Allegory of the town of Fiesole from the ceiling of the Salone dei Cinquecento, 1565 -
Giorgio Vasari
Ceremony in the Inca Capital of Cuzco Manco Capac confers distinction on the Princes of the Blood by piercing their ears -
Gerolamo Fumagalli
The Rustic Banquet celebrating the marriage of Cupid and Psyche, with the three lunettes above depicting one of Psyches ordeals to bring back from the Underworld a jar containing the beauty of Proserpine, from the Sala di Amore e Psiche, 1528 -
Giulio Romano (Orbetto)
Arethusa Pursued by Alpheus and Turned into a Fountain, 1731 -
Bernard Picart
Study for the Three Graces -
Raphael
The Inferno, Canto 18, lines 130-132: Thais is this, the harlot, whose false lip Answerd her doting paramour that askd, Thankest me much! -
Gustave Dore
The Inferno, Canto 28, lines 30,31: Now mark how I do rip me: lo! How is Mahomet mangled. -
Gustave Dore
Caricature of Emile Zola 1840-1902 and his role in the Dreyfus Affair with reference to his novel Une Page dAmour -
H. Lebourgeois
Hairstyles with ribbons, illustration from 'La Mode Illustree', 1872 -
Anais Codouze
A Young Girl from Timbuktoo Being Offered by a Slave Master in Tripoli in 1854, from Voyages au Soudan et dans LAfrique Septentrionale, engraved by A. Adam, 1850 -
Pierre Tremaux
Tangoville sur Mer, caricature of Coco Chanel 1883-1971 dancing with Arthur Boy Capel, 1913 -
Georges Goursat Sem
The Interior of the Parthenon, illustration from Le Costume Ancien ou Moderne by Jules Ferrario, engraved by G. Castellini, Milan 1821 -
Alessandro Sanquirico
Caricature of prostitutes with their clients, from Le Rire, 1901 -
Edouard Touraine
Russian sailor in the Uniform of the Russian Navy at the end of the nineteenth century -
Anonymous Artist 
