The Inferno, Canto 13, lines 11: Here the brute Harpies make their nest -
Gustave Dore
The Inferno, Canto 14, line 37-39: Unceasing was the play of wretched hands, Now this, now that way glancing, to shake off The heat, still falling fresh. -
Gustave Dore
The Inferno, Canto 15, lines 28-29: Sir! Brunetto! And art thou here? -
Gustave Dore
The Inferno, Canto 17, line 117: New terror I conceivd at the steep plunge -
Gustave Dore
The Inferno, Canto 18, line 38: Ah! how they made them bound at the first stripe! -
Gustave Dore
The Inferno, Canto 18, lines 116-117: Why greedily thus bendest more on me, Than on these other filthy ones, thy ken? -
Gustave Dore
The Inferno, Canto 18, lines 130-132: Thais is this, the harlot, whose false lip Answerd her doting paramour that askd, Thankest me much! -
Gustave Dore
The Inferno, Canto 19, lines 10-11: There stood I like the friar, that doth shrive A wretch for murder doomd -
Gustave Dore
The Inferno, Canto 21, lines 50-51: This said, They grappled him with more than hundred hooks -
Gustave Dore
The Scottish Volunteer Force Review Edinburgh - Robert Gemmell Hutchison
The Silence of the Snow - Bucket Mill, on the Feugh, Finzean - Joseph Farquharson
Bordighera, Liguria, Italy - Edward Lear
A Country Scene With Cattle - Marianus Adrianus Koekkoek
The Teazle Field, from Costume of Yorkshire engraved by Robert Havell (1769-1832) 1814 - (after) Walker, George
Crossing of the Rhine by the Protestant Swedish troops and the Conquest of Oppenheim on 7 November 1631 from Theatrum Europaeum Volume II 1633 - Matthäus the Elder Merian
Conway Castle 2 - Thomas Girtin
Cattle, goats and sheep by birches in a wooded landscape - (after) Balthasar Paul Ommeganck
The Dey Hussein Ibn El Hussein leaving Algiers after the city has been captured on the 4th July 1830 - Coppin