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Gustave Dore

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The Inferno, Canto 21, lines 50-51: This said, They grappled him with more than hundred hooks - Gustave Dore
The Inferno, Canto 21, lines 50-51: This said, They grappled him with more than hundred hooks - Gustave Dore

The Inferno, Canto 24, lines 89-92: Amid this dread exuberance of woe Ran naked spirits wing’d with horrid fear, Nor hope had they of crevice where to hide, Or heliotrope to charm them out of view. - Gustave Dore
The Inferno, Canto 24, lines 89-92: Amid this dread exuberance of woe Ran naked spirits wing’d with horrid fear, Nor hope had they of crevice where to hide, Or heliotrope to charm them out of view. - Gustave Dore

Sarah Bernhardt - Gustave Dore
Sarah Bernhardt - Gustave Dore

Mary Magdalene - Gustave Dore
Mary Magdalene - Gustave Dore

The Christian Martyrs - Gustave Dore
The Christian Martyrs - Gustave Dore

The Inferno, Canto 13, lines 11: Here the brute Harpies make their nest - Gustave Dore
The Inferno, Canto 13, lines 11: Here the brute Harpies make their nest - Gustave Dore

The Inferno, Canto 17, line 117: New terror I conceiv’d at the steep plunge - Gustave Dore
The Inferno, Canto 17, line 117: New terror I conceiv’d at the steep plunge - Gustave Dore

'Ecco Homo' - Gustave Dore
'Ecco Homo' - Gustave Dore

The Inferno, Canto 9, lines 87-89: To the gate He came, and with his wand touch’d it, whereat Open without impediment it flew. - Gustave Dore
The Inferno, Canto 9, lines 87-89: To the gate He came, and with his wand touch’d it, whereat Open without impediment it flew. - Gustave Dore

The Inferno, Canto 33, lines 67-68: ’Hast no help For me, my father!’ - Gustave Dore
The Inferno, Canto 33, lines 67-68: ’Hast no help For me, my father!’ - Gustave Dore

Christ's Entry Into Jerusalem - Gustave Dore
Christ's Entry Into Jerusalem - Gustave Dore

The Inferno, Canto 34, lines 20-21: “Lo!” he exclaim’d, “lo Dis! and lo the place, Where thou hast need to arm thy heart with strength.” - Gustave Dore
The Inferno, Canto 34, lines 20-21: “Lo!” he exclaim’d, “lo Dis! and lo the place, Where thou hast need to arm thy heart with strength.” - Gustave Dore

The Inferno, Canto 30, lines 38-39: “ That is the ancient soul Of wretched Myrrha,” - Gustave Dore
The Inferno, Canto 30, lines 38-39: “ That is the ancient soul Of wretched Myrrha,” - Gustave Dore

The Inferno, Canto 29, lines 79-81: The crust Came drawn from underneath in flakes, like scales Scrap’d from the bream or fish of broader mail. - Gustave Dore
The Inferno, Canto 29, lines 79-81: The crust Came drawn from underneath in flakes, like scales Scrap’d from the bream or fish of broader mail. - Gustave Dore

The Journey To Emmaus - Gustave Dore
The Journey To Emmaus - Gustave Dore

Don Quixote and Sancho Panza Entertained by Basil and Quiteria - Gustave Dore
Don Quixote and Sancho Panza Entertained by Basil and Quiteria - Gustave Dore

The Destruction of Sodom - Gustave Dore
The Destruction of Sodom - Gustave Dore

Two Owls - Gustave Dore
Two Owls - Gustave Dore

The Inferno, Canto 5, lines 134-135: 'In its leaves that day We read no more.' - Gustave Dore
The Inferno, Canto 5, lines 134-135: 'In its leaves that day We read no more.' - Gustave Dore

?A stately Raven of the saintly days of yore. - Gustave Dore
?A stately Raven of the saintly days of yore. - Gustave Dore

Paysage des Alpes - Gustave Dore
Paysage des Alpes - Gustave Dore

The Agony In The Garden - Gustave Dore
The Agony In The Garden - Gustave Dore

The Inferno, Canto 12, lines 11-14: and there At point of the disparted ridge lay stretch’d The infamy of Crete, detested brood Of the feign’d heifer - Gustave Dore
The Inferno, Canto 12, lines 11-14: and there At point of the disparted ridge lay stretch’d The infamy of Crete, detested brood Of the feign’d heifer - Gustave Dore

The Inferno, Canto 28, lines 69-72: call thou to mind Piero of Medicina, if again Returning, thou behold’st the pleasant land That from Vercelli slopes to Mercabo - Gustave Dore
The Inferno, Canto 28, lines 69-72: call thou to mind Piero of Medicina, if again Returning, thou behold’st the pleasant land That from Vercelli slopes to Mercabo - Gustave Dore

The Judgment Of Solomon - Gustave Dore
The Judgment Of Solomon - Gustave Dore



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Paintings of the day

The Adoration of the Magi 2 -  Unknown Painter
The Adoration of the Magi 2 - Unknown Painter
Canalside Gossip - Flora MacDonald Reid
Canalside Gossip - Flora MacDonald Reid
A hermit by a grotto - Balthasar Beschey
A hermit by a grotto - Balthasar Beschey
Gardeners Transporting an Orange Tree - Hubert Robert
Gardeners Transporting an Orange Tree - Hubert Robert
Painting 1943 - Joaquin Miro
Painting 1943 - Joaquin Miro
A folio of thirty-five unframed prints and watercolours of ladies in various saucy poses - Martin Pepyn or Pepin
A folio of thirty-five unframed prints and watercolours of ladies in various saucy poses - Martin Pepyn or Pepin
View of the Hofvijfer, The Hague - Dutch School
View of the Hofvijfer, The Hague - Dutch School
Deer in a Wood - Louis Kolitz
Deer in a Wood - Louis Kolitz
A seascape with shipping off the coast, three-masters beyond - (after) Jacob Van Ruisdael
A seascape with shipping off the coast, three-masters beyond - (after) Jacob Van Ruisdael
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Art News

Call for Artists: Paris/Berlin International Meetings - roARatorio, Paris FR France
Call for Artists: Residencies Available in South India - Art Residencies India, London UK United Kingdom
Call for Artist: Seeking New Studio Artists - Binney and Smith Gallery, Banana Factory, Bethlehem, PA, USA United States of America
Andrew Stones: Atlas - Chisenhale Gallery, London UK United Kingdom
Robert Arneson: Political Drawings - Brian Gross Fine Art, San Francisco, CA, USA United States of America
Columbus Collects: A Thurber Center Gallery Retrospective - Thurber House Gallery, Columbus, OH, USA United States of America
Music video by Munro Galloway - Lazy J, Brooklyn, NY, USA United States of America
Thinking, Talking, Doing: Joseph Beuys for Children and Young People - Stiftung Wilhelm Lehmbruck Museum, Duisburg DE Germany
Doug Dubois: Photographs - Everson Musuem of Art, Syracuse, NY, USA
Engaging Representations: Contemporary Art from The Speed Art Museum - University of Kentucky Art Museum, Lexington, KY, USA United States of America
Facing the Other: Charles Cordier, Ethnographic Sculptor - Dahesh Museum of Art, New York, NY, USA United States of America

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