From WikiGallery

Jump to: navigation, search
Share:        Link to this page
Jump to: navigation, search

The Inferno, Canto 28, lines 69-72: call thou to mind Piero of Medicina, if again Returning, thou behold’st the pleasant land That from Vercelli slopes to Mercabo

by Gustave Dore

The Inferno, Canto 28, lines 69-72: call thou to mind Piero of Medicina, if again Returning, thou behold’st the pleasant land That from Vercelli slopes to Mercabo - Gustave Dore
Order as handmade oil painting

The Inferno, Canto 28, lines 69-72: call thou to mind Piero of Medicina, if again Returning, thou behold’st the pleasant land That from Vercelli slopes to Mercabo - Gustave Dore

[locked]

Information

Description
English: "The Inferno, Canto 28, lines 69-72: call thou to mind Piero of Medicina, if again Returning, thou behold’st the pleasant land That from Vercelli slopes to Mercabo" oil on Canvas, location: Private collection.
Source

http://www.wikigallery.org/

Author

Gustave Dore

Download

Click here to download image

Location

Private collection

Permission

Free for non commercial use. See below. Click here to report copyright issues.

Like it

[locked]

Licensing

Public domain This image (or other media file) is in the public domain because its copyright has expired. However - you may not use this image for commercial purposes and you may not alter the image or remove the WikiGallery watermark.

This applies to the United States, Canada, the European Union and those countries with a copyright term of life of the author plus 70 years.


Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Côte d'Ivoire has a general copyright term of 99 years and Honduras has 75 years, but they do implement that rule of the shorter term.


[locked]

Rate this Painting

NOT RATED YET
Click on the stars
to rate this painting


[locked]

Next Paintings

The Inferno, Canto 29, lines 4-6: But Virgil rous’d me: “What yet gazest on? Wherefore doth fasten yet thy sight below Among the maim’d and miserable shades? - Gustave Dore
The Inferno, Canto 29, lines 4-6: But Virgil rous’d me: “What yet gazest on? Wherefore doth fasten yet thy sight below Among the maim’d and miserable shades? - Gustave Dore
The Inferno, Canto 29, lines 52-56: Then my sight Was livelier to explore the depth, wherein The minister of the most mighty Lord, All-searching Justice, dooms to punishment The forgers noted on her dread record. - Gustave Dore
The Inferno, Canto 29, lines 52-56: Then my sight Was livelier to explore the depth, wherein The minister of the most mighty Lord, All-searching Justice, dooms to punishment The forgers noted on her dread record. - Gustave Dore
The Inferno, Canto 29, lines 79-81: The crust Came drawn from underneath in flakes, like scales Scrap’d from the bream or fish of broader mail. - Gustave Dore
The Inferno, Canto 29, lines 79-81: The crust Came drawn from underneath in flakes, like scales Scrap’d from the bream or fish of broader mail. - Gustave Dore
The Inferno, Canto 30, lines 33-34: “That sprite of air is Schicchi; in like mood Of random mischief vent he still his spite.” - Gustave Dore
The Inferno, Canto 30, lines 33-34: “That sprite of air is Schicchi; in like mood Of random mischief vent he still his spite.” - Gustave Dore
The Inferno, Canto 30, lines 38-39: “ That is the ancient soul Of wretched Myrrha,” - Gustave Dore
The Inferno, Canto 30, lines 38-39: “ That is the ancient soul Of wretched Myrrha,” - Gustave Dore
The Inferno, Canto 31, lines 133-135: Yet in th’ abyss, That Lucifer with Judas low ingulfs, Lightly he plac’d us - Gustave Dore
The Inferno, Canto 31, lines 133-135: Yet in th’ abyss, That Lucifer with Judas low ingulfs, Lightly he plac’d us - Gustave Dore
The Inferno, Canto 31, lines 64-66: “O senseless spirit! let thy horn for thee Interpret: therewith vent thy rage, if rage Or other passion wring thee.” - Gustave Dore
The Inferno, Canto 31, lines 64-66: “O senseless spirit! let thy horn for thee Interpret: therewith vent thy rage, if rage Or other passion wring thee.” - Gustave Dore
The Inferno, Canto 31, lines 82-84: “This proud one Would of his strength against almighty Jove Make trial” - Gustave Dore
The Inferno, Canto 31, lines 82-84: “This proud one Would of his strength against almighty Jove Make trial” - Gustave Dore
The Inferno, Canto 32, lines 127-129: Not more furiously On Menalippus’ temples Tydeus gnaw’d, Than on that skull and on its garbage he. - Gustave Dore
The Inferno, Canto 32, lines 127-129: Not more furiously On Menalippus’ temples Tydeus gnaw’d, Than on that skull and on its garbage he. - Gustave Dore
[locked]

Related Paintings

Le dieu de la riviere Po assis sur un rocher pres d'une source, les Sciences et les Lettres de l'autre cate de la riviere, Eole et Zephir en hau - Giovanni Battista Piazzetta
Le dieu de la riviere Po assis sur un rocher pres d'une source, les Sciences et les Lettres de l'autre cate de la riviere, Eole et Zephir en hau - Giovanni Battista Piazzetta
The Triumph Of Apollo - Francesco Allegrini
The Triumph Of Apollo - Francesco Allegrini
Portrait of Paso Guarienti, 1556 - Paolo Veronese (Caliari)
Portrait of Paso Guarienti, 1556 - Paolo Veronese (Caliari)
Portrait of Louis II 1621-86 Prince of Bourbon, future Grand Conde - David The Younger Teniers
Portrait of Louis II 1621-86 Prince of Bourbon, future Grand Conde - David The Younger Teniers
Death and the Mistress from The Dance of Death - (after) Holbein the Younger, Hans
Death and the Mistress from The Dance of Death - (after) Holbein the Younger, Hans
A satyr resting with leopards - Arthur Wardle
A satyr resting with leopards - Arthur Wardle
Design For A Ceiling Decoration With Venus And Cupid Embracing - Bernardino India
Design For A Ceiling Decoration With Venus And Cupid Embracing - Bernardino India
An Allegory Of War And Peace - (after) Sir Peter Paul Rubens
An Allegory Of War And Peace - (after) Sir Peter Paul Rubens
Caprichos Plate 70 Devout Profession - Francisco De Goya y Lucientes
Caprichos Plate 70 Devout Profession - Francisco De Goya y Lucientes
[locked]

Oil Paintings related news

West Chester and Liberty townships unite for combined MLK observance Jan. 20 - The Cincinnati Enquirer
Sherman Library hosts Beth Carlson’s ‘Water and Sky’ exhibit of oil paintings - Danbury News Times
William Selden's 'oil paintings' aren't quite what they seem - Document Journal
Germany Returns Three Paintings Once Owned by the Notorious Art Dealer Hildebrand Gurlitt to a Jewish Collector’s Heirs - artnet News
Artist Akiane Kramarik shares her story of creating world-class paintings since she was 8 - WGN TV Chicago
Cut-glass globe for serving caviar at parties sold for over $2K - The Daily Herald
Art Notes: Winter exhibtions open at DHMC - Valley News
Oil fuels her passion for painting | Community - Wilson Post
Colorful Oil Paintings Capture the Beauty of Water Lily Ponds - My Modern Met
Frieze New York Announces 2020 Exhibitors, Kohn Gallery Now Represents Sophia Narrett, and More - Artforum
Personal tools