The heav'nly steersman at the prow was seen, (Canto II., line 45) -
Gustave Dore
The Inferno, Canto 10, lines 40-42: He, soon as there I stood at the tombs foot, Eyd me a space, then in disdainful mood Addressd me: Say, what ancestors were thine? -
Gustave Dore
The Inferno, Canto 11, lines 6-7: From the profound abyss, behind the lid Of a great monument we stood retird -
Gustave Dore
The Inferno, Canto 12, lines 11-14: and there At point of the disparted ridge lay stretchd The infamy of Crete, detested brood Of the feignd heifer -
Gustave Dore
The Inferno, Canto 12, lines 38-39: One cried from far: Say to what pain ye come Condemnd, who down this steep have journied? -
Gustave Dore
The Inferno, Canto 12, lines 73-74: We to those beasts, that rapid strode along, Drew near -
Gustave Dore
The Inferno, Canto 13, line 120: Haste now, the foremost cried, now haste thee death! -
Gustave Dore
The Inferno, Canto 13, lines 11: Here the brute Harpies make their nest -
Gustave Dore
The Inferno, Canto 14, line 37-39: Unceasing was the play of wretched hands, Now this, now that way glancing, to shake off The heat, still falling fresh. -
Gustave Dore
The Saloon, Buckingham Palace from Pynes Royal Residences, 1818 - William Henry Pyne
Portrait of a gentleman, half-length, in a black coat and collar, holding a book - (after) Frans Hals
Stag Running through a Wood, c.1865 - Gustave Courbet
The Hedge Aka The Clearing - Georges Seurat
Figures in a frozen landscape - Dutch School
River Landscape - William Alfred Gibson
Messing About on the River - Myles Birket Foster
Sailing Boats, 1916 - Joaquin Sorolla y Bastida
A prize greyhound in an interior - (after) Samuel Spode