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Gustave Dore

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The Inferno, Canto 21, lines 50-51: This said, They grappled him with more than hundred hooks - Gustave Dore
The Inferno, Canto 21, lines 50-51: This said, They grappled him with more than hundred hooks - Gustave Dore

The Inferno, Canto 24, lines 89-92: Amid this dread exuberance of woe Ran naked spirits wing’d with horrid fear, Nor hope had they of crevice where to hide, Or heliotrope to charm them out of view. - Gustave Dore
The Inferno, Canto 24, lines 89-92: Amid this dread exuberance of woe Ran naked spirits wing’d with horrid fear, Nor hope had they of crevice where to hide, Or heliotrope to charm them out of view. - Gustave Dore

Mary Magdalene - Gustave Dore
Mary Magdalene - Gustave Dore

Sarah Bernhardt - Gustave Dore
Sarah Bernhardt - Gustave Dore

The Christian Martyrs - Gustave Dore
The Christian Martyrs - Gustave Dore

The Inferno, Canto 13, lines 11: Here the brute Harpies make their nest - Gustave Dore
The Inferno, Canto 13, lines 11: Here the brute Harpies make their nest - Gustave Dore

'Ecco Homo' - Gustave Dore
'Ecco Homo' - Gustave Dore

The Inferno, Canto 17, line 117: New terror I conceiv’d at the steep plunge - Gustave Dore
The Inferno, Canto 17, line 117: New terror I conceiv’d at the steep plunge - Gustave Dore

The Inferno, Canto 9, lines 87-89: To the gate He came, and with his wand touch’d it, whereat Open without impediment it flew. - Gustave Dore
The Inferno, Canto 9, lines 87-89: To the gate He came, and with his wand touch’d it, whereat Open without impediment it flew. - Gustave Dore

The Inferno, Canto 33, lines 67-68: ’Hast no help For me, my father!’ - Gustave Dore
The Inferno, Canto 33, lines 67-68: ’Hast no help For me, my father!’ - Gustave Dore

Christ's Entry Into Jerusalem - Gustave Dore
Christ's Entry Into Jerusalem - Gustave Dore

The Inferno, Canto 34, lines 20-21: “Lo!” he exclaim’d, “lo Dis! and lo the place, Where thou hast need to arm thy heart with strength.” - Gustave Dore
The Inferno, Canto 34, lines 20-21: “Lo!” he exclaim’d, “lo Dis! and lo the place, Where thou hast need to arm thy heart with strength.” - Gustave Dore

The Inferno, Canto 30, lines 38-39: “ That is the ancient soul Of wretched Myrrha,” - Gustave Dore
The Inferno, Canto 30, lines 38-39: “ That is the ancient soul Of wretched Myrrha,” - Gustave Dore

The Inferno, Canto 29, lines 79-81: The crust Came drawn from underneath in flakes, like scales Scrap’d from the bream or fish of broader mail. - Gustave Dore
The Inferno, Canto 29, lines 79-81: The crust Came drawn from underneath in flakes, like scales Scrap’d from the bream or fish of broader mail. - Gustave Dore

The Journey To Emmaus - Gustave Dore
The Journey To Emmaus - Gustave Dore

Don Quixote and Sancho Panza Entertained by Basil and Quiteria - Gustave Dore
Don Quixote and Sancho Panza Entertained by Basil and Quiteria - Gustave Dore

Two Owls - Gustave Dore
Two Owls - Gustave Dore

The Destruction of Sodom - Gustave Dore
The Destruction of Sodom - Gustave Dore

?A stately Raven of the saintly days of yore. - Gustave Dore
?A stately Raven of the saintly days of yore. - Gustave Dore

The Inferno, Canto 5, lines 134-135: 'In its leaves that day We read no more.' - Gustave Dore
The Inferno, Canto 5, lines 134-135: 'In its leaves that day We read no more.' - Gustave Dore

Paysage des Alpes - Gustave Dore
Paysage des Alpes - Gustave Dore

The Agony In The Garden - Gustave Dore
The Agony In The Garden - Gustave Dore

The Inferno, Canto 12, lines 11-14: and there At point of the disparted ridge lay stretch’d The infamy of Crete, detested brood Of the feign’d heifer - Gustave Dore
The Inferno, Canto 12, lines 11-14: and there At point of the disparted ridge lay stretch’d The infamy of Crete, detested brood Of the feign’d heifer - Gustave Dore

The Inferno, Canto 28, lines 69-72: call thou to mind Piero of Medicina, if again Returning, thou behold’st the pleasant land That from Vercelli slopes to Mercabo - Gustave Dore
The Inferno, Canto 28, lines 69-72: call thou to mind Piero of Medicina, if again Returning, thou behold’st the pleasant land That from Vercelli slopes to Mercabo - Gustave Dore

The Judgment Of Solomon - Gustave Dore
The Judgment Of Solomon - Gustave Dore



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Previous & Next Artists

Gustave De Breanksi
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Gustave A. Barnes
Gustave A. Barnes
Gustave Achille Guillaumet
Gustave Achille Guillaumet
Gustave Adolf Jundt
Gustave Adolf Jundt
Gustave Adolphe Chassevent-Bacques
Gustave Adolphe Chassevent-Bacques
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Paintings of the day

Spinning Wheel 1884 - Vincent Van Gogh
Spinning Wheel 1884 - Vincent Van Gogh
Die Sangerin Emilie Tagliana (The Singer Emilia Tagliana) - Hans Makart
Die Sangerin Emilie Tagliana (The Singer Emilia Tagliana) - Hans Makart
The Return in Amsterdam of the Second Expedition to the East Indies - Cornelis Hendricksz. The Younger Vroom
The Return in Amsterdam of the Second Expedition to the East Indies - Cornelis Hendricksz. The Younger Vroom
Alandskab (River Landscape) - Peder Monsted
Alandskab (River Landscape) - Peder Monsted
Chief Blue Horse - John Hauser
Chief Blue Horse - John Hauser
Illustrations of decorative details from the wrappings of mummies - (after) Jomard
Illustrations of decorative details from the wrappings of mummies - (after) Jomard
The dining chair sledge - Thomas Smythe
The dining chair sledge - Thomas Smythe
A Mountainous View, North Wales, c.1818 - David Cox
A Mountainous View, North Wales, c.1818 - David Cox
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Art News

Call for Artists: Paris/Berlin International Meetings - roARatorio, Paris FR France
Call for Artists: Residencies Available in South India - Art Residencies India, London UK United Kingdom
Call for Artist: Seeking New Studio Artists - Binney and Smith Gallery, Banana Factory, Bethlehem, PA, USA United States of America
Rebecca Belmore: The Named and the Unnamed - Art Gallery of Ontario, Toronto, ON, CA
The Australian Artery Exchange: Angela Buckingham, Doug - Artery - Artist Cooperative of Davis, Davis, CA, USA United States of America
Symbol - Process - Provocation: Work by J. Lynn Campbell - Visual Arts Centre of Clarington, Bowmanville, ON, CA Canada
Industrial Inspiration: Images of the Old Northern Ave. Bridge - Mobius, Fort Point Cultural Coalition, Boston, MA, USA
Roy Lichtenstein: Interiors - Museum of Contemporary Art, Chicago, Chicago USA United States of America
Tender Scene: Fiona Jardine, Alex Pollard, Clare Stephenson, Gregor Wright - Changing Room, Stirling UK United Kingdom
A Day in the Life of Africa - Vanderbilt Hall, Grand Central Terminal, New York, NY, USA United States of America
Exhibition 1999 - Keio University, Tokyo JP Japan

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