Design for an Aviary and Pergola in the Chinese Style, 18th century -
Humphry Repton
Coat of Arms of the Austro-Hungarian Empire, showing the armorial bearings of the Imperial Austrian Court engraved by R. M. Rohrer -
(after) Strohl, Hugo Gerard
Interior of the Pagoda with Ancient-Antique Candle Stands at Xieng Cang, book illustration from A Journey of Exploration in Indo-China, pub. c.1873 -
(after) Therond, Emile Theodore
Tombs from the North Aisle, plate 59 from Westminster Abbey, engraved by Thomas Sutherland, pub. by Rudolph Ackermann 1764-1834 1812 -
George Shepherd
Interiors The Old Cedar Parlour and The Modern Living Room, from Fragments on the Theory and Practice of Landscape Gardening, pub. 1816 -
Humphry Repton
Entrance to the Amphitheatre, design for the opera LUltimo Giorno di Pompeii, 1827 -
Alessandro Sanquirico
Furniture designs, engraved by Mme Soyer, plate 24 from Modeles de Meubles et de decorations interieures pur les meubles, published 1828-41 -
M. Santi
Arthur Wellesley 1769-1852 Duke of Wellington -
John Simpson
A Chinese transitional blue and white silver-mounted tankard, grapes and walnuts on a silver plate, a 'roemer' with white wine and two peaches on a pa -
Hendrik de Fromantiou
Illustration for The Murders in the Rue Morgue by Edgar Allan Poe 1809-49 engraved by Eugene Michel Abot 1836-94 -
Daniel Urrabieta Vierge
Titania, Queen of the Fairies. Costume design for "A Midsummer Night's Dream" produced by Robert Courtneidge at the Princes Theatre, Manchester -
C. Wilhelm
King John signing the Magna Carta reluctantly -
A.C. Michael
A Fairy, costume design for A Midsummer Nights Dream, produced by R. Courtneidge at the Princes Theatre, Manchester -
C. Wilhelm
Oberon, costume design for "A Midsummer Night's Dream", produced by R Courtneidge at the Princes Theatre, Manchester -
C. Wilhelm