Comes on an old man, hoary white with eld, (Canto III., line 77) -
Gustave Dore
Love brought us to one death: Caina waits (Canto V., line 105) -
Gustave Dore
Made my bent knees and eye submissive pay Due reverence; (Canto I., line 57-58) -
Gustave Dore
I, who now bid thee on this errand forth, Am Beatrice (Canto II., lines 70-71) -
Gustave Dore
There stood I like the friar, (Canto XIX., line 10) -
Gustave Dore
And in the boiling lake both well. (Canto XXII., line 139) -
Gustave Dore
Unceasing was the play of wretched hands, (Canto XIV., line 37) -
Gustave Dore
Already on my temples beam'd the crown, (Canto VIII., line 71) -
Gustave Dore
O Lady! thou in whom my hopes have rest! (Canto XXXI., line 76) -
Gustave Dore
Soon they o'ertook us; with such swiftness mov'd The mighty crowd. (Canto XVIII., lines 98-99) -
Gustave Dore
I could not hear what terms he offer'd them, (Canto VIII., line 110) -
Gustave Dore
"What cause," said he, "Hath bow'd thee thus!" (Canto XIX., 138-139) -
Gustave Dore
?Here I opened wide the door;?Darkness there, and nothing more. -
Gustave Dore
My spirit reel'd, so passing sweet the strain: (Canto XXVII., line 4) -
Gustave Dore
That on white forehead set a pearl as strong (Canto III., line 14) -
Gustave Dore
he who gave the Pharisees Counsel, (Canto XXIII., lines 118-119) -
Gustave Dore
Lower End of the Valley showing the Acropolis, Petra, March 9th 1839, plate 102 from Volume III of The Holy Land, engraved by Louis Haghe 1806-85 pub. 1849 -
David Roberts
Call for Artists: Paris/Berlin International Meetings - roARatorio, Paris FR France
Call for Artists: Residencies Available in South India - Art Residencies India, London UK United Kingdom
Call for Artist: Seeking New Studio Artists - Binney and Smith Gallery, Banana Factory, Bethlehem, PA, USA United States of America
Call for Artists: Residencies Available - Raid Projects, Los Angeles, CA, USA United States of America
SPECTRUM: AN IDEA OF HISTORY, Jose A. Toirac, Ricardo G. Elias, Meira Marrero Diaz - ASU Art Museum - Nelson Fine Arts Center, Tempe, AZ, USA United States of America
An Economy of Specific Bodies and Particular Objects: Philip Pearlstein Drawings - Frye Art Museum, Seattle, WA, USA
INLAND SPECIFIC - Armory Center for the Arts, Pasadena, CA, USA
TWO LORIE NOVAK EXHIBITIONS: Survey of Lorie Novaks color prints and Collected Visions multi-media installation - Center for Creative Photography, Tucson, AZ, USA
Cos Cob Art Colony: Impressionists on the Connecticut Shore - Museum of Fine Arts, Houston, Houston, TX, USA
Color Connections - Dayton Art Institute, Dayton, OH, USA United States of America
Guardian Series: Susan Drozda - ABoriginArt Galleries, Toronto, ON, CA Canada
