Lady in Interior - Francisco Miralles Galup
 

The Railway Bridge At Argenteuil - Claude Oscar Monet
 

Woman in Front of the Sun - Joaquin Miro
 

Ciurana, the Path - Joaquin Miro
 

Self Portrait of the Artist with his Brother, Hermann - Franz Xavier Winterhalter
 

St. Joseph Portrayed As A Medieval Carpenter (Center Panel Of The Merode Altarpiece) - (Robert Campin) Master of Flémalle
 

Main Altar - José Benito Churriguera
 

The Inferno, Canto 13, line 120: “Haste now,” the foremost cried, “now haste thee death!” - Gustave Dore
 

Constellation: Awakening at Dawn - Joaquin Miro
 

The Inferno, Canto 23, lines 52-54: Scarcely had his feet Reach’d to the lowest of the bed beneath, When over us the steep they reach’d - Gustave Dore
 

The Inferno, Canto 25, lines 59-61: The other two Look’d on exclaiming: “Ah, how dost thou change, Agnello!” - Gustave Dore
 

Portrait De Mme. Frederick Kent (Portrait of Mrs. Frederick Kent) - Ary Scheffer
 

The Inferno, Canto 23, lines 92-94: “Tuscan, who visitest The college of the mourning hypocrites, Disdain not to instruct us who thou art.” - Gustave Dore
 

Boating On The River Epte - Claude Oscar Monet
 

Paris: Rue St Denis - Thomas Girtin
 

The Inferno, Canto 12, lines 73-74: We to those beasts, that rapid strode along, Drew near - Gustave Dore
 

The Garden Of The Peaceful Arts (or Allegory Of The Court Of Isabelle D'Este) - Lorenzo Costa
 

Only A Dream Away - Raymond Leech
 

Portrait of a young girl - William-Adolphe Bouguereau
 

The Adjustment of Conflicting Interests: Count Raymond of Toulouse Swears at the Altar to Observe the Liberties of the City;ì Color Study for Mural, Supreme Court Room, Minnesota State Capitol,ì Saint Paul - John La Farge
 

Demosthene S'Exerce A La Parole (Demosthenes Practising His Oratory) - Jean-Jules-Antoine Lecomte du Noüy
 

Caprichos - Plate 12: Out Hunting for Teeth - Francisco De Goya y Lucientes
 

St. Sebastian At The Column - Albrecht Durer
 

The Inferno, Canto 34, lines 133: Thus issuing we again beheld the stars. - Gustave Dore
 

Winter and Summer Canal Scenes: A Pair of Paintings (Pic 2) - Charles Henri Joseph Leickert
 

Portrait Of Mademoiselle Caroline Riviere - Jean Auguste Dominique Ingres
 

The Inferno, Canto 21, lines 50-51: This said, They grappled him with more than hundred hooks - Gustave Dore
 

Virgin with Child - Francesco Bonsignori
 

The Date Seller - Edwin Longsden Long
 

The Inferno, Canto 7, lines 118-119: “Now seest thou, son! The souls of those, whom anger overcame.” - Gustave Dore
 

Constellation: The Morning Star - Joaquin Miro
 

Noli me Tangere - (Bartolomeo Suardi) Bramantino
 

To Her Listening Ear Responsive Chords of Music Came Familiar - Edwin Longsden Long
 

The Queen of the Tournament: Ivanhoe - Frank William Warwick Topham
 

The Inferno, Canto 18, lines 130-132: Thais is this, the harlot, whose false lip Answer’d her doting paramour that ask’d, ‘Thankest me much!’ - Gustave Dore
 

The Nativity: Adoration Of The Christ Child In The Stables with The Virgin And St. Joseph - Albrecht Durer
 

St John on Patmos - Donatello (Donato di Niccolo)
 

The Inferno, Canto 34, lines 20-21: “Lo!” he exclaim’d, “lo Dis! and lo the place, Where thou hast need to arm thy heart with strength.” - Gustave Dore
 

The Inferno, Canto 5, lines 137-138: I through compassion fainting, seem’d not far From death, and like a corpse fell to the ground. - Gustave Dore
 

Caprichos - Plate 8: They Carried her Off - Francisco De Goya y Lucientes
 

The Molo: Looking West - (Giovanni Antonio Canal) Canaletto
 

The Inferno, Canto 22, line 70: In pursuit He therefore sped, exclaiming; “Thou art caught.” - Gustave Dore
 

The Inferno, Canto 29, lines 79-81: The crust Came drawn from underneath in flakes, like scales Scrap’d from the bream or fish of broader mail. - Gustave Dore
 

Caprichos - Plate 44: They Spin Finely - Francisco De Goya y Lucientes
 

Figures On A Snowy Road - Johannes Hermanus Koekkoek Snr
 

Still Life: Books And Papers On A Desk - Catherine M. Wood
 

Ladders Cross the Blue Sky in a Wheel of Fire - Joaquin Miro
 

White Shoes, 1879-80 - Eva Gonzales
 

The Inferno, Canto 24, lines 89-92: Amid this dread exuberance of woe Ran naked spirits wing’d with horrid fear, Nor hope had they of crevice where to hide, Or heliotrope to charm them out of view. - Gustave Dore
 

The Inferno, Canto 18, lines 116-117: “Why greedily thus bendest more on me, Than on these other filthy ones, thy ken?” - Gustave Dore
 

Portrait of the Artist - Thomas Sully
 

Study for The Lady Clare - John William Waterhouse
 

Virgin of the Vine Trellis - Hans Baldung Grien
 

Still Life With Flower Pots And Cut Flowers - Giovanni Sottocornola
 

The Little Mast - James Abbott McNeill Whistler
 

The Inferno, Canto 15, lines 28-29: “Sir! Brunetto! And art thou here?” - Gustave Dore
 

Passing off of the Storm - John Frederick Kensett
 

Headington Church And Village From The Terrace Of Sir Joseph Lock's - Dr. William Crotch
 

The Inferno, Canto 5, lines 72-74: 'Bard! willingly I would address those two together coming, Which seem so light before the wind.' - Gustave Dore
 

Derwentwater From Ladore: Morning, With Skiddaw In The Distance - Benjamin Williams Leader
 

The Inferno, Canto 11, lines 6-7: From the profound abyss, behind the lid Of a great monument we stood retir’d - Gustave Dore
 

Still Life: Corner Of A Table - Ignace Henri Jean Fantin-Latour
 

The Inferno, Canto 7, lines 65-67: “Not all the gold, that is beneath the moon, Or ever hath been, of these toil-worn souls Might purchase rest for one.” - Gustave Dore
 

Maternity - Joaquin Miro
 

The Inferno, Canto 5, lines 105-106: 'Love brought us to one death: Caina waits The soul, who spilt our life.' - Gustave Dore
 

The Inferno, Canto 28, lines 30,31: Now mark how I do rip me: lo! How is Mahomet mangled. - Gustave Dore
 

Madame Charles Hayard, born Jeanne Susanne - Jean Auguste Dominique Ingres
 

Adoring Angel - Franz Ignaz Gunther
 

The Inferno, Canto 26, lines 46-49: The guide, who mark’d How I did gaze attentive, thus began: “Within these ardours are the spirits, each Swath’d in confining fire.” - Gustave Dore
 

The Inferno, Canto 29, lines 52-56: Then my sight Was livelier to explore the depth, wherein The minister of the most mighty Lord, All-searching Justice, dooms to punishment The forgers noted on her dread record. - Gustave Dore
 

The Inferno, Canto 30, lines 33-34: “That sprite of air is Schicchi; in like mood Of random mischief vent he still his spite.” - Gustave Dore
 

The Power of Light - Narcisse-Virgile Díaz de la Peña
 

Lion - William Huggins
 

'The Sixth Age Shifts Into Lean And Slippered Pantaloon With Spectacles On Nose And Pouch On Side His Youthful Hose Well Saved, A World Too Wide For His Shrunk; And His Manly Voice Turning Again Towards Childish Treble, Pipes And Whistles In His Sound' - Abraham Solomon
 

Nymphs Bathing - Thomas Rowlandson
 

Still Life - Willem Claesz. Heda

Still-life with Turkey-Pie - Pieter Claesz.

Portrait of Charles I 1628 - Willem Jacobsz Delff

Map of Delfland 1750 - Nicolaas Samuel Cruquius

Poultry Seller - Gillis van Breen

The Wedding Party - Willem Cornelisz. Duyster

Triptych with Calvary and Patrons 1506 - Jan Wellens de Cock

The Company of Cpt. Allaert Cloeck and Lt. Lucas Jacob [detail #1] - Thomas De Keyser

The Shepherdess 1628 - Jacob Gerritsz. Cuyp