Page 11 of 12  First Prev  2  3  4  5  6  7  8  9  10  11  12  Next Last  287 paintings

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Paintings of the day

The Flower Seller - Frederick Hendrik Kaemmerer
The Flower Seller - Frederick Hendrik Kaemmerer
A two-decker announcing her arrival at the anchorage, with an Admiralty yacht running out to meet her - Peter Monamy
A two-decker announcing her arrival at the anchorage, with an Admiralty yacht running out to meet her - Peter Monamy
Chirico, C. G. di - Cavaliere Giocomo di Chirico
Chirico, C. G. di - Cavaliere Giocomo di Chirico
The Garden Walk - Harrison Fisher
The Garden Walk - Harrison Fisher
An extensive view of the Isle of Skye with cattle in the foreground - William (Turner of Oxford) Turner
An extensive view of the Isle of Skye with cattle in the foreground - William (Turner of Oxford) Turner
The Merchant Taylors School Room, from History of Merchant Taylors School, part of History of the Colleges, engraved by Joseph Constantine Stadler fl.1780-1812 pub. by R. Ackermann, 1816 - (after) Pugin, Augustus Charles
The Merchant Taylors School Room, from History of Merchant Taylors School, part of History of the Colleges, engraved by Joseph Constantine Stadler fl.1780-1812 pub. by R. Ackermann, 1816 - (after) Pugin, Augustus Charles
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Art News

Call for Artists: Paris/Berlin International Meetings - roARatorio, Paris FR France
Call for Artists: Residencies Available in South India - Art Residencies India, London UK United Kingdom
Call for Artist: Seeking New Studio Artists - Binney and Smith Gallery, Banana Factory, Bethlehem, PA, USA United States of America
Peter Smith: Half Life - Cambridge Galleries, Preston, Cambridge, ON, CA Canada
View Point: 2005 National Juried Art Exhibition - Cincinnati Art Club, Cincinnati, OH, USA United States of America
Solo Exhibition: Works by Luise Andersen - Galerie Adame and Eve, Camaver Kunsthaus, Paris FR France
Catherine Chalmers: Prey and Eat - University Art Museum, CSU Long Beach, Long Beach, CA, USA United States of America
Allan Kaprow. Art as Life - Haus der Kunst, Munich DE Germany
Bull's Eye: Works from the Astrup Fearnley Collection - ARKEN Museum of Modern Art, Ishoj DK Denmark
In 2052 Malmö Will No Longer Be Swedish - Rooseum Center for Contemporary Art, Malmo SE
Encounter: Bruce Nauman and Kcho - Museum of Contemporary Art, Chicago, IL, USA United States of America

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