The heav'nly steersman at the prow was seen, (Canto II., line 45) -
Gustave Dore
The Inferno, Canto 10, lines 40-42: He, soon as there I stood at the tombs foot, Eyd me a space, then in disdainful mood Addressd me: Say, what ancestors were thine? -
Gustave Dore
The Inferno, Canto 11, lines 6-7: From the profound abyss, behind the lid Of a great monument we stood retird -
Gustave Dore
The Inferno, Canto 12, lines 11-14: and there At point of the disparted ridge lay stretchd The infamy of Crete, detested brood Of the feignd heifer -
Gustave Dore
The Inferno, Canto 12, lines 38-39: One cried from far: Say to what pain ye come Condemnd, who down this steep have journied? -
Gustave Dore
The Inferno, Canto 12, lines 73-74: We to those beasts, that rapid strode along, Drew near -
Gustave Dore
The Inferno, Canto 13, line 120: Haste now, the foremost cried, now haste thee death! -
Gustave Dore
The Inferno, Canto 13, lines 11: Here the brute Harpies make their nest -
Gustave Dore
Portrait of a lady, bust-length, in widow's weeds, in a feigned oval - (after) Kneller, Sir Godfrey
Japanese Picture 004 - Bertalan Por
Canale Di Cavanella - Vittore Antonio Cargnel
A Christmas Party - Anton Heinrich Dieffenbach
Mud Fish, Bloodo chiena, Bloodo La-ore, from 'Drawings of Fishes from Malacca', c.1805-18 - Anonymous Artist
Sunday in the park - François Claudius Compte-Calix
Fruit and a corn cob grapes, pears, peaches, cherries, a corn cob and a figin a blue and white porcelain bowl, a flute of red wine - Jan Pauwel II the Younger Gillemans
Le Marche Aux Bestiaux , Bretagne - Eugène Boudin
The Magic Lantern 1764 - Charles-Amedee-Philippe van Loo