so drew Full more than thousand splendours towards us, (Canto V., line 106-107) -
Gustave Dore
So I beheld united the bright school (Canto IV., line 89) -
Gustave Dore
Soon they o'ertook us; with such swiftness mov'd The mighty crowd. (Canto XVIII., lines 98-99) -
Gustave Dore
spirits, that toward us mov'd their steps, (Canto III., line 60) -
Gustave Dore
Strict rein must in this place direct the eyes. A little swerving and the way is lost. (Canto XXV., lines122-123) -
Gustave Dore
Take Good heed, thy soles do tread not on the heads (Canto XXXII., lines 20-21) -
Gustave Dore
Saint Mary Magdalene - Michele di Ridolfo del Ghirlandaio (see Tosini)
Portrait of Miss D'Aranda as a child, full-length, in a white dress with a blue sash and white bonnet, holding a coral tipped toy in her left hand - (after) Highmore, Joseph
Back of the Village, Hastings-on-Hudson, New York - Jasper Francis Cropsey
Romantic Landscape (Last of the Mohicans), 1827 - Thomas Cole
Servants in a kitchen interior - Dutch School
Le Bassin Du Roi Au Havre - Edmond Marie Petitjean
The Confirmation Of The Rule Detail 1295-1300 - Giotto Di Bondone
Mountain Landscape - Ludwig Franz Karl Bohnstedt
Mending Nets - William Joseph Shayer