From WikiGallery

Jump to: navigation, search
Share:        Link to this page
Jump to: navigation, search

The Inferno, Canto 32, lines 97-98: Then seizing on his hinder scalp, I cried: “Name thee, or not a hair shall tarry here.”

by Gustave Dore

The Inferno, Canto 32, lines 97-98: Then seizing on his hinder scalp, I cried: “Name thee, or not a hair shall tarry here.” - Gustave Dore
Order as handmade oil painting

The Inferno, Canto 32, lines 97-98: Then seizing on his hinder scalp, I cried: “Name thee, or not a hair shall tarry here.” - Gustave Dore

[locked]

Information

Description
English: "The Inferno, Canto 32, lines 97-98: Then seizing on his hinder scalp, I cried: “Name thee, or not a hair shall tarry here.”" oil on Canvas, location: Private collection.
Source

http://www.wikigallery.org/

Author

Gustave Dore

Download

Click here to download image

Location

Private collection

Permission

Free for non commercial use. See below. Click here to report copyright issues.

Like it

[locked]

Licensing

Public domain This image (or other media file) is in the public domain because its copyright has expired. However - you may not use this image for commercial purposes and you may not alter the image or remove the WikiGallery watermark.

This applies to the United States, Canada, the European Union and those countries with a copyright term of life of the author plus 70 years.


Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Côte d'Ivoire has a general copyright term of 99 years and Honduras has 75 years, but they do implement that rule of the shorter term.


[locked]

Rate this Painting

Current Rating:
10.00 stars of max. 10
Click on the stars
to rate this painting


[locked]

Next Paintings

The Inferno, Canto 33, lines 62-63: Then, not to make them sadder, I kept down My spirit in stillness. - Gustave Dore
The Inferno, Canto 33, lines 62-63: Then, not to make them sadder, I kept down My spirit in stillness. - Gustave Dore
The Inferno, Canto 33, lines 67-68: ’Hast no help For me, my father!’ - Gustave Dore
The Inferno, Canto 33, lines 67-68: ’Hast no help For me, my father!’ - Gustave Dore
The Inferno, Canto 33, lines 73-74: Then fasting got The mastery of grief. - Gustave Dore
The Inferno, Canto 33, lines 73-74: Then fasting got The mastery of grief. - Gustave Dore
The Inferno, Canto 34, lines 127-129: By that hidden way My guide and I did enter, to return To the fair world - Gustave Dore
The Inferno, Canto 34, lines 127-129: By that hidden way My guide and I did enter, to return To the fair world - Gustave Dore
The Inferno, Canto 34, lines 133: Thus issuing we again beheld the stars. - Gustave Dore
The Inferno, Canto 34, lines 133: Thus issuing we again beheld the stars. - Gustave Dore
The Inferno, Canto 34, lines 20-21: “Lo!” he exclaim’d, “lo Dis! and lo the place, Where thou hast need to arm thy heart with strength.” - Gustave Dore
The Inferno, Canto 34, lines 20-21: “Lo!” he exclaim’d, “lo Dis! and lo the place, Where thou hast need to arm thy heart with strength.” - Gustave Dore
The Inferno, Canto 5, lines 105-106: 'Love brought us to one death: Caina waits The soul, who spilt our life.' - Gustave Dore
The Inferno, Canto 5, lines 105-106: 'Love brought us to one death: Caina waits The soul, who spilt our life.' - Gustave Dore
The Inferno, Canto 5, lines 134-135: 'In its leaves that day We read no more.' - Gustave Dore
The Inferno, Canto 5, lines 134-135: 'In its leaves that day We read no more.' - Gustave Dore
The Inferno, Canto 5, lines 137-138: I through compassion fainting, seem’d not far From death, and like a corpse fell to the ground. - Gustave Dore
The Inferno, Canto 5, lines 137-138: I through compassion fainting, seem’d not far From death, and like a corpse fell to the ground. - Gustave Dore
[locked]

Related Paintings

Figures In An Italianate Landscape - Italian School
Figures In An Italianate Landscape - Italian School
Cordelia's Portion - Ford Madox Brown
Cordelia's Portion - Ford Madox Brown
ward in the hospital in arles 1889 - Vincent Van Gogh
ward in the hospital in arles 1889 - Vincent Van Gogh
Noli me Tangere - (after) Bartholomaeus Spranger
Noli me Tangere - (after) Bartholomaeus Spranger
The Tempation of Saint Anthony - (after) David The Younger Teniers
The Tempation of Saint Anthony - (after) David The Younger Teniers
Les Plaisirs De La Solitude - Jean-Baptiste Le Prince
Les Plaisirs De La Solitude - Jean-Baptiste Le Prince
Noon Day Rest - Edward Moran
Noon Day Rest - Edward Moran
Pandora Opening her Box - James Gillray
Pandora Opening her Box - James Gillray
Abraham's Sacrifice - Rembrandt Van Rijn
Abraham's Sacrifice - Rembrandt Van Rijn
[locked]

American Art related news

Historic Navajo rugs on display at Kings Art Center - Hanford Sentinel
A Stunning Archive of the Work of Early Black Photographers - Atlas Obscura
American Modernisms at the Rollins Museum of Art - Orlando Weekly
Fed agency purchases Straughn painting - Daily Ardmoreite
Coming Attractions: September 19 through October 5 - What Will Light Your Fire - artsfuse.org
Mint Museum In Charlotte Features American Impressionist John Leslie Breck's Art - WFAE
2 years after a devastating fire, Old Town keeps working to revive its downtown - Bangor Daily News
Art Fairs Come Blazing Back, Precarious but Defiant - The New York Times
The MEI Pays Homage to the Contributions of Arabs to American Art - Al-Bawaba
VMFA recipient of major American Arts endowment - rvahub.com
Personal tools