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Gustave Dore

Displaying Page 2 of 12  First Prev  1  2  3  4  5  6  7  8  9  10  11  Next Last  287 paintings



The Inferno, Canto 22, line 70: In pursuit He therefore sped, exclaiming; “Thou art caught.” - Gustave Dore
The Inferno, Canto 22, line 70: In pursuit He therefore sped, exclaiming; “Thou art caught.” - Gustave Dore

The Inferno, Canto 28, lines 30,31: Now mark how I do rip me: lo! How is Mahomet mangled. - Gustave Dore
The Inferno, Canto 28, lines 30,31: Now mark how I do rip me: lo! How is Mahomet mangled. - Gustave Dore

The Inferno, Canto 28, lines 116-119: By the hair It bore the sever’d member, lantern-wise Pendent in hand, which look’d at us and said, “Woe’s me!” - Gustave Dore
The Inferno, Canto 28, lines 116-119: By the hair It bore the sever’d member, lantern-wise Pendent in hand, which look’d at us and said, “Woe’s me!” - Gustave Dore

The Inferno, Canto 31, lines 133-135: Yet in th’ abyss, That Lucifer with Judas low ingulfs, Lightly he plac’d us - Gustave Dore
The Inferno, Canto 31, lines 133-135: Yet in th’ abyss, That Lucifer with Judas low ingulfs, Lightly he plac’d us - Gustave Dore

The Inferno, Canto 32, lines 97-98: Then seizing on his hinder scalp, I cried: “Name thee, or not a hair shall tarry here.” - Gustave Dore
The Inferno, Canto 32, lines 97-98: Then seizing on his hinder scalp, I cried: “Name thee, or not a hair shall tarry here.” - Gustave Dore

The Inferno, Canto 34, lines 133: Thus issuing we again beheld the stars. - Gustave Dore
The Inferno, Canto 34, lines 133: Thus issuing we again beheld the stars. - Gustave Dore

The Prophet Amos - Gustave Dore
The Prophet Amos - Gustave Dore

La Chute Des Titans (The Clash of the Titans) - Gustave Dore
La Chute Des Titans (The Clash of the Titans) - Gustave Dore

The Inferno, Canto 8, lines 27-29: Soon as both embark’d, Cutting the waves, goes on the ancient prow, More deeply than with others it is wont. - Gustave Dore
The Inferno, Canto 8, lines 27-29: Soon as both embark’d, Cutting the waves, goes on the ancient prow, More deeply than with others it is wont. - Gustave Dore

The Inferno, Canto 18, lines 130-132: Thais is this, the harlot, whose false lip Answer’d her doting paramour that ask’d, ‘Thankest me much!’ - Gustave Dore
The Inferno, Canto 18, lines 130-132: Thais is this, the harlot, whose false lip Answer’d her doting paramour that ask’d, ‘Thankest me much!’ - Gustave Dore

The Inferno, Canto 12, lines 73-74: We to those beasts, that rapid strode along, Drew near - Gustave Dore
The Inferno, Canto 12, lines 73-74: We to those beasts, that rapid strode along, Drew near - Gustave Dore

The Inferno, Canto 26, lines 46-49: The guide, who mark’d How I did gaze attentive, thus began: “Within these ardours are the spirits, each Swath’d in confining fire.” - Gustave Dore
The Inferno, Canto 26, lines 46-49: The guide, who mark’d How I did gaze attentive, thus began: “Within these ardours are the spirits, each Swath’d in confining fire.” - Gustave Dore

A Mountain Torrent in the Highlands - Gustave Dore
A Mountain Torrent in the Highlands - Gustave Dore

The Inferno, Canto 6, lines 49-52: 'Thy city heap’d with envy to the brim, Ay that the measure overflows its bounds, Held me in brighter days. Ye citizens Were wont to name me Ciacco.' - Gustave Dore
The Inferno, Canto 6, lines 49-52: 'Thy city heap’d with envy to the brim, Ay that the measure overflows its bounds, Held me in brighter days. Ye citizens Were wont to name me Ciacco.' - Gustave Dore

Mere Et Enfant - Gustave Dore
Mere Et Enfant - Gustave Dore

The Inferno, Canto 6, lines 24-26: Then my guide, his palms Expanding on the ground, thence filled with earth Rais’d them, and cast it in his ravenous maw. - Gustave Dore
The Inferno, Canto 6, lines 24-26: Then my guide, his palms Expanding on the ground, thence filled with earth Rais’d them, and cast it in his ravenous maw. - Gustave Dore

Moses In The Bulrushes - Gustave Dore
Moses In The Bulrushes - Gustave Dore

The Inferno, Canto 7, lines 65-67: “Not all the gold, that is beneath the moon, Or ever hath been, of these toil-worn souls Might purchase rest for one.” - Gustave Dore
The Inferno, Canto 7, lines 65-67: “Not all the gold, that is beneath the moon, Or ever hath been, of these toil-worn souls Might purchase rest for one.” - Gustave Dore

The Inferno, Canto 32, lines 127-129: Not more furiously On Menalippus’ temples Tydeus gnaw’d, Than on that skull and on its garbage he. - Gustave Dore
The Inferno, Canto 32, lines 127-129: Not more furiously On Menalippus’ temples Tydeus gnaw’d, Than on that skull and on its garbage he. - Gustave Dore

The Inferno, Canto 29, lines 52-56: Then my sight Was livelier to explore the depth, wherein The minister of the most mighty Lord, All-searching Justice, dooms to punishment The forgers noted on her dread record. - Gustave Dore
The Inferno, Canto 29, lines 52-56: Then my sight Was livelier to explore the depth, wherein The minister of the most mighty Lord, All-searching Justice, dooms to punishment The forgers noted on her dread record. - Gustave Dore

Saul's Conversion - Gustave Dore
Saul's Conversion - Gustave Dore

The Pharisee And The Publican - Gustave Dore
The Pharisee And The Publican - Gustave Dore

The Last Judgement - Gustave Dore
The Last Judgement - Gustave Dore

The Inferno, Canto 23, lines 92-94: “Tuscan, who visitest The college of the mourning hypocrites, Disdain not to instruct us who thou art.” - Gustave Dore
The Inferno, Canto 23, lines 92-94: “Tuscan, who visitest The college of the mourning hypocrites, Disdain not to instruct us who thou art.” - Gustave Dore

The Inferno, Canto 5, lines 105-106: 'Love brought us to one death: Caina waits The soul, who spilt our life.' - Gustave Dore
The Inferno, Canto 5, lines 105-106: 'Love brought us to one death: Caina waits The soul, who spilt our life.' - Gustave Dore



Displaying Page 2 of 12  First Prev  1  2  3  4  5  6  7  8  9  10  11  Next Last  287 paintings

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Previous & Next Artists

Gustave De Breanksi
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Gustave A. Barnes
Gustave A. Barnes
Gustave Achille Guillaumet
Gustave Achille Guillaumet
Gustave Adolf Jundt
Gustave Adolf Jundt
Gustave Adolphe Chassevent-Bacques
Gustave Adolphe Chassevent-Bacques
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Paintings of the day

The Flower Seller - Frederick Hendrik Kaemmerer
The Flower Seller - Frederick Hendrik Kaemmerer
A two-decker announcing her arrival at the anchorage, with an Admiralty yacht running out to meet her - Peter Monamy
A two-decker announcing her arrival at the anchorage, with an Admiralty yacht running out to meet her - Peter Monamy
Chirico, C. G. di - Cavaliere Giocomo di Chirico
Chirico, C. G. di - Cavaliere Giocomo di Chirico
The Garden Walk - Harrison Fisher
The Garden Walk - Harrison Fisher
An extensive view of the Isle of Skye with cattle in the foreground - William (Turner of Oxford) Turner
An extensive view of the Isle of Skye with cattle in the foreground - William (Turner of Oxford) Turner
The Merchant Taylors School Room, from History of Merchant Taylors School, part of History of the Colleges, engraved by Joseph Constantine Stadler fl.1780-1812 pub. by R. Ackermann, 1816 - (after) Pugin, Augustus Charles
The Merchant Taylors School Room, from History of Merchant Taylors School, part of History of the Colleges, engraved by Joseph Constantine Stadler fl.1780-1812 pub. by R. Ackermann, 1816 - (after) Pugin, Augustus Charles
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Art News

Call for Artists: Paris/Berlin International Meetings - roARatorio, Paris FR France
Call for Artists: Residencies Available in South India - Art Residencies India, London UK United Kingdom
Call for Artist: Seeking New Studio Artists - Binney and Smith Gallery, Banana Factory, Bethlehem, PA, USA United States of America
Michael Joaquin Grey - bitforms gallery, New York, NY, USA United States of America
Trap – Wang Wei’s Installation Exhibition - Platform China, Beijing CN China
Margaret Aalders: Australian Landscapes - Gallery Blackheath, Blackheath AU Australia
Call for Artists: e-Media Gallery calling for for NET ART WORKS, CD-ROM & DVD - Centre for Contemporary Photography, Fitzroy, VI, AU
Gerhard Merz: Art at the freight depot - Hannover EXPO 2000, Hannover DE Germany
Robin McDonnell: Flux Paintings - Brian Gross Fine Art, San Francisco, CA, USA United States of America
The Centenary Exhibition: Highlights of French and British Art from the Queensland Art Gallery Collection - Gold Coast City Art Gallery, Gold Coast AU Australia
Here I am - What We See and Think We Know - Frye Art Museum, Seattle, WA, USA

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