From WikiGallery

Jump to: navigation, search
Share:        Link to this page
Jump to: navigation, search

so drew Full more than thousand splendours towards us, (Canto V., line 106-107)

by Gustave Dore

so drew Full more than thousand splendours towards us, (Canto V., line 106-107) - Gustave Dore
[locked]

Information

Description
English: "so drew Full more than thousand splendours towards us, (Canto V., line 106-107)" oil on Canvas.
Source

http://www.wikigallery.org/
Author

Gustave Dore

Download

Click here to download image
Permission

Free for non commercial use. See below. Click here to report copyright issues.

Like it

[locked]

Licensing

Public domain This image (or other media file) is in the public domain because its copyright has expired. However - you may not use this image for commercial purposes and you may not alter the image or remove the WikiGallery watermark.

This applies to the United States, Canada, the European Union and those countries with a copyright term of life of the author plus 70 years.

Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Côte d'Ivoire has a general copyright term of 99 years and Honduras has 75 years, but they do implement that rule of the shorter term.

[locked]

Rate this Painting

NOT RATED YET
Click on the stars
to rate this painting

[locked]

Next Paintings

So I beheld united the bright school (Canto IV., line 89) - Gustave Dore
So I beheld united the bright school (Canto IV., line 89) - Gustave Dore
Solomon - Gustave Dore
Solomon - Gustave Dore
Soon they o'ertook us; with such swiftness mov'd The mighty crowd. (Canto XVIII., lines 98-99) - Gustave Dore
Soon they o'ertook us; with such swiftness mov'd The mighty crowd. (Canto XVIII., lines 98-99) - Gustave Dore
Sorrow for the lost Lenore. - Gustave Dore
Sorrow for the lost Lenore. - Gustave Dore
Souvenir D'Ecosse (A Souvenir from Scotland) - Gustave Dore
Souvenir D'Ecosse (A Souvenir from Scotland) - Gustave Dore
spirits, that toward us mov'd their steps, (Canto III., line 60) - Gustave Dore
spirits, that toward us mov'd their steps, (Canto III., line 60) - Gustave Dore
Strict rein must in this place direct the eyes. A little swerving and the way is lost. (Canto XXV., lines122-123) - Gustave Dore
Strict rein must in this place direct the eyes. A little swerving and the way is lost. (Canto XXV., lines122-123) - Gustave Dore
Take Good heed, thy soles do tread not on the heads (Canto XXXII., lines 20-21) - Gustave Dore
Take Good heed, thy soles do tread not on the heads (Canto XXXII., lines 20-21) - Gustave Dore
Thais is this, the harlot (Canto XVIII., line 130) - Gustave Dore
Thais is this, the harlot (Canto XVIII., line 130) - Gustave Dore
[locked]

Related Paintings

An Old Woman Holding A Candle And An Empty Purse - (after) Honthorst, Gerrit van
An Old Woman Holding A Candle And An Empty Purse - (after) Honthorst, Gerrit van
Costume Designs And Stage Directions For The Spectators - Boris Kustodiev
Costume Designs And Stage Directions For The Spectators - Boris Kustodiev
Surveying the Map - Fritz Wagner
Surveying the Map - Fritz Wagner
Hyde Park Corner - Sir John Lavery
Hyde Park Corner - Sir John Lavery
Portrait of a lady, half-length, in a red velvet dress with lace trim and white collar, holding a dog, a green curtain beyond - John Lawson
Portrait of a lady, half-length, in a red velvet dress with lace trim and white collar, holding a dog, a green curtain beyond - John Lawson
Bentheim castle - Jacob Van Ruisdael
Bentheim castle - Jacob Van Ruisdael
Still Life with a Magpie - Clementina M. Hull
Still Life with a Magpie - Clementina M. Hull
The Man at the Tiller 1892 - Theo Van Rysselberghe
The Man at the Tiller 1892 - Theo Van Rysselberghe
Landscape - (after) Thomas Creswick
Landscape - (after) Thomas Creswick