From WikiGallery

Jump to: navigation, search
Share:        Link to this page
Jump to: navigation, search

Then, upon the velvet sinking, I betook myself to linking Fancy unto fancy.

by Gustave Dore

Then, upon the velvet sinking, I betook myself to linking Fancy unto fancy. - Gustave Dore
Order as handmade oil painting

Then, upon the velvet sinking, I betook myself to linking Fancy unto fancy. - Gustave Dore

[locked]

Information

Description
English: "Then, upon the velvet sinking, I betook myself to linking Fancy unto fancy." oil on Canvas.
Source

http://www.wikigallery.org/

Author

Gustave Dore

Download

Click here to download image

Permission

Free for non commercial use. See below. Click here to report copyright issues.

Like it

[locked]

Licensing

Public domain This image (or other media file) is in the public domain because its copyright has expired. However - you may not use this image for commercial purposes and you may not alter the image or remove the WikiGallery watermark.

This applies to the United States, Canada, the European Union and those countries with a copyright term of life of the author plus 70 years.


Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Côte d'Ivoire has a general copyright term of 99 years and Honduras has 75 years, but they do implement that rule of the shorter term.


[locked]

Rate this Painting

Current Rating:
7.00 stars of max. 10
Click on the stars
to rate this painting


[locked]

Next Paintings

Thence issuing we again beheld the stars. (Canto XXXIV., line 133) - Gustave Dore
Thence issuing we again beheld the stars. (Canto XXXIV., line 133) - Gustave Dore
There I with little innocents abide, (Canto VII., line 31) - Gustave Dore
There I with little innocents abide, (Canto VII., line 31) - Gustave Dore
There stood I like the friar, (Canto XIX., line 10) - Gustave Dore
There stood I like the friar, (Canto XIX., line 10) - Gustave Dore
They grappled him with more than hundred hooks. (Canto XXI., line 51) - Gustave Dore
They grappled him with more than hundred hooks. (Canto XXI., line 51) - Gustave Dore
Three nymphs (Canto XXIX., line 126) - Gustave Dore
Three nymphs (Canto XXIX., line 126) - Gustave Dore
to return To the fair world. (Canto XXXIV., lines 128-129) - Gustave Dore
to return To the fair world. (Canto XXXIV., lines 128-129) - Gustave Dore
Troupeau De Cerfs Dans Les Montagnes - Gustave Dore
Troupeau De Cerfs Dans Les Montagnes - Gustave Dore
Two Owls - Gustave Dore
Two Owls - Gustave Dore
Unceasing was the play of wretched hands, (Canto XIV., line 37) - Gustave Dore
Unceasing was the play of wretched hands, (Canto XIV., line 37) - Gustave Dore
[locked]

Related Paintings

A wooded lake landscape with figures, a cottage beyond - George, of Chichester Smith
A wooded lake landscape with figures, a cottage beyond - George, of Chichester Smith
James Paca - (after) Longacre, James Barton
James Paca - (after) Longacre, James Barton
Carmel Shore1 - Guy Rose
Carmel Shore1 - Guy Rose
Madonna Col Bambino E San Giovannino - Cesare Dandini
Madonna Col Bambino E San Giovannino - Cesare Dandini
Woman In The Wind By The Sea - Franz Marc
Woman In The Wind By The Sea - Franz Marc
Self portrait 1939 - Istvan Reti
Self portrait 1939 - Istvan Reti
After Prince Igors Battle With The Polovtsy Detail 2 1880 - Viktor Vasnetsov
After Prince Igors Battle With The Polovtsy Detail 2 1880 - Viktor Vasnetsov
Venus And Cupid 2 - (after) Lavinia Fontana
Venus And Cupid 2 - (after) Lavinia Fontana
Crucifixion 2 - (after) Dyck, Sir Anthony van
Crucifixion 2 - (after) Dyck, Sir Anthony van
[locked]

US Art related news

Press Releases - City of Houston
MOZAIK Philanthropy Announces The Future Art Writers Award - Hyperallergic
Hobby Lobby's $1.6 million Gilgamesh tablet has been forfeited to the U.S. - CNBC
Artist Henry Koerner's home in Squirrel Hill earns historic landmark plaque - Pittsburgh Post-Gazette
Examining weather patterns in art: It's not just about painting pretty clouds - Washington Post - The Washington Post
The 10 Best Art Schools in the US - Art & Object
Why martial arts are good for us - CEOWORLD magazine
IPG launches data-driven creative agency Performance Art - Campaign US
How will US money laundering crackdown actually impact the art market? A lawyer explains - Art Newspaper
Risky business: how new US sanctions regulations will actually impact the art market - Art Newspaper
Personal tools