The Inferno, Canto 12, lines 38-39: One cried from far: Say to what pain ye come Condemnd, who down this steep have journied? -
Gustave Dore
The Inferno, Canto 12, lines 73-74: We to those beasts, that rapid strode along, Drew near -
Gustave Dore
The Inferno, Canto 13, line 120: Haste now, the foremost cried, now haste thee death! -
Gustave Dore
The Inferno, Canto 13, lines 11: Here the brute Harpies make their nest -
Gustave Dore
The Inferno, Canto 14, line 37-39: Unceasing was the play of wretched hands, Now this, now that way glancing, to shake off The heat, still falling fresh. -
Gustave Dore
The Inferno, Canto 15, lines 28-29: Sir! Brunetto! And art thou here? -
Gustave Dore
The Inferno, Canto 17, line 117: New terror I conceivd at the steep plunge -
Gustave Dore
The Inferno, Canto 18, line 38: Ah! how they made them bound at the first stripe! -
Gustave Dore
The Inferno, Canto 18, lines 116-117: Why greedily thus bendest more on me, Than on these other filthy ones, thy ken? -
Gustave Dore
The Triumph Of Apollo - Francesco Allegrini
L'Amour et Psyche, enfants (Cupid and Psyche as Children) - William-Adolphe Bouguereau
The Theatre Royal of Italian Opera in London in its Greatest Lustre on 24th January and 3rd March 1824, or The Three Crownings, printed by Charles Hullmandel 1789-1850, 1824 - (after) Pistrucci, Filippo
Holy Week in Seville Good Friday Procession - Fortune Louis Meaulle
Abundance with a putti in a landscape - Noel-Nicolas Coypel
Three Studies Of Putti - Jean Baptiste Greuze
Victory Design for the obverse of a medal dedicated to Queen Christina of Sweden; and Virtue subduing Evil Design for the obverse of a medal dedicat - Giovanni Battista (Baciccio) Gaulli
Head Of A Satyr - Jean-Antoine Watteau
Dança das Ninfas - Jean-Baptiste-Camille Corot