From WikiGallery

Jump to: navigation, search
Share:        Link to this page
Jump to: navigation, search

The Fiery Furnace

by Gustave Dore

The Fiery Furnace - Gustave Dore
[locked]

Information

Description
English: "The Fiery Furnace" oil on Canvas.
Source

http://www.wikigallery.org/
Author

Gustave Dore

Download

Click here to download image
Permission

Free for non commercial use. See below. Click here to report copyright issues.

Like it

[locked]

Licensing

Public domain This image (or other media file) is in the public domain because its copyright has expired. However - you may not use this image for commercial purposes and you may not alter the image or remove the WikiGallery watermark.

This applies to the United States, Canada, the European Union and those countries with a copyright term of life of the author plus 70 years.

Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Côte d'Ivoire has a general copyright term of 99 years and Honduras has 75 years, but they do implement that rule of the shorter term.

[locked]

Rate this Painting

NOT RATED YET
Click on the stars
to rate this painting

[locked]

Next Paintings

The Flagellation - Gustave Dore
The Flagellation - Gustave Dore
The Flight Into Egypt - Gustave Dore
The Flight Into Egypt - Gustave Dore
The forgers noted on her dread record. (Canto XXIX., line 56) - Gustave Dore
The forgers noted on her dread record. (Canto XXIX., line 56) - Gustave Dore
The Good Samaritan - Gustave Dore
The Good Samaritan - Gustave Dore
The heav'nly steersman at the prow was seen, (Canto II., line 45) - Gustave Dore
The heav'nly steersman at the prow was seen, (Canto II., line 45) - Gustave Dore
The Inferno, Canto 10, lines 40-42: He, soon as there I stood at the tomb’s foot, Ey’d me a space, then in disdainful mood Address’d me: “Say, what ancestors were thine?” - Gustave Dore
The Inferno, Canto 10, lines 40-42: He, soon as there I stood at the tomb’s foot, Ey’d me a space, then in disdainful mood Address’d me: “Say, what ancestors were thine?” - Gustave Dore
The Inferno, Canto 11, lines 6-7: From the profound abyss, behind the lid Of a great monument we stood retir’d - Gustave Dore
The Inferno, Canto 11, lines 6-7: From the profound abyss, behind the lid Of a great monument we stood retir’d - Gustave Dore
The Inferno, Canto 12, lines 11-14: and there At point of the disparted ridge lay stretch’d The infamy of Crete, detested brood Of the feign’d heifer - Gustave Dore
The Inferno, Canto 12, lines 11-14: and there At point of the disparted ridge lay stretch’d The infamy of Crete, detested brood Of the feign’d heifer - Gustave Dore
The Inferno, Canto 12, lines 38-39: One cried from far: “Say to what pain ye come Condemn’d, who down this steep have journied?” - Gustave Dore
The Inferno, Canto 12, lines 38-39: One cried from far: “Say to what pain ye come Condemn’d, who down this steep have journied?” - Gustave Dore
[locked]

Related Paintings

Portrait of Prince Garsevan Chavchavadze - Anonymous Artist
Portrait of Prince Garsevan Chavchavadze - Anonymous Artist
Calliope [detail #2] - Jacques-Augustin Pajou
Calliope [detail #2] - Jacques-Augustin Pajou
On the Italian Coast - Harry Goodwin
On the Italian Coast - Harry Goodwin
The Eclipse Stakes, Sandown Park, 1886 - George Finch Mason
The Eclipse Stakes, Sandown Park, 1886 - George Finch Mason
Paysage en ete - Victor Ferdinand Bourgeois
Paysage en ete - Victor Ferdinand Bourgeois
The Blush - Denes Rudolf Diener
The Blush - Denes Rudolf Diener
Asummpta Corpuscularia Lapislazulina - Salvador Dali
Asummpta Corpuscularia Lapislazulina - Salvador Dali
Family on the Beach (Familia en la playa) - Jose Mongrell
Family on the Beach (Familia en la playa) - Jose Mongrell
St Jerome as Cardinal - El Greco (Domenikos Theotokopoulos)
St Jerome as Cardinal - El Greco (Domenikos Theotokopoulos)