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Gustave Dore

Displaying Page 8 of 12  First Prev  2  3  4  5  6  7  8  9  10  11  12  Next Last  287 paintings



Call thou to mind Piero of Medicina, (Canto XXVIII., lines 69-70) - Gustave Dore
Call thou to mind Piero of Medicina, (Canto XXVIII., lines 69-70) - Gustave Dore

Nevermore - Gustave Dore
Nevermore - Gustave Dore

Ye host of heaven! whose glory I survey (Canto XVIII., line 126) - Gustave Dore
Ye host of heaven! whose glory I survey (Canto XVIII., line 126) - Gustave Dore

Be to mine eyes the remedy (Canto XXVI., line 15) - Gustave Dore
Be to mine eyes the remedy (Canto XXVI., line 15) - Gustave Dore

The serpent fled; (Canto VIII., line 116) - Gustave Dore
The serpent fled; (Canto VIII., line 116) - Gustave Dore

But whose velvet violet lining with the lamplight gloating o'er She shall press, ah, nevermore! - Gustave Dore
But whose velvet violet lining with the lamplight gloating o'er She shall press, ah, nevermore! - Gustave Dore

Isaiah - Gustave Dore
Isaiah - Gustave Dore

The Betrayal - Gustave Dore
The Betrayal - Gustave Dore

The Dumb Man Possessed - Gustave Dore
The Dumb Man Possessed - Gustave Dore

Sorrow for the lost Lenore. - Gustave Dore
Sorrow for the lost Lenore. - Gustave Dore

Naomi And Her Daughters-In-Law - Gustave Dore
Naomi And Her Daughters-In-Law - Gustave Dore

Here the brute Harpies make their nest. (Canto XIII., line 41) - Gustave Dore
Here the brute Harpies make their nest. (Canto XIII., line 41) - Gustave Dore

A widow at his bridle stood, attir'd (Canto X, line 74) - Gustave Dore
A widow at his bridle stood, attir'd (Canto X, line 74) - Gustave Dore

a panther, nimble, light, (Canto I., line 30) - Gustave Dore
a panther, nimble, light, (Canto I., line 30) - Gustave Dore

A ladder, which my ken pursued in vain, (Canto XXI., line 29) - Gustave Dore
A ladder, which my ken pursued in vain, (Canto XXI., line 29) - Gustave Dore

Deborah's Song Of Triumph - Gustave Dore
Deborah's Song Of Triumph - Gustave Dore

He, soon as he saw That I was weeping, answer'd (Canto I., lines 87-88) - Gustave Dore
He, soon as he saw That I was weeping, answer'd (Canto I., lines 87-88) - Gustave Dore

"Name thee, or not a hair shall tarry here!" (Canto XXXII., line 98) - Gustave Dore

Three nymphs (Canto XXIX., line 126) - Gustave Dore
Three nymphs (Canto XXIX., line 126) - Gustave Dore

By the hair It bore the sever'd member, lantern-wise (Canto XXVIII., lines 116-117) - Gustave Dore
By the hair It bore the sever'd member, lantern-wise (Canto XXVIII., lines 116-117) - Gustave Dore

behind the lid Of a great monument we stood retired. (Canto XI., lines 6-7) - Gustave Dore
behind the lid Of a great monument we stood retired. (Canto XI., lines 6-7) - Gustave Dore

so drew Full more than thousand splendours towards us, (Canto V., line 106-107) - Gustave Dore
so drew Full more than thousand splendours towards us, (Canto V., line 106-107) - Gustave Dore

Open here I flung the shutter. - Gustave Dore
Open here I flung the shutter. - Gustave Dore

A lady young and beautiful, I dream'd, (Canto XXVII., line 105) - Gustave Dore
A lady young and beautiful, I dream'd, (Canto XXVII., line 105) - Gustave Dore

Arrival Of The Samaritan At The Inn - Gustave Dore
Arrival Of The Samaritan At The Inn - Gustave Dore



Displaying Page 8 of 12  First Prev  2  3  4  5  6  7  8  9  10  11  12  Next Last  287 paintings

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Previous & Next Artists

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Gustave A. Barnes
Gustave A. Barnes
Gustave Achille Guillaumet
Gustave Achille Guillaumet
Gustave Adolf Jundt
Gustave Adolf Jundt
Gustave Adolphe Chassevent-Bacques
Gustave Adolphe Chassevent-Bacques
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Paintings of the day

Spinning Wheel 1884 - Vincent Van Gogh
Spinning Wheel 1884 - Vincent Van Gogh
Die Sangerin Emilie Tagliana (The Singer Emilia Tagliana) - Hans Makart
Die Sangerin Emilie Tagliana (The Singer Emilia Tagliana) - Hans Makart
The Return in Amsterdam of the Second Expedition to the East Indies - Cornelis Hendricksz. The Younger Vroom
The Return in Amsterdam of the Second Expedition to the East Indies - Cornelis Hendricksz. The Younger Vroom
Alandskab (River Landscape) - Peder Monsted
Alandskab (River Landscape) - Peder Monsted
Chief Blue Horse - John Hauser
Chief Blue Horse - John Hauser
Chicks - Lucy Ann Leavers
Chicks - Lucy Ann Leavers
Illustrations of decorative details from the wrappings of mummies - (after) Jomard
Illustrations of decorative details from the wrappings of mummies - (after) Jomard
The dining chair sledge - Thomas Smythe
The dining chair sledge - Thomas Smythe
A Mountainous View, North Wales, c.1818 - David Cox
A Mountainous View, North Wales, c.1818 - David Cox
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Art News

Call for Artists: Paris/Berlin International Meetings - roARatorio, Paris FR France
Call for Artists: Residencies Available in South India - Art Residencies India, London UK United Kingdom
Call for Artist: Seeking New Studio Artists - Binney and Smith Gallery, Banana Factory, Bethlehem, PA, USA United States of America
Trenton Doyle Hancock: The Life and Death of Number 1 - Contemporary Arts Museum Houston, Houston, TX, USA
Robert Davies: Chromogenesis - Tatar Gallery, Toronto, ON, CA Canada
Remote Viewing (Invented Worlds in Recent Painting and Drawing) - Saint Louis Art Museum, St. Louis, MO, USA
Jaco Benade - Absa Gallery, Johannesburg ZA South Africa
Art from the Cape: Dutch and Flemish Masterpieces from the Cape Town Michaelis Collection - Bonnefanten Museum, Maastricht NL Netherlands
The Sixth Edition of the Biennale - 840 Artists, 76 Countries, Over 2,500 Works - Biennale Internazionale dell’Arte Contemporanea, Florence IT Italy
Testimonial: Portraits, Pictures, Drawings by Felice Garofano, Vincenzo Montella, Ena Villani - Il Ramo d'Oro, Naples IT Italy
David Hockney: Painting 1960-2000 - Louisiana Museum of Modern Art, Humlebæk DK

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