Soon they o'ertook us; with such swiftness mov'd The mighty crowd. (Canto XVIII., lines 98-99) -
Gustave Dore
spirits, that toward us mov'd their steps, (Canto III., line 60) -
Gustave Dore
Strict rein must in this place direct the eyes. A little swerving and the way is lost. (Canto XXV., lines122-123) -
Gustave Dore
Take Good heed, thy soles do tread not on the heads (Canto XXXII., lines 20-21) -
Gustave Dore
Thais is this, the harlot (Canto XVIII., line 130) -
Gustave Dore
That on white forehead set a pearl as strong (Canto III., line 14) -
Gustave Dore
A wooded river landscape - Herbert Moxon Cook
Portrait Of A Girl - (after) Lawrence, Sir Thomas
Lake Louise, British Columbia - Edward Henry Potthast
Portrait of John Crome 1768-1821 - John Opie
Elegant figures dining in a garden by a canal - Louis De Caullery
View across Clapham Common towards North Side and The Pavement 1878 - C. Norris
The Art Class - F.A. Howard
Design For Four Bodyguards Of The Sea-king In Sadko - Lev Samoilovich Bakst
Atelier op Villa Nova - the interior of the artist's studio - Egbert Rubertus Derk Schaap