Before my sight appear'd, with open wings, The beauteous image (Canto XIX., lines 1-2) -
Gustave Dore
behind the lid Of a great monument we stood retired. (Canto XI., lines 6-7) -
Gustave Dore
But Virgil roused me: "What yet gazest on? (Canto XXIX., line 4) -
Gustave Dore
But whose velvet violet lining with the lamplight gloating o'er She shall press, ah, nevermore! -
Gustave Dore
By the hair It bore the sever'd member, lantern-wise (Canto XXVIII., lines 116-117) -
Gustave Dore
Cast themselves, one by one, down from the shore (Canto III., line 108) -
Gustave Dore
Christ Beam'd on that cross (Canto XIV., lines 103-104) -
Gustave Dore
On the cliffs, Castle hill, Hastings - William James Boddy
The interior of a Gothic cathedral looking east - (after) Pieter The Younger Neefs
A pear, peaches, plums and grapes in a wicker basket - Michel Joseph Speckaert
An extensive landscape with travellers on a road, other figures beyond - (after) Mathys Schoevaerdts
A Bank Of Wild Flowers With Cattle Grazing, A Coastal Town Beyond - Andrew Nicholl
Fishermen on the beach, a swell brewing offshore - Edward Tucker
A Frost - (after) Newhouse, Charles B.
The interior of a grotto with figures amongst classical ruins and fountains - (after) Abraham Van Cuylenborch
A Horse And Cows In A Landscape - (after) Abraham Van Calraet
Be to mine eyes the remedy (Canto XXVI., line 15) - Gustave Dore
Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the 
