Only so far afflicted, that we life Desiring without hope. (Canto IV., lines 38-39) -
Gustave Dore
Then, not to make them sadder, I kep down My spirit in stillness. (Canto XXXIII., lines 62-63) -
Gustave Dore
The saintly creatures flying, (Canto XVIII., line 74) -
Gustave Dore
Onward he moved, I close his steps pursued. (Canto I., line 132) -
Gustave Dore
How lustrous was thy semblance in those sparkles, (Canto XX., line 15) -
Gustave Dore
I beheld myself, Sole with my lady, to more lofty bliss Translated (Canto XIV., lines 82-83) -
Gustave Dore
The forgers noted on her dread record. (Canto XXIX., line 56) -
Gustave Dore
They grappled him with more than hundred hooks. (Canto XXI., line 51) -
Gustave Dore
The shadowy forms, That seem'd things dead and dead again, (Canto XXIV., lines 4-6) -
Gustave Dore
"Why pluck'st thou me?" (Canto XIII., line 34) -
Gustave Dore
An elegant company seated in a park, from the series depicting London society -
Gustave Dore
We through the broken rock ascended, (Canto IV., line 33) -
Gustave Dore
Then, fasting got The mastery of grief. (Canto XXXIII., lines 73-74) -
Gustave Dore
Here chanting I beheld those spirits sit (Canto VII., line 91) -
Gustave Dore
Lower End of the Valley showing the Acropolis, Petra, March 9th 1839, plate 102 from Volume III of The Holy Land, engraved by Louis Haghe 1806-85 pub. 1849 -
David Roberts
Call for Artists: Paris/Berlin International Meetings - roARatorio, Paris FR France
Call for Artists: Residencies Available in South India - Art Residencies India, London UK United Kingdom
Call for Artist: Seeking New Studio Artists - Binney and Smith Gallery, Banana Factory, Bethlehem, PA, USA United States of America
Three Exhibitions to Open: Comics Brew; NSA Members - Miniatures; Untouched by Hlengiwe Lushaba - NSA Gallery, Durban ZA South Africa
Call for Artists: Submissions Being Accepted - Painters for Human Rights, Clearwater, FL, USA United States of America
The Clay Vessel: Modern Ceramics from the Norwest Collection, 1890-1940 - Denver Art Museum, Denver, CO, USA United States of America
Data Bank for Art: Painting, Drawing, Engraving from X to XVII Century - Art Bank, Padova IT Italy
From Heroes to Dudes: Studies of Male Figure - Georgia Museum of Art, Athens, GA, USA United States of America
on View: Antonia Contro and Maurizio Pellegrin, David Ireland, Clement Cooper - Museum of Contemporary Photography, Chicago, IL, USA
Change of Address - Guild Art Gallery, Mumbai IN India
The Vending Machine Project - Institute of Contemporary Arts, London UK United Kingdom
