Comes on an old man, hoary white with eld, (Canto III., line 77) -
Gustave Dore
Made my bent knees and eye submissive pay Due reverence; (Canto I., line 57-58) -
Gustave Dore
Love brought us to one death: Caina waits (Canto V., line 105) -
Gustave Dore
Unceasing was the play of wretched hands, (Canto XIV., line 37) -
Gustave Dore
I, who now bid thee on this errand forth, Am Beatrice (Canto II., lines 70-71) -
Gustave Dore
And in the boiling lake both well. (Canto XXII., line 139) -
Gustave Dore
There stood I like the friar, (Canto XIX., line 10) -
Gustave Dore
O Lady! thou in whom my hopes have rest! (Canto XXXI., line 76) -
Gustave Dore
Already on my temples beam'd the crown, (Canto VIII., line 71) -
Gustave Dore
I could not hear what terms he offer'd them, (Canto VIII., line 110) -
Gustave Dore
Soon they o'ertook us; with such swiftness mov'd The mighty crowd. (Canto XVIII., lines 98-99) -
Gustave Dore
"What cause," said he, "Hath bow'd thee thus!" (Canto XIX., 138-139) -
Gustave Dore
?Here I opened wide the door;?Darkness there, and nothing more. -
Gustave Dore
My spirit reel'd, so passing sweet the strain: (Canto XXVII., line 4) -
Gustave Dore
That on white forehead set a pearl as strong (Canto III., line 14) -
Gustave Dore
he who gave the Pharisees Counsel, (Canto XXIII., lines 118-119) -
Gustave Dore
Portrait of of a girl, bust-length, in profile to the left, wearing a bonnet and a scarf -
Elisabeth Vigee-Lebrun
Portrait of a lady, half-length, in a red and gold dress -
French School
A mountainous river landscape with figures on a pier and fortified towns beyond -
(after) Paul Bril
Political Vision of the Mexican People Exit from the Mine 1923 -
Diego Rivera
Call for Artists: Paris/Berlin International Meetings - roARatorio, Paris FR France
Call for Artists: Residencies Available in South India - Art Residencies India, London UK United Kingdom
Call for Artist: Seeking New Studio Artists - Binney and Smith Gallery, Banana Factory, Bethlehem, PA, USA United States of America
Our Times: a Virginia Century - Virginia Historical Society, Richmond, VA, USA United States of America
Pidgin: Interrupted Transmission -- A Multimedia Installation by Erika Tan - Aspex Gallery, Portsmouth UK United Kingdom
Starlight: David Stephenson Photographs - Cleveland Museum of Art, Cleveland, OH, USA
It`s Always Morning - Somewhere - Museum of Foreign Art Sinebrychoff, Helsinki FI Finland
Incarceration: Corrie McCluskey Explores Place as a Cultural Artifact - Fotogalerie Objektief, Enschede NL Netherlands
Jennifer Dalton: Getting to Know the Neighbors - Plus Ultra Gallery, Brooklyn, NY, USA United States of America
Nordic Art Expedition Crosses the Arctic Circle - NIFCA, Nordic Institute for Contemporary Art, Helsinki FI Finland
Exhibition of Monumental Photographic Works by Jeff Wall Opens Tonight - Art Institute of Chicago, Chicago, IL, USA