Allegory of the town of Prato from the ceiling of the Salone dei Cinquecento, 1565 -
Giorgio Vasari
A Classical Warrior, Possibly The Greek Hero Patroclus -
French School
The Inferno, Canto 28, lines 69-72: call thou to mind Piero of Medicina, if again Returning, thou beholdst the pleasant land That from Vercelli slopes to Mercabo -
Gustave Dore
The Inferno, Canto 6, lines 49-52: 'Thy city heapd with envy to the brim, Ay that the measure overflows its bounds, Held me in brighter days. Ye citizens Were wont to name me Ciacco.' -
Gustave Dore
The Inferno, Canto 14, line 37-39: Unceasing was the play of wretched hands, Now this, now that way glancing, to shake off The heat, still falling fresh. -
Gustave Dore
Indigenous Natives Doing a Ceremonial Dance -
John White
Study of a Seated Figure for a Resurrection -
Raphael
Sitzender Mannlicher Ruckenakt (Seated Male Nude, Back View) -
Egon Schiele
Call thou to mind Piero of Medicina, (Canto XXVIII., lines 69-70) -
Gustave Dore
Hercules and Geryon, with the Mares of Diomedes devouring the king's body to the left and Hercules leading away the Oxen of Geryon to the right -
Alessandro Turchi (Orbetto)
Study of the Human Figure, Posterior View, Undissected, Finished Study for Table VII, from A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl, 1795-1806 -
George Stubbs
Un ange apparat aA un saint agenouille, un homme nu allonge, une femme nue assise, trois tetes et un chat -
Eugene Delacroix
Allegory of the towns of Sansepolcro and Anghiari from the ceiling of the Salone dei Cinquecento, 1565 -
Giorgio Vasari
Last Judgment Triptych (left wing) [detail: 1] -
Hans Memling