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The Inferno, Canto 18, lines 116-117: “Why greedily thus bendest more on me, Than on these other filthy ones, thy ken?”

by Gustave Dore

The Inferno, Canto 18, lines 116-117: “Why greedily thus bendest more on me, Than on these other filthy ones, thy ken?” - Gustave Dore
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The Inferno, Canto 18, lines 116-117: “Why greedily thus bendest more on me, Than on these other filthy ones, thy ken?” - Gustave Dore

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Description
English: "The Inferno, Canto 18, lines 116-117: “Why greedily thus bendest more on me, Than on these other filthy ones, thy ken?”" oil on Canvas, location: Private collection.
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Author

Gustave Dore

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Location

Private collection

Permission

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Public domain This image (or other media file) is in the public domain because its copyright has expired. However - you may not use this image for commercial purposes and you may not alter the image or remove the WikiGallery watermark.

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Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Côte d'Ivoire has a general copyright term of 99 years and Honduras has 75 years, but they do implement that rule of the shorter term.


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Next Paintings

The Inferno, Canto 18, lines 130-132: Thais is this, the harlot, whose false lip Answer’d her doting paramour that ask’d, ‘Thankest me much!’ - Gustave Dore
The Inferno, Canto 18, lines 130-132: Thais is this, the harlot, whose false lip Answer’d her doting paramour that ask’d, ‘Thankest me much!’ - Gustave Dore
The Inferno, Canto 19, lines 10-11: There stood I like the friar, that doth shrive A wretch for murder doom’d - Gustave Dore
The Inferno, Canto 19, lines 10-11: There stood I like the friar, that doth shrive A wretch for murder doom’d - Gustave Dore
The Inferno, Canto 21, lines 50-51: This said, They grappled him with more than hundred hooks - Gustave Dore
The Inferno, Canto 21, lines 50-51: This said, They grappled him with more than hundred hooks - Gustave Dore
The Inferno, Canto 22, line 70: In pursuit He therefore sped, exclaiming; “Thou art caught.” - Gustave Dore
The Inferno, Canto 22, line 70: In pursuit He therefore sped, exclaiming; “Thou art caught.” - Gustave Dore
The Inferno, Canto 22, lines 137-139: But the’ other prov’d A goshawk able to rend well his foe; And in the boiling lake both fell. - Gustave Dore
The Inferno, Canto 22, lines 137-139: But the’ other prov’d A goshawk able to rend well his foe; And in the boiling lake both fell. - Gustave Dore
The Inferno, Canto 23, lines 52-54: Scarcely had his feet Reach’d to the lowest of the bed beneath, When over us the steep they reach’d - Gustave Dore
The Inferno, Canto 23, lines 52-54: Scarcely had his feet Reach’d to the lowest of the bed beneath, When over us the steep they reach’d - Gustave Dore
The Inferno, Canto 23, lines 92-94: “Tuscan, who visitest The college of the mourning hypocrites, Disdain not to instruct us who thou art.” - Gustave Dore
The Inferno, Canto 23, lines 92-94: “Tuscan, who visitest The college of the mourning hypocrites, Disdain not to instruct us who thou art.” - Gustave Dore
The Inferno, Canto 24, lines 89-92: Amid this dread exuberance of woe Ran naked spirits wing’d with horrid fear, Nor hope had they of crevice where to hide, Or heliotrope to charm them out of view. - Gustave Dore
The Inferno, Canto 24, lines 89-92: Amid this dread exuberance of woe Ran naked spirits wing’d with horrid fear, Nor hope had they of crevice where to hide, Or heliotrope to charm them out of view. - Gustave Dore
The Inferno, Canto 25, lines 59-61: The other two Look’d on exclaiming: “Ah, how dost thou change, Agnello!” - Gustave Dore
The Inferno, Canto 25, lines 59-61: The other two Look’d on exclaiming: “Ah, how dost thou change, Agnello!” - Gustave Dore
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