From WikiGallery

Jump to: navigation, search
Share:        Link to this page
Jump to: navigation, search

The Inferno, Canto 19, lines 10-11: There stood I like the friar, that doth shrive A wretch for murder doom’d

by Gustave Dore

The Inferno, Canto 19, lines 10-11: There stood I like the friar, that doth shrive A wretch for murder doom’d - Gustave Dore
Order as handmade oil painting

The Inferno, Canto 19, lines 10-11: There stood I like the friar, that doth shrive A wretch for murder doom’d - Gustave Dore

[locked]

Information

Description
English: "The Inferno, Canto 19, lines 10-11: There stood I like the friar, that doth shrive A wretch for murder doom’d" oil on Canvas, location: Private collection.
Source

http://www.wikigallery.org/

Author

Gustave Dore

Download

Click here to download image

Location

Private collection

Permission

Free for non commercial use. See below. Click here to report copyright issues.

Like it

[locked]

Licensing

Public domain This image (or other media file) is in the public domain because its copyright has expired. However - you may not use this image for commercial purposes and you may not alter the image or remove the WikiGallery watermark.

This applies to the United States, Canada, the European Union and those countries with a copyright term of life of the author plus 70 years.


Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Côte d'Ivoire has a general copyright term of 99 years and Honduras has 75 years, but they do implement that rule of the shorter term.


[locked]

Rate this Painting

Current Rating:
10.00 stars of max. 10
Click on the stars
to rate this painting


[locked]

Next Paintings

The Inferno, Canto 21, lines 50-51: This said, They grappled him with more than hundred hooks - Gustave Dore
The Inferno, Canto 21, lines 50-51: This said, They grappled him with more than hundred hooks - Gustave Dore
The Inferno, Canto 22, line 70: In pursuit He therefore sped, exclaiming; “Thou art caught.” - Gustave Dore
The Inferno, Canto 22, line 70: In pursuit He therefore sped, exclaiming; “Thou art caught.” - Gustave Dore
The Inferno, Canto 22, lines 137-139: But the’ other prov’d A goshawk able to rend well his foe; And in the boiling lake both fell. - Gustave Dore
The Inferno, Canto 22, lines 137-139: But the’ other prov’d A goshawk able to rend well his foe; And in the boiling lake both fell. - Gustave Dore
The Inferno, Canto 23, lines 52-54: Scarcely had his feet Reach’d to the lowest of the bed beneath, When over us the steep they reach’d - Gustave Dore
The Inferno, Canto 23, lines 52-54: Scarcely had his feet Reach’d to the lowest of the bed beneath, When over us the steep they reach’d - Gustave Dore
The Inferno, Canto 23, lines 92-94: “Tuscan, who visitest The college of the mourning hypocrites, Disdain not to instruct us who thou art.” - Gustave Dore
The Inferno, Canto 23, lines 92-94: “Tuscan, who visitest The college of the mourning hypocrites, Disdain not to instruct us who thou art.” - Gustave Dore
The Inferno, Canto 24, lines 89-92: Amid this dread exuberance of woe Ran naked spirits wing’d with horrid fear, Nor hope had they of crevice where to hide, Or heliotrope to charm them out of view. - Gustave Dore
The Inferno, Canto 24, lines 89-92: Amid this dread exuberance of woe Ran naked spirits wing’d with horrid fear, Nor hope had they of crevice where to hide, Or heliotrope to charm them out of view. - Gustave Dore
The Inferno, Canto 25, lines 59-61: The other two Look’d on exclaiming: “Ah, how dost thou change, Agnello!” - Gustave Dore
The Inferno, Canto 25, lines 59-61: The other two Look’d on exclaiming: “Ah, how dost thou change, Agnello!” - Gustave Dore
The Inferno, Canto 26, lines 46-49: The guide, who mark’d How I did gaze attentive, thus began: “Within these ardours are the spirits, each Swath’d in confining fire.” - Gustave Dore
The Inferno, Canto 26, lines 46-49: The guide, who mark’d How I did gaze attentive, thus began: “Within these ardours are the spirits, each Swath’d in confining fire.” - Gustave Dore
The Inferno, Canto 28, lines 116-119: By the hair It bore the sever’d member, lantern-wise Pendent in hand, which look’d at us and said, “Woe’s me!” - Gustave Dore
The Inferno, Canto 28, lines 116-119: By the hair It bore the sever’d member, lantern-wise Pendent in hand, which look’d at us and said, “Woe’s me!” - Gustave Dore
[locked]

Related Paintings

A Rest outside the Inn - Arthur Walker Redgate
A Rest outside the Inn - Arthur Walker Redgate
Barbarigo Altarpiece (detail) 2 - Giovanni Bellini
Barbarigo Altarpiece (detail) 2 - Giovanni Bellini
Icon of St Spyridon with Scenes of his life - Theodoros Pulakis
Icon of St Spyridon with Scenes of his life - Theodoros Pulakis
The Milkmaid - Adolphe Charles Marais
The Milkmaid - Adolphe Charles Marais
August Duke of Saxony - Giuseppe or Josef Grassi
August Duke of Saxony - Giuseppe or Josef Grassi
Portrait of a Family - Jacob Jordaens
Portrait of a Family - Jacob Jordaens
Affliction 1944 - Sir George Clausen
Affliction 1944 - Sir George Clausen
The Rainbow, Autumn, Catskills 1875 - Alfred Thompson Bricher
The Rainbow, Autumn, Catskills 1875 - Alfred Thompson Bricher
Milsom Street from Bath Illustrated by a Series of Views - John Claude Nattes
Milsom Street from Bath Illustrated by a Series of Views - John Claude Nattes
[locked]

European Art related news

6 NYC-Based Asian Artists Who Are Evolving Tattoo Culture - Vogue
Decades ago, a Spokane man briefly needed a place to stay in San Francisco. He wound up with a priceless Ming Dynasty vase - The Spokesman Review
Asian Art Museum holds event to mark 1-year since Atlanta spa shooting - KTVU FOX 2 San Francisco
Meet the Couple Who Founded One of the Only US Spaces Dedicated Solely to South Asian Art - Travel + Leisure
'We have all these people that came before us, and we carry that in who we are.' Our Year of the Tiger series continues. - Princeton University
Why this Chinese artist is outselling Van Gogh - CNN
Art review: 'Revealing Krishna: Journey to Cambodia's Sacred Mountain' at the National Museum of Asian Art - The Washington Post
The best free events in Philadelphia this weekend and next week - The Philadelphia Inquirer
Theresa Wong Builds Soundscapes Inspired by Asian Art - San Francisco Classical Voice
Leading Asian Artists Create New Works Within Hancock Shaker Village - ArtfixDaily
that in who we are.' Our Year of the Tiger series continues. - Princeton University
Personal tools