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Gustave Dore

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The Inferno, Canto 21, lines 50-51: This said, They grappled him with more than hundred hooks - Gustave Dore
The Inferno, Canto 21, lines 50-51: This said, They grappled him with more than hundred hooks - Gustave Dore

The Inferno, Canto 24, lines 89-92: Amid this dread exuberance of woe Ran naked spirits wing’d with horrid fear, Nor hope had they of crevice where to hide, Or heliotrope to charm them out of view. - Gustave Dore
The Inferno, Canto 24, lines 89-92: Amid this dread exuberance of woe Ran naked spirits wing’d with horrid fear, Nor hope had they of crevice where to hide, Or heliotrope to charm them out of view. - Gustave Dore

Sarah Bernhardt - Gustave Dore
Sarah Bernhardt - Gustave Dore

Mary Magdalene - Gustave Dore
Mary Magdalene - Gustave Dore

The Christian Martyrs - Gustave Dore
The Christian Martyrs - Gustave Dore

The Inferno, Canto 13, lines 11: Here the brute Harpies make their nest - Gustave Dore
The Inferno, Canto 13, lines 11: Here the brute Harpies make their nest - Gustave Dore

The Inferno, Canto 17, line 117: New terror I conceiv’d at the steep plunge - Gustave Dore
The Inferno, Canto 17, line 117: New terror I conceiv’d at the steep plunge - Gustave Dore

'Ecco Homo' - Gustave Dore
'Ecco Homo' - Gustave Dore

The Inferno, Canto 9, lines 87-89: To the gate He came, and with his wand touch’d it, whereat Open without impediment it flew. - Gustave Dore
The Inferno, Canto 9, lines 87-89: To the gate He came, and with his wand touch’d it, whereat Open without impediment it flew. - Gustave Dore

The Inferno, Canto 33, lines 67-68: ’Hast no help For me, my father!’ - Gustave Dore
The Inferno, Canto 33, lines 67-68: ’Hast no help For me, my father!’ - Gustave Dore

Christ's Entry Into Jerusalem - Gustave Dore
Christ's Entry Into Jerusalem - Gustave Dore

The Inferno, Canto 34, lines 20-21: “Lo!” he exclaim’d, “lo Dis! and lo the place, Where thou hast need to arm thy heart with strength.” - Gustave Dore
The Inferno, Canto 34, lines 20-21: “Lo!” he exclaim’d, “lo Dis! and lo the place, Where thou hast need to arm thy heart with strength.” - Gustave Dore

The Inferno, Canto 30, lines 38-39: “ That is the ancient soul Of wretched Myrrha,” - Gustave Dore
The Inferno, Canto 30, lines 38-39: “ That is the ancient soul Of wretched Myrrha,” - Gustave Dore

The Inferno, Canto 29, lines 79-81: The crust Came drawn from underneath in flakes, like scales Scrap’d from the bream or fish of broader mail. - Gustave Dore
The Inferno, Canto 29, lines 79-81: The crust Came drawn from underneath in flakes, like scales Scrap’d from the bream or fish of broader mail. - Gustave Dore

The Journey To Emmaus - Gustave Dore
The Journey To Emmaus - Gustave Dore

Don Quixote and Sancho Panza Entertained by Basil and Quiteria - Gustave Dore
Don Quixote and Sancho Panza Entertained by Basil and Quiteria - Gustave Dore

The Destruction of Sodom - Gustave Dore
The Destruction of Sodom - Gustave Dore

Two Owls - Gustave Dore
Two Owls - Gustave Dore

The Inferno, Canto 5, lines 134-135: 'In its leaves that day We read no more.' - Gustave Dore
The Inferno, Canto 5, lines 134-135: 'In its leaves that day We read no more.' - Gustave Dore

?A stately Raven of the saintly days of yore. - Gustave Dore
?A stately Raven of the saintly days of yore. - Gustave Dore

Paysage des Alpes - Gustave Dore
Paysage des Alpes - Gustave Dore

The Agony In The Garden - Gustave Dore
The Agony In The Garden - Gustave Dore

The Inferno, Canto 12, lines 11-14: and there At point of the disparted ridge lay stretch’d The infamy of Crete, detested brood Of the feign’d heifer - Gustave Dore
The Inferno, Canto 12, lines 11-14: and there At point of the disparted ridge lay stretch’d The infamy of Crete, detested brood Of the feign’d heifer - Gustave Dore

The Inferno, Canto 28, lines 69-72: call thou to mind Piero of Medicina, if again Returning, thou behold’st the pleasant land That from Vercelli slopes to Mercabo - Gustave Dore
The Inferno, Canto 28, lines 69-72: call thou to mind Piero of Medicina, if again Returning, thou behold’st the pleasant land That from Vercelli slopes to Mercabo - Gustave Dore

The Judgment Of Solomon - Gustave Dore
The Judgment Of Solomon - Gustave Dore



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Paintings of the day

Pond with a Large Tree - Jean-Baptiste-Camille Corot
Pond with a Large Tree - Jean-Baptiste-Camille Corot
Portrait Of A Young Girl With Braids - Hugo Kauffmann
Portrait Of A Young Girl With Braids - Hugo Kauffmann
Portrait Of A Lady - Robert Christie, R.B.A.
Portrait Of A Lady - Robert Christie, R.B.A.
Lower End of the Valley showing the Acropolis, Petra, March 9th 1839, plate 102 from Volume III of The Holy Land, engraved by Louis Haghe 1806-85 pub. 1849 - David Roberts
Lower End of the Valley showing the Acropolis, Petra, March 9th 1839, plate 102 from Volume III of The Holy Land, engraved by Louis Haghe 1806-85 pub. 1849 - David Roberts
Jane Avril Entering the Moulin Rouge - Henri De Toulouse-Lautrec
Jane Avril Entering the Moulin Rouge - Henri De Toulouse-Lautrec
Costume design for Duke Albrecht for Giselle - Paul Lormier
Costume design for Duke Albrecht for Giselle - Paul Lormier
The Institution of the Rosary (detail) 2 - Giovanni Battista Tiepolo
The Institution of the Rosary (detail) 2 - Giovanni Battista Tiepolo
Apples - Henri Matisse
Apples - Henri Matisse
Still Life Of Flowers In A Wicker Basket - Juan De Arellano
Still Life Of Flowers In A Wicker Basket - Juan De Arellano
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Art News

Call for Artists: Paris/Berlin International Meetings - roARatorio, Paris FR France
Call for Artists: Residencies Available in South India - Art Residencies India, London UK United Kingdom
Call for Artist: Seeking New Studio Artists - Binney and Smith Gallery, Banana Factory, Bethlehem, PA, USA United States of America
Hello My Name Is... Introduces Young Artists Through Self-Portraits - Carnegie Museum of Art, Pittsburgh, PA, USA
In-Depth: The House of Spiritual Retreat by Emilio Ambasz - Museum of Modern Art, New York, NY, USA
Ceramic National 2000 - Everson Musuem of Art, Syracuse, NY, USA
White Flight, Man to Man, Kap Atlantis: A Video Trilogy by Mats Hjelm - BildMuseet, Umeå, Umeå SE Sweden
Visual Conversations: A Collaborative Mail Art Project by Michael Gilbert and Yeo Shih Yun - instinc, Singapore SG Singapore
The Draftsman’s Art: Master Drawings from the National Gallery of Scotland - Frick Collection, New York, NY, USA
Belle-Ile: Monet, Russell and Matisse in Brittany - Art Gallery of New South Wales, Sydney AU Australia
Ernst Wilhelm Nay: Watercolors and Gouche - Saarland Museum, Saarbrücken DE Germany

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