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Gustave Dore

Displaying Page 11 of 12  First Prev  2  3  4  5  6  7  8  9  10  11  12  Next Last  287 paintings



Forthwith that image vile of Fraud appear'd. (Canto XVII., line 7) - Gustave Dore
Forthwith that image vile of Fraud appear'd. (Canto XVII., line 7) - Gustave Dore

The Flagellation - Gustave Dore
The Flagellation - Gustave Dore

Jeunes musiciennes des rues - Gustave Dore
Jeunes musiciennes des rues - Gustave Dore

Isaac Blessing Jacob - Gustave Dore
Isaac Blessing Jacob - Gustave Dore

"O God of mercy!" heard I sung; (Canto XXV., line126) - Gustave Dore

Cast themselves, one by one, down from the shore (Canto III., line 108) - Gustave Dore
Cast themselves, one by one, down from the shore (Canto III., line 108) - Gustave Dore

"Within these ardours are the spirits, each Swathed in confining fire." (Canto XXVI., lines 48-49) - Gustave Dore

to return To the fair world. (Canto XXXIV., lines 128-129) - Gustave Dore
to return To the fair world. (Canto XXXIV., lines 128-129) - Gustave Dore

"Oh, senseless spirit! let thy horn for thee Interpret: (Canto XXXI., lines 64-65) - Gustave Dore

The heav'nly steersman at the prow was seen, (Canto II., line 45) - Gustave Dore
The heav'nly steersman at the prow was seen, (Canto II., line 45) - Gustave Dore

So I beheld united the bright school (Canto IV., line 89) - Gustave Dore
So I beheld united the bright school (Canto IV., line 89) - Gustave Dore

Four stars ne'er seen before (Canto I., line 27) - Gustave Dore
Four stars ne'er seen before (Canto I., line 27) - Gustave Dore

Take Good heed, thy soles do tread not on the heads (Canto XXXII., lines 20-21) - Gustave Dore
Take Good heed, thy soles do tread not on the heads (Canto XXXII., lines 20-21) - Gustave Dore

'Surely,' said I, 'surely that is something at my window lattice;	 - Gustave Dore
'Surely,' said I, 'surely that is something at my window lattice; - Gustave Dore

Classical figures in an interior - Gustave Dore
Classical figures in an interior - Gustave Dore

"He," answer'd I, "who standeth mute beside me. (Canto XIII., line 77) - Gustave Dore

Along the banks and bottom of his course; (Canto V., line137) - Gustave Dore
Along the banks and bottom of his course; (Canto V., line137) - Gustave Dore

so drew Full more than thousand splendours towards us, (Canto V., line 106-107) - Gustave Dore
so drew Full more than thousand splendours towards us, (Canto V., line 106-107) - Gustave Dore

Darkly beneath perpetual gloom, (Canto XXVIII., line 32) - Gustave Dore
Darkly beneath perpetual gloom, (Canto XXVIII., line 32) - Gustave Dore

The Cedars Destined For The Temple - Gustave Dore
The Cedars Destined For The Temple - Gustave Dore

Joseph Making Himself Known To His Brethren - Gustave Dore
Joseph Making Himself Known To His Brethren - Gustave Dore

The War Against Gibeon - Gustave Dore
The War Against Gibeon - Gustave Dore

And one who watch'd, but spake not yet a word. (Canto IX, line 72) - Gustave Dore
And one who watch'd, but spake not yet a word. (Canto IX, line 72) - Gustave Dore

Of such skill appliance needs To medicine the wound, that healeth last. (Canto XXV., lines 140-141) - Gustave Dore
Of such skill appliance needs To medicine the wound, that healeth last. (Canto XXV., lines 140-141) - Gustave Dore

Strict rein must in this place direct the eyes. A little swerving and the way is lost. (Canto XXV., lines122-123) - Gustave Dore
Strict rein must in this place direct the eyes. A little swerving and the way is lost. (Canto XXV., lines122-123) - Gustave Dore



Displaying Page 11 of 12  First Prev  2  3  4  5  6  7  8  9  10  11  12  Next Last  287 paintings

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Paintings of the day

Night dance - James Cook
Night dance - James Cook
She Shall be called Woman 2 - George Frederick Watts
She Shall be called Woman 2 - George Frederick Watts
A view of Piazza Navona, Rome - (Giovanni Antonio Canal) Canaletto
A view of Piazza Navona, Rome - (Giovanni Antonio Canal) Canaletto
A religious procession in a village a fragment - (after) Pieter The Younger Brueghel
A religious procession in a village a fragment - (after) Pieter The Younger Brueghel
Portrait of Alfred Bruyas - Gustave Courbet
Portrait of Alfred Bruyas - Gustave Courbet
Skaters on the Lake at Bois de Boulogne - Eugene Charles Francois Guerard
Skaters on the Lake at Bois de Boulogne - Eugene Charles Francois Guerard
Calculating Longitude with the Declination of the Sun, plate 17 from Nova Reperta New Discoveries engraved by Philip Galle 1537-1612 c.1600 - (after) Straet, Jan van der (Giovanni Stradano)
Calculating Longitude with the Declination of the Sun, plate 17 from Nova Reperta New Discoveries engraved by Philip Galle 1537-1612 c.1600 - (after) Straet, Jan van der (Giovanni Stradano)
Portrait of Marjorie Ferry, 1932 - Tamara de Lempicka
Portrait of Marjorie Ferry, 1932 - Tamara de Lempicka
Portrait of a Gentleman - (after) Josepf Wright Of Derby
Portrait of a Gentleman - (after) Josepf Wright Of Derby
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Art News

Call for Artists: Paris/Berlin International Meetings - roARatorio, Paris FR France
Call for Artists: Residencies Available in South India - Art Residencies India, London UK United Kingdom
Call for Artist: Seeking New Studio Artists - Binney and Smith Gallery, Banana Factory, Bethlehem, PA, USA United States of America
Seeing Time: Selections from the Pamela and Richard Kramlich Collection of Media Art - San Francisco Museum of Modern Art, San Francisco, CA, USA United States of America
MAN - Body in Art from 1950 to 2000 - ARKEN Museum of Modern Art, Copehagen DK Denmark
Helen Nestor: Personal and Political - Oakland Museum of Califoria, Oakland, CA, USA
Kaballes: Noemi Otamendi - Focal Point Gallery, Southend-On-Sea UK United Kingdom
Local Color: Six Contemporary Photographers - Portland Museum of Art, Portland, ME, USA
Keith Tyson: Large Field Array - Louisiana Museum of Modern Art, Humlebaek DK
Call to Artists: Fourth International Miniprint Triennial - Lahti Art Museum, Lahti FI Finland
Morant in Manhattan - Work by Keith Morant - Access Art, New York, NY, USA United States of America

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