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The Inferno, Canto 23, lines 52-54: Scarcely had his feet Reach’d to the lowest of the bed beneath, When over us the steep they reach’d

by Gustave Dore

The Inferno, Canto 23, lines 52-54: Scarcely had his feet Reach’d to the lowest of the bed beneath, When over us the steep they reach’d - Gustave Dore
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The Inferno, Canto 23, lines 52-54: Scarcely had his feet Reach’d to the lowest of the bed beneath, When over us the steep they reach’d - Gustave Dore

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Description
English: "The Inferno, Canto 23, lines 52-54: Scarcely had his feet Reach’d to the lowest of the bed beneath, When over us the steep they reach’d" oil on Canvas, location: Private collection.
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Author

Gustave Dore

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Location

Private collection

Permission

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Public domain This image (or other media file) is in the public domain because its copyright has expired. However - you may not use this image for commercial purposes and you may not alter the image or remove the WikiGallery watermark.

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Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Côte d'Ivoire has a general copyright term of 99 years and Honduras has 75 years, but they do implement that rule of the shorter term.


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Next Paintings

The Inferno, Canto 23, lines 92-94: “Tuscan, who visitest The college of the mourning hypocrites, Disdain not to instruct us who thou art.” - Gustave Dore
The Inferno, Canto 23, lines 92-94: “Tuscan, who visitest The college of the mourning hypocrites, Disdain not to instruct us who thou art.” - Gustave Dore
The Inferno, Canto 24, lines 89-92: Amid this dread exuberance of woe Ran naked spirits wing’d with horrid fear, Nor hope had they of crevice where to hide, Or heliotrope to charm them out of view. - Gustave Dore
The Inferno, Canto 24, lines 89-92: Amid this dread exuberance of woe Ran naked spirits wing’d with horrid fear, Nor hope had they of crevice where to hide, Or heliotrope to charm them out of view. - Gustave Dore
The Inferno, Canto 25, lines 59-61: The other two Look’d on exclaiming: “Ah, how dost thou change, Agnello!” - Gustave Dore
The Inferno, Canto 25, lines 59-61: The other two Look’d on exclaiming: “Ah, how dost thou change, Agnello!” - Gustave Dore
The Inferno, Canto 26, lines 46-49: The guide, who mark’d How I did gaze attentive, thus began: “Within these ardours are the spirits, each Swath’d in confining fire.” - Gustave Dore
The Inferno, Canto 26, lines 46-49: The guide, who mark’d How I did gaze attentive, thus began: “Within these ardours are the spirits, each Swath’d in confining fire.” - Gustave Dore
The Inferno, Canto 28, lines 116-119: By the hair It bore the sever’d member, lantern-wise Pendent in hand, which look’d at us and said, “Woe’s me!” - Gustave Dore
The Inferno, Canto 28, lines 116-119: By the hair It bore the sever’d member, lantern-wise Pendent in hand, which look’d at us and said, “Woe’s me!” - Gustave Dore
The Inferno, Canto 28, lines 30,31: Now mark how I do rip me: lo! How is Mahomet mangled. - Gustave Dore
The Inferno, Canto 28, lines 30,31: Now mark how I do rip me: lo! How is Mahomet mangled. - Gustave Dore
The Inferno, Canto 28, lines 69-72: call thou to mind Piero of Medicina, if again Returning, thou behold’st the pleasant land That from Vercelli slopes to Mercabo - Gustave Dore
The Inferno, Canto 28, lines 69-72: call thou to mind Piero of Medicina, if again Returning, thou behold’st the pleasant land That from Vercelli slopes to Mercabo - Gustave Dore
The Inferno, Canto 29, lines 4-6: But Virgil rous’d me: “What yet gazest on? Wherefore doth fasten yet thy sight below Among the maim’d and miserable shades? - Gustave Dore
The Inferno, Canto 29, lines 4-6: But Virgil rous’d me: “What yet gazest on? Wherefore doth fasten yet thy sight below Among the maim’d and miserable shades? - Gustave Dore
The Inferno, Canto 29, lines 52-56: Then my sight Was livelier to explore the depth, wherein The minister of the most mighty Lord, All-searching Justice, dooms to punishment The forgers noted on her dread record. - Gustave Dore
The Inferno, Canto 29, lines 52-56: Then my sight Was livelier to explore the depth, wherein The minister of the most mighty Lord, All-searching Justice, dooms to punishment The forgers noted on her dread record. - Gustave Dore
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