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Gustave Dore

Displaying Page 8 of 12  First Prev  2  3  4  5  6  7  8  9  10  11  12  Next Last  287 paintings



Eliezer And Rebekah - Gustave Dore
Eliezer And Rebekah - Gustave Dore

Call thou to mind Piero of Medicina, (Canto XXVIII., lines 69-70) - Gustave Dore
Call thou to mind Piero of Medicina, (Canto XXVIII., lines 69-70) - Gustave Dore

Ye host of heaven! whose glory I survey (Canto XVIII., line 126) - Gustave Dore
Ye host of heaven! whose glory I survey (Canto XVIII., line 126) - Gustave Dore

Be to mine eyes the remedy (Canto XXVI., line 15) - Gustave Dore
Be to mine eyes the remedy (Canto XXVI., line 15) - Gustave Dore

The serpent fled; (Canto VIII., line 116) - Gustave Dore
The serpent fled; (Canto VIII., line 116) - Gustave Dore

Isaiah - Gustave Dore
Isaiah - Gustave Dore

The Betrayal - Gustave Dore
The Betrayal - Gustave Dore

The Dumb Man Possessed - Gustave Dore
The Dumb Man Possessed - Gustave Dore

But whose velvet violet lining with the lamplight gloating o'er She shall press, ah, nevermore! - Gustave Dore
But whose velvet violet lining with the lamplight gloating o'er She shall press, ah, nevermore! - Gustave Dore

Sorrow for the lost Lenore. - Gustave Dore
Sorrow for the lost Lenore. - Gustave Dore

Naomi And Her Daughters-In-Law - Gustave Dore
Naomi And Her Daughters-In-Law - Gustave Dore

Here the brute Harpies make their nest. (Canto XIII., line 41) - Gustave Dore
Here the brute Harpies make their nest. (Canto XIII., line 41) - Gustave Dore

A widow at his bridle stood, attir'd (Canto X, line 74) - Gustave Dore
A widow at his bridle stood, attir'd (Canto X, line 74) - Gustave Dore

a panther, nimble, light, (Canto I., line 30) - Gustave Dore
a panther, nimble, light, (Canto I., line 30) - Gustave Dore

Deborah's Song Of Triumph - Gustave Dore
Deborah's Song Of Triumph - Gustave Dore

A ladder, which my ken pursued in vain, (Canto XXI., line 29) - Gustave Dore
A ladder, which my ken pursued in vain, (Canto XXI., line 29) - Gustave Dore

He, soon as he saw That I was weeping, answer'd (Canto I., lines 87-88) - Gustave Dore
He, soon as he saw That I was weeping, answer'd (Canto I., lines 87-88) - Gustave Dore

"Name thee, or not a hair shall tarry here!" (Canto XXXII., line 98) - Gustave Dore

Three nymphs (Canto XXIX., line 126) - Gustave Dore
Three nymphs (Canto XXIX., line 126) - Gustave Dore

By the hair It bore the sever'd member, lantern-wise (Canto XXVIII., lines 116-117) - Gustave Dore
By the hair It bore the sever'd member, lantern-wise (Canto XXVIII., lines 116-117) - Gustave Dore

Open here I flung the shutter. - Gustave Dore
Open here I flung the shutter. - Gustave Dore

behind the lid Of a great monument we stood retired. (Canto XI., lines 6-7) - Gustave Dore
behind the lid Of a great monument we stood retired. (Canto XI., lines 6-7) - Gustave Dore

so drew Full more than thousand splendours towards us, (Canto V., line 106-107) - Gustave Dore
so drew Full more than thousand splendours towards us, (Canto V., line 106-107) - Gustave Dore

A lady young and beautiful, I dream'd, (Canto XXVII., line 105) - Gustave Dore
A lady young and beautiful, I dream'd, (Canto XXVII., line 105) - Gustave Dore

Arrival Of The Samaritan At The Inn - Gustave Dore
Arrival Of The Samaritan At The Inn - Gustave Dore



Displaying Page 8 of 12  First Prev  2  3  4  5  6  7  8  9  10  11  12  Next Last  287 paintings

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Paintings of the day

Flowers3 - Odilon Redon
Flowers3 - Odilon Redon
House By The Sea - Maurice Brazil Prendergast
House By The Sea - Maurice Brazil Prendergast
Portrait of Professor George Joseph Bell (1770 - 1843) - Sir Henry Raeburn
Portrait of Professor George Joseph Bell (1770 - 1843) - Sir Henry Raeburn
Japanese Picture 033 - Bertalan Por
Japanese Picture 033 - Bertalan Por
Madonna of the Magnificat (Madonna del Magnificat) 1480-81 - Sandro Botticelli (Alessandro Filipepi)
Madonna of the Magnificat (Madonna del Magnificat) 1480-81 - Sandro Botticelli (Alessandro Filipepi)
Portrait of the artist's wife - Gustave Jean Jacquet
Portrait of the artist's wife - Gustave Jean Jacquet
On the Warfe, Yorkshire 2 - William Mellor
On the Warfe, Yorkshire 2 - William Mellor
La Buona Ventura - Italian School
La Buona Ventura - Italian School
The raft of the Medusa 2 - Theodore Gericault
The raft of the Medusa 2 - Theodore Gericault
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Art News

Call for Artists: Paris/Berlin International Meetings - roARatorio, Paris FR France
Call for Artists: Residencies Available in South India - Art Residencies India, London UK United Kingdom
Call for Artist: Seeking New Studio Artists - Binney and Smith Gallery, Banana Factory, Bethlehem, PA, USA United States of America
Jacques Charlier: Belgian Aspects of Flanders - Stedelijk Museum voor Actuele Kunst, Gent BE
Within: Steven Royster - Cairns Regional Gallery, Cairns, QL, AU
Cartier Design Viewed by Ettore Sottsass - Museum of Fine Arts, Houston, Houston, TX, USA
Wet and Dry: 4x5 - Ohio Art League, Columbus, OH, USA United States of America
Louise Bourgeois: Stitches in Time - Irish Museum of Modern Art, Dublin IE
Translated Acts: Body and Performance Art from East Asia, in collaboration with the Queens Museum of Art, New York - House of World Cultures, Berlin DE Germany
Photographs by Gregory Crewdson - SITE Santa Fe, Santa Fe, NM, USA United States of America
Barak Bar-Am: Hebeschiebewerk - shift e.V., Berlin DE Germany

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