Modern Grace or, The Operatical Finale of the Ballet of Alonzo e caro - 
Thomas Rowlandson  
A Highlander Black Watch attending a General of Hussars, possibly Lord Uxbridge a study for The Battle of Waterloo - 
George Jones  
Shooting, plate 2, engraved by William Woollett 1735-85 1770 - 
George Stubbs  
Chestnut Racehorse Exercised by a Trainer in a Blue Coat - 
James Seymour  
The Round Course at Newmarket, Preparing for the Kings Plate, c.1725 - 
Peter Tillemans  
The Ruins, Kew Gardens, plate 15 from Kew Gardens A Series of Twenty-Four Drawings on Stone, engraved by Charles Hullmandel 1789-1850 published 1820 - 
(after) Papendiek, George Ernest  
A Thatched Cottage and Trees at the Turn of a Country Road - 
James Ward  
Mambrino, engraved by George Townley Stubbs 1756-1815 pub. 1794 - 
George Stubbs  
Agropoli, The Temples of Paestum, and the Bay of Salerno - 
Dominic Serres  
Landscape at Hampstead with Harrow in the Distance, c.1849-55 - 
Lionel Constable  
Study of the Human Figure, Posterior View, Undissected, Finished Study for Table VII, from A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl, 1795-1806 - 
George Stubbs  
Borrowdale, Evening after a Fine Day, October 1, 1806 - 
John Constable  
The Duke of Ancasters Bay Stallion, Blank, walking towards a Mare - 
William Shaw  
Vinters in Kent, seat of James Whatman Esq., from Views in Kent, 1800 - 
John George Wood  
Study of the Human Figure, Posterior View, from A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl, c.1795-1806 7 - 
George Stubbs  
The Pilgrimage to Canterbury, engraved by James Heath 1757-1834 and Luigi Schiavonetti 1765-1810 - 
Thomas Stothard