spirits, that toward us mov'd their steps, (Canto III., line 60) -
Gustave Dore
Strict rein must in this place direct the eyes. A little swerving and the way is lost. (Canto XXV., lines122-123) -
Gustave Dore
Take Good heed, thy soles do tread not on the heads (Canto XXXII., lines 20-21) -
Gustave Dore
Thais is this, the harlot (Canto XVIII., line 130) -
Gustave Dore
That on white forehead set a pearl as strong (Canto III., line 14) -
Gustave Dore
The arch-heretics are here, (Canto IX., line 125) -
Gustave Dore
The Flood - Ecole Francaise, Xixeme Siecle
Triptych of Jan Floreins (reverse) - Hans Memling
The Russian Marriage - E. Karnejeff
Madonna and Child Enthroned - Francesco, da Volterra Neri
Double Portrait Of The Artist And His Wife, Seen Through A Mirror - Vilhelm Hammershoi
Adorazione Dei Magi - (after) Ippolito Scarsella (see Scarsellino)
Waiting - Edmund Blair Blair Leighton
Preparing for dinner - Frederick Daniel Hardy
The Ladies on the Bridge - Edvard Munch