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Gustave Dore

Displaying Page 1 of 12   1  2  3  4  5  6  7  8  9  10  11  Next Last  287 paintings



La Famille Du Saltimbanque L'Enfant Blesse - Gustave Dore
La Famille Du Saltimbanque L'Enfant Blesse - Gustave Dore

The Raven - Gustave Dore
The Raven - Gustave Dore

Les Océanides (Les Naiades de la mer) (Oceanides (Naïads of the Sea)) - Gustave Dore
Les Océanides (Les Naiades de la mer) (Oceanides (Naïads of the Sea)) - Gustave Dore

Andromeda - Gustave Dore
Andromeda - Gustave Dore

Shielded the harlot and the new-form'd brute. (Canto XXXII., line 164) - Gustave Dore
Shielded the harlot and the new-form'd brute. (Canto XXXII., line 164) - Gustave Dore

Illustration For Charles Perrault's 'Bluebeard' - Gustave Dore
Illustration For Charles Perrault's 'Bluebeard' - Gustave Dore

The Widow's Mite - Gustave Dore
The Widow's Mite - Gustave Dore

Abraham Entertains Three Strangers - Gustave Dore
Abraham Entertains Three Strangers - Gustave Dore

Alpine Scene 1865 - Gustave Dore
Alpine Scene 1865 - Gustave Dore

The Inferno, Canto 7, lines 118-119: “Now seest thou, son! The souls of those, whom anger overcame.” - Gustave Dore
The Inferno, Canto 7, lines 118-119: “Now seest thou, son! The souls of those, whom anger overcame.” - Gustave Dore

The Deluge - Gustave Dore
The Deluge - Gustave Dore

The Inferno, Canto 23, lines 52-54: Scarcely had his feet Reach’d to the lowest of the bed beneath, When over us the steep they reach’d - Gustave Dore
The Inferno, Canto 23, lines 52-54: Scarcely had his feet Reach’d to the lowest of the bed beneath, When over us the steep they reach’d - Gustave Dore

The Fiery Furnace - Gustave Dore
The Fiery Furnace - Gustave Dore

The Inferno, Canto 5, lines 137-138: I through compassion fainting, seem’d not far From death, and like a corpse fell to the ground. - Gustave Dore
The Inferno, Canto 5, lines 137-138: I through compassion fainting, seem’d not far From death, and like a corpse fell to the ground. - Gustave Dore

Le Reve De La Femme De Pilate, Claudia Procula - Gustave Dore
Le Reve De La Femme De Pilate, Claudia Procula - Gustave Dore

The Inferno, Canto 7, lines 8-9:
The Inferno, Canto 7, lines 8-9: "Curs’d wolf! thy fury inward on thyself Prey, and consume thee!” - Gustave Dore

"Be none of you outrageous." (Canto XXI., line 70) - Gustave Dore

The Inferno, Canto 30, lines 33-34: “That sprite of air is Schicchi; in like mood Of random mischief vent he still his spite.” - Gustave Dore
The Inferno, Canto 30, lines 33-34: “That sprite of air is Schicchi; in like mood Of random mischief vent he still his spite.” - Gustave Dore

The Inferno, Canto 25, lines 59-61: The other two Look’d on exclaiming: “Ah, how dost thou change, Agnello!” - Gustave Dore
The Inferno, Canto 25, lines 59-61: The other two Look’d on exclaiming: “Ah, how dost thou change, Agnello!” - Gustave Dore

Doubting, dreaming dreams no mortal ever dared to dream before.	 - Gustave Dore
Doubting, dreaming dreams no mortal ever dared to dream before. - Gustave Dore

ANATKH - Gustave Dore
ANATKH - Gustave Dore

The Inferno, Canto 11, lines 6-7: From the profound abyss, behind the lid Of a great monument we stood retir’d - Gustave Dore
The Inferno, Canto 11, lines 6-7: From the profound abyss, behind the lid Of a great monument we stood retir’d - Gustave Dore

The Inferno, Canto 18, lines 116-117: “Why greedily thus bendest more on me, Than on these other filthy ones, thy ken?” - Gustave Dore
The Inferno, Canto 18, lines 116-117: “Why greedily thus bendest more on me, Than on these other filthy ones, thy ken?” - Gustave Dore

The Inferno, Canto 13, line 120: “Haste now,” the foremost cried, “now haste thee death!” - Gustave Dore
The Inferno, Canto 13, line 120: “Haste now,” the foremost cried, “now haste thee death!” - Gustave Dore

Nymphs in a landscape - Gustave Dore
Nymphs in a landscape - Gustave Dore



Displaying Page 1 of 12   1  2  3  4  5  6  7  8  9  10  11  Next Last  287 paintings

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Previous & Next Artists

Gustave De Breanksi
Gustave De Breanksi
Gustave de Breanski
Gustave de Breanski
Gustave Deloye
Gustave Deloye
Gustave Dietrich
Gustave Dietrich
Gustave A. Barnes
Gustave A. Barnes
Gustave Achille Guillaumet
Gustave Achille Guillaumet
Gustave Adolf Jundt
Gustave Adolf Jundt
Gustave Adolphe Chassevent-Bacques
Gustave Adolphe Chassevent-Bacques
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Paintings of the day

Spinning Wheel 1884 - Vincent Van Gogh
Spinning Wheel 1884 - Vincent Van Gogh
Die Sangerin Emilie Tagliana (The Singer Emilia Tagliana) - Hans Makart
Die Sangerin Emilie Tagliana (The Singer Emilia Tagliana) - Hans Makart
The Return in Amsterdam of the Second Expedition to the East Indies - Cornelis Hendricksz. The Younger Vroom
The Return in Amsterdam of the Second Expedition to the East Indies - Cornelis Hendricksz. The Younger Vroom
Alandskab (River Landscape) - Peder Monsted
Alandskab (River Landscape) - Peder Monsted
Chief Blue Horse - John Hauser
Chief Blue Horse - John Hauser
Illustrations of decorative details from the wrappings of mummies - (after) Jomard
Illustrations of decorative details from the wrappings of mummies - (after) Jomard
The dining chair sledge - Thomas Smythe
The dining chair sledge - Thomas Smythe
A Mountainous View, North Wales, c.1818 - David Cox
A Mountainous View, North Wales, c.1818 - David Cox
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Art News

Call for Artists: Paris/Berlin International Meetings - roARatorio, Paris FR France
Call for Artists: Residencies Available in South India - Art Residencies India, London UK United Kingdom
Call for Artist: Seeking New Studio Artists - Binney and Smith Gallery, Banana Factory, Bethlehem, PA, USA United States of America
Alan Haliday: A Mini–Retrospective - Renishaw Hall, Derbyshire UK United Kingdom
Peter Doig: Paintings and MAGNETIC NORTH: Canadian Experimental Video Open This Weekend - Power Plant Contemporary Art Gallery, Toronto, ON, CA
Donation Luc LaRochelle: A History of photography through the collection of the Museé des beaux-arts de Sherbrooke - Art Gallery of Bishop's University, Lennoxville, QC, CA Canada
Discovery Thematic Residency - Banff Centre for the Arts, Banff CA Canada
Francois Bucher: White Balance (to think is to forget differences), 2002 - Location One, New York, NY, USA United States of America
Within: Steven Royster - Cairns Regional Gallery, Cairns, QL, AU
WHERE IN THE WORLD IS THE WIRRAL - Gallery 1114, a contemporary artists cooperative, Midland, TX, USA United States
Green Woods and Crystal Waters: The American Landscape Tradition - Philbrook Museum of Art, Tulsa, OK, USA United States of America

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