From WikiGallery

Jump to: navigation, search
Share:        Link to this page
Jump to: navigation, search
[locked]

Gustave Dore

Displaying Page 11 of 12  First Prev  2  3  4  5  6  7  8  9  10  11  12  Next Last  287 paintings



The crust Came drawn from underneath in flakes (Canto XXIX., lines 79-80) - Gustave Dore
The crust Came drawn from underneath in flakes (Canto XXIX., lines 79-80) - Gustave Dore

Here chanting I beheld those spirits sit (Canto VII., line 91) - Gustave Dore
Here chanting I beheld those spirits sit (Canto VII., line 91) - Gustave Dore

Then heard I echoing on from choir to choir, (Canto XXVII., line 86) - Gustave Dore
Then heard I echoing on from choir to choir, (Canto XXVII., line 86) - Gustave Dore

Forthwith that image vile of Fraud appear'd. (Canto XVII., line 7) - Gustave Dore
Forthwith that image vile of Fraud appear'd. (Canto XVII., line 7) - Gustave Dore

Isaac Blessing Jacob - Gustave Dore
Isaac Blessing Jacob - Gustave Dore

The Flagellation - Gustave Dore
The Flagellation - Gustave Dore

Jeunes musiciennes des rues - Gustave Dore
Jeunes musiciennes des rues - Gustave Dore

Cast themselves, one by one, down from the shore (Canto III., line 108) - Gustave Dore
Cast themselves, one by one, down from the shore (Canto III., line 108) - Gustave Dore

"O God of mercy!" heard I sung; (Canto XXV., line126) - Gustave Dore

"Within these ardours are the spirits, each Swathed in confining fire." (Canto XXVI., lines 48-49) - Gustave Dore

to return To the fair world. (Canto XXXIV., lines 128-129) - Gustave Dore
to return To the fair world. (Canto XXXIV., lines 128-129) - Gustave Dore

"Oh, senseless spirit! let thy horn for thee Interpret: (Canto XXXI., lines 64-65) - Gustave Dore

The heav'nly steersman at the prow was seen, (Canto II., line 45) - Gustave Dore
The heav'nly steersman at the prow was seen, (Canto II., line 45) - Gustave Dore

Four stars ne'er seen before (Canto I., line 27) - Gustave Dore
Four stars ne'er seen before (Canto I., line 27) - Gustave Dore

Take Good heed, thy soles do tread not on the heads (Canto XXXII., lines 20-21) - Gustave Dore
Take Good heed, thy soles do tread not on the heads (Canto XXXII., lines 20-21) - Gustave Dore

So I beheld united the bright school (Canto IV., line 89) - Gustave Dore
So I beheld united the bright school (Canto IV., line 89) - Gustave Dore

Strict rein must in this place direct the eyes. A little swerving and the way is lost. (Canto XXV., lines122-123) - Gustave Dore
Strict rein must in this place direct the eyes. A little swerving and the way is lost. (Canto XXV., lines122-123) - Gustave Dore

'Surely,' said I, 'surely that is something at my window lattice;	 - Gustave Dore
'Surely,' said I, 'surely that is something at my window lattice; - Gustave Dore

Classical figures in an interior - Gustave Dore
Classical figures in an interior - Gustave Dore

Along the banks and bottom of his course; (Canto V., line137) - Gustave Dore
Along the banks and bottom of his course; (Canto V., line137) - Gustave Dore

"He," answer'd I, "who standeth mute beside me. (Canto XIII., line 77) - Gustave Dore

Darkly beneath perpetual gloom, (Canto XXVIII., line 32) - Gustave Dore
Darkly beneath perpetual gloom, (Canto XXVIII., line 32) - Gustave Dore

And one who watch'd, but spake not yet a word. (Canto IX, line 72) - Gustave Dore
And one who watch'd, but spake not yet a word. (Canto IX, line 72) - Gustave Dore

The Cedars Destined For The Temple - Gustave Dore
The Cedars Destined For The Temple - Gustave Dore

Joseph Making Himself Known To His Brethren - Gustave Dore
Joseph Making Himself Known To His Brethren - Gustave Dore



Displaying Page 11 of 12  First Prev  2  3  4  5  6  7  8  9  10  11  12  Next Last  287 paintings

[locked]

Previous & Next Artists

Gustave De Breanksi
Gustave De Breanksi
Gustave de Breanski
Gustave de Breanski
Gustave Deloye
Gustave Deloye
Gustave Dietrich
Gustave Dietrich
Gustave A. Barnes
Gustave A. Barnes
Gustave Achille Guillaumet
Gustave Achille Guillaumet
Gustave Adolf Jundt
Gustave Adolf Jundt
Gustave Adolphe Chassevent-Bacques
Gustave Adolphe Chassevent-Bacques
[locked]

Paintings of the day

"And I will See, Before I Die the Palms and Temples of the South" - Edward Lear
L'Araignee - Odilon Redon
L'Araignee - Odilon Redon
The Gully 1898 - Isaak Ilyich Levitan
The Gully 1898 - Isaak Ilyich Levitan
Washington taking leave of his officers illustration from This Country of Ours The Story of the United States - A.C. Michael
Washington taking leave of his officers illustration from This Country of Ours The Story of the United States - A.C. Michael
A Jesuit priest inscribed in Persian - (Ustad Mansur) Mansur
A Jesuit priest inscribed in Persian - (Ustad Mansur) Mansur
Christ as the Man of Sorrows - (after) Dyck, Sir Anthony van
Christ as the Man of Sorrows - (after) Dyck, Sir Anthony van
Aurora, Hill Of Dreams - Arthur Bowen Davies
Aurora, Hill Of Dreams - Arthur Bowen Davies
Portrait Of A Man (Il Condottiere) - Antonello da Messina Messina
Portrait Of A Man (Il Condottiere) - Antonello da Messina Messina
Adoration of the Shepherds (detail 3) - Domenico Ghirlandaio
Adoration of the Shepherds (detail 3) - Domenico Ghirlandaio
[locked]

Art News

Call for Artists: Paris/Berlin International Meetings - roARatorio, Paris FR France
Call for Artists: Residencies Available in South India - Art Residencies India, London UK United Kingdom
Call for Artist: Seeking New Studio Artists - Binney and Smith Gallery, Banana Factory, Bethlehem, PA, USA United States of America
Call for Artists: The Show - Southwest Juried Exhibition - Museum of Fine Arts, Santa Fe USA United States of America
Istvan Kantor: Machinery Execution - Art Gallery of York University, Toronto, ON, CA Canada
Call for Artists: The Kodak Salon - Centre for Contemporary Photography, Fitzroy, VI, AU
In Season by Tjasa Owen - Hang Art, San Francisco, CA, USA United States of America
Common Thread Fibers: In Memory of Henry Easterwood - Memphis College of Art, Memphis, TN, USA United States of America
Decelerate AND foldoverfold: Marcie Miller Gross - Kemper Museum of Contemporary Art, Kansas City, MO, USA
Philip Guston Retrospective - San Francisco Museum of Modern Art, San Francisco, CA, USA
Closely Focused, Intensely Felt: Selections from the Norma Jean Calderwood Collection of Islamic Art - Harvard University, Arthur M. Sackler Museum, Cambridge, MA, USA United States of America

Personal tools