From WikiGallery

Jump to: navigation, search
Share:        Link to this page
Jump to: navigation, search

Sala dei Cavalli, detail showing a portrait of Morel Favorito, a horse from the stables of Ludovico Gonzaga III of Mantua, 1528

by Giulio Romano (Orbetto)

Sala dei Cavalli, detail showing a portrait of Morel Favorito, a horse from the stables of Ludovico Gonzaga III of Mantua, 1528 - Giulio Romano (Orbetto)
[locked]

Information

Description
English: "Sala dei Cavalli, detail showing a portrait of Morel Favorito, a horse from the stables of Ludovico Gonzaga III of Mantua, 1528" oil on Canvas.
Source

http://www.wikigallery.org/

Date

1528

Author

Giulio Romano (Orbetto)

Download

Click here to download image

Permission

Free for non commercial use. See below. Click here to report copyright issues.

Like it

[locked]

Licensing

Public domain This image (or other media file) is in the public domain because its copyright has expired. However - you may not use this image for commercial purposes and you may not alter the image or remove the WikiGallery watermark.

This applies to the United States, Canada, the European Union and those countries with a copyright term of life of the author plus 70 years.


Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Côte d'Ivoire has a general copyright term of 99 years and Honduras has 75 years, but they do implement that rule of the shorter term.


[locked]

Rate this Painting

NOT RATED YET
Click on the stars
to rate this painting


[locked]

Next Paintings

Sala dei Giganti, detail of the destruction of the giants by Jupiters thunderbolts, 1536 - Giulio Romano (Orbetto)
Sala dei Giganti, detail of the destruction of the giants by Jupiters thunderbolts, 1536 - Giulio Romano (Orbetto)
Sala dei Giganti, detail of the destruction of the giants by Jupiters thunderbolts, 1536 2 - Giulio Romano (Orbetto)
Sala dei Giganti, detail of the destruction of the giants by Jupiters thunderbolts, 1536 2 - Giulio Romano (Orbetto)
Sala dei Giganti, detail of the destruction of the giants by Jupiters thunderbolts, 1536 3 - Giulio Romano (Orbetto)
Sala dei Giganti, detail of the destruction of the giants by Jupiters thunderbolts, 1536 3 - Giulio Romano (Orbetto)
Sala dei Giganti, detail of the destruction of the giants by Jupiters thunderbolts, 1536 4 - Giulio Romano (Orbetto)
Sala dei Giganti, detail of the destruction of the giants by Jupiters thunderbolts, 1536 4 - Giulio Romano (Orbetto)
Sala dei Giganti, detail of the destruction of the giants by Jupiters thunderbolts, 1536 5 - Giulio Romano (Orbetto)
Sala dei Giganti, detail of the destruction of the giants by Jupiters thunderbolts, 1536 5 - Giulio Romano (Orbetto)
Scene of the sacrifice of a dove, ceiling caisson from the Sala di Amore e Psiche, 1528 - Giulio Romano (Orbetto)
Scene of the sacrifice of a dove, ceiling caisson from the Sala di Amore e Psiche, 1528 - Giulio Romano (Orbetto)
Scene showing that those born under the sign of Aquarius in conjunction with the constellation of Aquila are imparted with warlike virtues, symbolised by a scene of triumph, from the Camera dei Venti, 1528 - Giulio Romano (Orbetto)
Scene showing that those born under the sign of Aquarius in conjunction with the constellation of Aquila are imparted with warlike virtues, symbolised by a scene of triumph, from the Camera dei Venti, 1528 - Giulio Romano (Orbetto)
Scene showing that those born under the sign of Aries in conjunction with the constellation of the Goat are imparted with an aptitude for playing the zampogna and an inclination to amorous passions, symbolised by the musician and the pastoral dance, from - Giulio Romano (Orbetto)
Scene showing that those born under the sign of Aries in conjunction with the constellation of the Goat are imparted with an aptitude for playing the zampogna and an inclination to amorous passions, symbolised by the musician and the pastoral dance, from - Giulio Romano (Orbetto)
Scene showing that those born under the sign of Aries in conjunction with the constellation of the Ship and Dolphin are imparted with aptitudes for navigation and swimming, symbolised by the ship and swimmers, from the Camera dei Venti, 1528 - Giulio Romano (Orbetto)
Scene showing that those born under the sign of Aries in conjunction with the constellation of the Ship and Dolphin are imparted with aptitudes for navigation and swimming, symbolised by the ship and swimmers, from the Camera dei Venti, 1528 - Giulio Romano (Orbetto)
[locked]

Related Paintings

Similarities Between the Head of a Boar and a Man - (after) Le Brun, Charles
Similarities Between the Head of a Boar and a Man - (after) Le Brun, Charles
A Young Girl With Swans - Edward Atkinson Hornel
A Young Girl With Swans - Edward Atkinson Hornel
Labourers and Carthorses in a Stable Interior - George Morland
Labourers and Carthorses in a Stable Interior - George Morland
St. Jerome Removing a Thorn from the Lion's Paw c.1445 - Niccolo Antonio Colantonio
St. Jerome Removing a Thorn from the Lion's Paw c.1445 - Niccolo Antonio Colantonio
The Flock Masters Hope The Spring Time of the Year - Thomas Sidney Cooper
The Flock Masters Hope The Spring Time of the Year - Thomas Sidney Cooper
Leda And The Swann - Leon Francois Comerre
Leda And The Swann - Leon Francois Comerre
Ruins in a Moonlit Landscape - Arnold Böcklin
Ruins in a Moonlit Landscape - Arnold Böcklin
The Tartary Cow - (after) Gobin, H.
The Tartary Cow - (after) Gobin, H.
New tricks - Augustus Edward Mulready
New tricks - Augustus Edward Mulready